Canmore Highland Games two-day event for the first time ever

Get ready to experience Celtic culture over the course of two full days instead of one as Canmore’s Highland Games celebrates its 33rd year on Aug. 31 and Sept. 1, 2024 at Canmore’s Centennial Park. What better way to spend Labour Day weekend than in one of Canada’s most beautiful mountain towns?  The Canmore Highland Games originated in 1991 armed with a mandate to foster and encourage its Celtic culture and tradition in all its forms – dance, music and sports – and to establish the Canmore Highland Games as an entertainment/cultural destination event. It is fitting that the Highland Games would be hosted in Canmore, as one of the first Highland Games known was organized by King Malcolm III Canmore (1058-1093).

Scottish and Celtic traditions

Canmore is Gaelic for “big head” or “chief”. The bagpipes, the kilts, the heavy sports and the piping, drumming and music have become emblematic of Scotland and the Highland Games blends those core Scottish and Celtic traditions with the picturesque landscape of Canmore.  With an expanded slate of events from Saturday morning to Sunday night, participants and spectators alike will be provided with non-stop entertainment. All events are steeped in rich Gaelic traditions, and will provide a unique experience to visitors. With the additional day added, Canmore Highland Games president Sandy Bunch says, “This year’s Games features more events, extra activities and no shortage of family-friendly experiences for people to enjoy all weekend”. Tickets sell quickly for the main events, which include the Taste of the Highlands and the Canmore Highland Games on Saturday, the Scotch Tastings, the Canmore Highland Games Day 2, and the popular Canmore Ceilidh, all on Sunday.

What’s On

 

The Canmore Highland Games – Aug. 31, 9 a.m. to 4 p.m. and Sept. 1, 8 a.m. to 6 p.m.

The weekend is packed full of exciting new events and favourite activities from the past such as the Heavy Highland Sports contest, Highland Dance competitions, Piping and Drumming competitions, Tug-of-War contests and the British Car & Motorcycle Show. Additional attractions include the Clan Village, Celtic Market and food vendors, beer garden, sheep dog demonstrations, Highland Cattle, and tug of war contests.

Taste of the Highlands – Aug. 31, 5 p.m. to 11 p.m.

Held at the Spring Creek Festival Tent, the Taste of the Highlands features a Celtic lounge atmosphere where event goers can experience tastes of whisky, micro-brews and unique wines. Tastings run from 5 p.m. to 9 p.m. and Scooter’s Bar will be available 7 p.m. – 11 p.m. Admission includes 10 taste tickets to start your night. (Adults Only)

Scotch Tastings at Scooter’s Bar – Sept. 1, 1:30 p.m. to 3 p.m.

Next to the Spring Creek Festival Tent, Scooter’s Bar provides a unique tasting experience featuring a choice of premium and ultra-premium single malts (Adults Only). In addition to purchasing a ticket for a tasting, you must also have a Games entry ticket.

The Canmore Ceilidh – Sept. 1 from 6 p.m. to 11 p.m.

This evening event at the Spring Creek Festival Tent brings a full night of Celtic entertainment celebrating music, dance and song. On tap as the headline act, The Rollin Drones close out the night with a dynamic performance. This 6-piece bagpipe pop band from Glasgow, specializes in taking modern songs and infusing them with traditional flavour. Additional acts include Seanachie, Irish Step Dancers, Highland Dancers and a special guest appearance by the Slainte Social Club Pipe Band.

Scots and wannabe Scots at the Highland Games

Come to learn about new sports, listen to music and taste new foods with the stunning backdrop of the Rockies. Advance Tickets and Bundles are available live on the website’s Tickets page. Admission starts at $12 ($6.25 for children) and includes all daytime events taking place in Centennial Park, except for the afternoon Scotch Tasting on Sunday, which requires an additional ticket. Evening ticketed events include the Taste of the Highlands ($33.75) and the Canmore Ceilidh ($55.50).

The organizers have arranged free, secure off-site parking just off the #1 TransCanada Highway at Exit 89. Free shuttle buses will operate on both days to and from Centennial Park from 7:30 a.m. to 6:30 p.m. Volunteers for all areas are still required. Volunteers receive free admittance to the Canmore Highland Games, gift bag, T-Shirt and a free meal. Duties include event set-up and take down. Sign up online at: canmorehighlandgames.ca/volunteering “It’s thrilling to see Scots and wannabe Scots at the Highland Games celebrating the music, food and sports of the culture. I love when people hear the bagpipes for the first time and fall in love with Celtic music, and when they enjoy the traditional sports, and Highland dancing,” Bunch says.

For the full schedule and online tickets, visit the website at: www.canmorehighlandgames.ca.

Main photo: Massed Pipe Bands in the Rocky Mountains at the Canmore Highland Games. Photo: © CanmoreAlberta.com.

 

Taking the waters: Scotland’s healing wells

The idea that water can heal is older than any written record or folk memory. Across the world and in all eras, drinking, bathing in, or ritually using water as a way to banish a malady or restore vitality is a universal practice. In Scotland, this practice transcended cultural and religious paradigms and endures well into today, as seen every Hogmanay when thousands take a cold plunge into the sea to symbolise an annual reawakening. No iteration of this water-worship, however, carries quite the symbolic potency as the practice of drawing water from healing wells.

The reality of such places is quite different from what you may imagine. Overwhelmingly, healing wells were not built-up receptacles – the word ‘well’ is perhaps misleading, as most were really springs or, in many cases, natural vessels where water accumulated with no source of it within them. In the Gaelic-speaking world, such places can be identified on maps by the word tobairt or tobar. A great deal of them survive only in place names, having long since dried up or been destroyed by plough and sprawl. Often, what appears on a map to be a distinct and easily identifiable location proves to be badly overgrown or obscured, prompting a search through bracken and nettles.

St Bernard’s Well, Edinburgh.

Healing wells have their origins in pre-Christian antiquity. Animism was the prevailing belief of Scotland’s ancient peoples, and this remains a vital way through which Gaels relate to the landscapes and storyscapes of their homelands. Almost any burn, river, waterfall, cave pool, or pond had beings who guarded it and dispensed its benefits and dangers to those who sought them. When early Christian saints such as Columba, Cuthbert, and Blane learned of local traditions around water bodies, they began a process of syncretism in which old deities were paralleled with new ones. So, a spring with restorative properties which once may have been the domain of a water-spirit was imbued with the power of a saint and became identified with them. It was only, so far as we know, after this process of Christianisation that such water sources became exclusively known for their healing properties.

Miraculous properties

Clach-na-Cruich in Fearnan.

What kind of afflictions did people go to healing wells to cure? A series of sites around the eastern reaches of Loch Tay in Highland Perthshire are perfectly illustrative. A stone-lined spring across the River Tay from Taymouth Castle called An Tobar was especially renowned for curing toothache. Its stones have veins of white quartz, a sacred material thought to hold miraculous properties. Another nearby called Tobar Nan Dileag (Well of Drips) remedied whooping cough, a common affliction for children throughout the Middle Ages. Rainwater which pooled in a natural cavity atop a boulder at Fearnan, known as Clach-na-Cruich (Stone of the Vessel), was especially for curing measles. Waters collected in clefts in prominent stones were believed to be particularly effective for treating that condition.

The list of illnesses which a healing well could remedy is as long as the number of tragedies and nuisances any pre-modern community might deal with – rheumatism, consumption, warts, smallpox, headaches, tumours, dementia, and so on. The key to getting the maximum benefit from the waters was not as simple as imbibing them, however. How and when a person used a healing well, and the way the location was treated by the community, could make all the difference.

Certain times of year were seen as being especially effective. The 1st of May was particularly fortuitous, coinciding with a key turning point of the year. Sunrise and sunset were the optimal times of day to seek them, especially if it coincided with a celestial event such as a full moon or solstice. Small offerings of coins, cloth, or personal affects were often left at the wells, and on approach to them people would enact rituals such as walking silently around the well several times before drawing from its waters.

Ancient boundary

An Tobar Holy Well of Inchadney, near Kenmore.

The location of the well mattered, too. Healing wells located at the ancient boundary between two territories were among the most sought-out, as were wells in locations primed to optimise the spectacle of the rising sun or where traditional held there to be a fairy mound or sacred site nearby. Some places held inherent specialness by virtue of their liminal nature existing as middle-grounds between worlds. Water dripping from certain caves, for instance, was thought to be extremely potent, as were wells located at the foot of venerated hills such as St Mary’s Well at the base of the Eildons in the Scottish Borders. The fact that ancient artefacts such as Bronze Age axeheads are frequently found near such healing wells is testament to the enduring belief in their locations’ significance.

Conversely, it was possible for healing wells to lose their powers. Allowing an animal such as a cow to drink directly from one would instantly nullify its properties. Washing one’s dirty hands in a healing well caused this, too. Loss of healing powers could also occur if the stream which a healing well sat alongside was diverted, or if a structure was built too close in proximity to it. The Reformation sought to quash the practice of healing wells, as it held them to be idolatrous. An Act of Parliament in 1581 decried the “pervers[e] inclination … of pilgrimage to sum chappellis wells”. This did little to curb everyday belief in their powers, however, in much the same way that the spread of Christianity did not erase peoples’ belief in decidedly undogmatic phenomenon such as faeries, water-horses, or household familiars known as brownies. In fact, some brownies were famously associated with sacred waters and healing wells, and their tempers determined how effective treatment would be.

Spiritual significance

Shrine to Virgin Mary and Holy Well in Daliburgh, South Uist.

By the late 17th century, the source of healing wells’ power was held by some to be a matter of the chemical properties of the water. Certain flavours were sought out as being indicative of healing properties, notably heavily mineralised waters and peculiar flavours such as a smoky or even, perhaps counterintuitively to us, sulphurous notes. The latter was the case with St Bernard’s Well, perhaps Scotland’s best-known healing well thanks to its location along the high-traffic Water of Leith between Stockbridge and Dean Village in Edinburgh. A natural spring was found there by schoolboys in the 1760s and quickly gained fame for its waters, which tasted “like washings from a foul gun barrel”. The site had spiritual significance long before this, as the 12th century monk St Bernard of Clairvaux is reputed to have lived in a nearby cave. The spring was capped by a Neoclassical temple adorned by a statue of the Greco-Roman goddess of hygiene, Hygieia, and was even visited by Dr Frankenstein in Mary Shelley’s eponymous classic.

In the 19th century the Victorian craze for mineral baths and spas took off, with mountain waters in places like Pitlochry piped into hydropathic hotels explicitly marketed for their healing and aesthetic qualities. The focus shifted firmly to the purity and mineralisation of the bath waters, with the older emphases on landscape context, visiting time, and imbibing rituals entirely removed. Meanwhile, many of the settlements around ancient healing wells were cleared of their people, the wells themselves falling into disuse and out of community memory. Yet, there are still hundreds of very old healing wells to be found across Scotland, from seemingly inauspicious bowls worn into boulders to moss-strewn pools quietly bubbling away on Highland and Lowland hillsides alike. Humble though many may be, they are one of the oldest connections we have to the relationship past peoples had with their landscapes, and to the universal human desire to alleviate the suffering of ourselves and those we love.

Words and images by: David C. Weinczok.

Kryal Castle Highland Spectacular returns in August

On 17-18 August 2024, Clans will gather once again at Kryal Castle, Ballarat to the haunting sound of a lone piper calling all to gather within its mighty walls as the Highland Spectacular returns for a second year. Last year saw 4,500 people attend over the weekend, an outstanding success for an inaugural event.

Range of activities

Jousting at Highland Spectacular.

This year’s event promises to be even more spectacular. Kryal Castle will celebrate the 750th anniversary of the birth of Robert the Bruce, King of Scots (from 1306 to 1329), with a mighty battle between the knights of England and Scotland on the tournament field. Lances will be smashed in the joust to prove once and for all that Scots are indeed the superior warriors. Witness ‘The Bruce’ demonstrate his prowess in the skill-at-arms riding his mighty steed against de Bohun and discover who the real William Wallace was with entertaining performances by the Castle players.

For those that have never been to Edinburgh for the Tattoo, this is as close as you can get outside of Scotland. See massed pipes and drums celebrating the music of Scotland on the main arena, enjoy spirited Highland dancing and be amazed by the burly lads and lasses from Highland Muscle displaying incredible feats of strength including caber tossing, hammer throw and other expositions of superhuman highland strength.  Simon Abney-Hastings, the 15th Earl of Loudoun, returns as the Chief of the Day. The Earl attended the coronation of Charles III, officially presenting golden spurs to His Majesty the King during the ceremony. The featured Clan for the event will of course be Clan Bruce.

This year there are even more Clan tents with information about ancestry and the origins of families in Scotland. There will be vendors selling kilts and Scottish regalia, haggis, potato scones, whisky and other delicious Scottish fare. For the animal lovers, there will be Highland ponies, a Highland cow and the noble deerhound display.  Saturday evening features a Highland Feast with haggis and other fine Scottish culinary delights. Accompanying the delicious food will be selected whiskys and a talk about the distilling and tasting notes. After dinner a ceilidh with the stirring Hebridean tunes of Auld Alliance who will also teach you traditional dances.

Family friendly

Massed bands

The kids will have plenty on offer to keep them entertained with the knight’s school, archery, demonstrations, face painting, spell casting and potions in the wizard’s tower, displays and hands-on learning. Entry also includes access to the dragon’s labyrinth, the knight’s tower and throne room. Creative director for the event, Andrew McKinnon, is immensely proud of the inaugural event and excited about seeing the event grow in 2024.  Andrew said: “We saw thousands of people attend the event from the huge Scots diaspora around Ballarat in 2023. My hope is that we can attract more proud Scots from wider afield. Kryal Castle is only an hour from Melbourne. To see all the amazing attractions in a Castle setting re ally makes this the closest thing to being in Scotland. Let’s not forget Ballarat has its own tartan!”

A proud history

Andrew MacKinnon and Earl of Loudoun.

The Scots have a proud history in the Ballarat area. Many were attracted by the goldrush and were motivated to emigrate by poverty, famine and social upheaval. The city of Ballarat was first surveyed by William Swan Urquhart, born in Ross Shire, Scotland in 1818. Scottish emigrants took to the opportunities provided by early 19th century Ballarat, becoming merchants, foundry men, bankers, investors, pastoralists, and mine or business managers.  Their success can be seen in the number of Scots who became notable in public life and for their benevolence in public institutions such as schools, hospitals and public buildings. Notably, statues of both William Wallace and Robert Burns adorn the streets of Ballarat. A sizeable proportion of those attending the inaugural event were from the large Scots diaspora residing near Ballarat and in the Central Highlands region of Victoria.

Kryal Castle Highland Spectacular tickets are all-inclusive and on sale now. Ticket numbers are limited and are prepurchase only, no tickets will be available at the gate. Tickets are available from the Kryal Castle website, www.kryalcastle.com.au. The Highland Spectacular is proudly presented by Kryal Castle.

Floral Clock blooms in honour of the Royal National Lifeboat Institution’s bicentenary

Edinburgh’s Lord Provost has officially opened this year’s incarnation of the Floral Clock. Work has finished to complete this year’s design on the world’s oldest Floral Clock in Edinburgh’s West Princes Street Gardens. For 2024, the hugely popular landmark celebrates 200 years of the Royal National Lifeboat Institution (RNLI). A team of three gardeners took just six weeks to plant over 35,000 flowers and plants used to create the clock, which will be in bloom until October. There are 20 different plants included in this year’s design such as antennaria, crassula, echevaria, sedum, saxifrage and annuals such as pyrethrum, begonias and geraniums. Former Botanical Services Manager, David Dorward, has been planting the clock for 42 years, and despite being retired he continues to return to supervise the effort and to train new staff members in the tradition.

The Floral Clock was first created in 1903 by then Edinburgh Parks Superintendent, John McHattie, and is the oldest of its kind in the world. It initially operated with just an hour hand, with a minute hand added in 1904, followed by a cuckoo clock in 1952. Until 1972 the clock was operated mechanically and had to be wound daily. Since 1946 it has been designed in honour of various organisations and individuals, including the Girl Guides Association, Robert Louis Stevenson and the Queen, for her Golden Jubilee. In the clock’s centenary year in 2003 it won a Gold Medal at the RHS Chelsea Flower Show.

Saving lives at sea

Lord Provost of the City of Edinburgh Robert Aldridge, City of Edinburgh Floral Clock team and RNLI representatives. Images courtesy of the City of Edinburgh Council.

The Lord Provost of the City of Edinburgh Robert Aldridge said: “It’s important that we honour organisations and individuals that have a positive impact on our communities. The RNLI volunteers and staff work tirelessly to save lives at sea daily, and after 200 years they have saved over 146,000 lives. I’d like to thank our fantastic colleagues who have been working on this year’s Floral Clock that we see before us. It is a very special occasion to be here today to recognise the impact they have made on thousands of lives, through the 2024 floral clock.”

Associate Director of the RNLI, Angela Rook said: “It is a great honour for the RNLI to feature in this year’s Princes Street Gardens Floral Clock, in what is a defining year in our history. For 200 years, selfless volunteers around the UK and Ireland have been saving lives at sea. Our crew and volunteers are the lifeblood of our charity; from our fundraisers who work so hard in funding our lifesaving mission, to our water safety volunteers who deliver vital messaging to help keep people safe – they will all be thrilled to be recognised in this way. It is our hope that those passing by this incredible floral display will take a moment to commemorating those who have gone before us, celebrate the contribution of our dedicated volunteers, and help us inspire the next generation of lifesavers as we look forward to saving lives at sea for the next 200 years.”

The RNLI have 46 lifeboats stations in Scotland, and two of the busiest are operated entirely by volunteers, at Queensferry and Kinghorn. These Lifeboat Stations responded to a combined 172 calls in 2023, rescuing 158 people. On Monday 4 March 2024, the RNLI marked its 200th anniversary, two centuries of lifesaving that has seen over 146,000 lives being saved. The charity saves lives at sea through lifeboat search and rescue, lifeguards, water safety education and flood rescue.

The 37th Celtic Classic Highland Games & Festival

Returning for the 37th celebration, the Celtic Classic is the largest free Celtic festival in North America. Presenting the U.S. National Highland Games Championship means the top ten professional highland athletes will be competing for the title.  Also featured is Grade 3 and Grade 4 pipe band competitions, more than forty Celtic retail merchants, and Celtic Heritage Hollow with Clan Village, lectures, demonstrations and children’s activities.

Opening ceremonies will include the Showing of the Tartan Parade through Historic Downtown Bethlehem, concluding on Highland Field.  Visitors will enjoy five stages of world-renowned Celtic music featuring Ally the Piper, The Byrne Brothers, The Prodigals, Conor Mallon, On the Lash and many more.  Thirty food vendors will tempt you with a variety of treats from fish-n-chips, pasties, bangers & mash to bratwurst, corn on the cob, poutine and much more.

The Celtic Classic Highland Games & Festival will take place in Bethlehem, PA, September 27th – 29th  2024, for more information see: www.celticfest.org.

Brave Scot-Flying Officer Cruickshank

It will be 80 years this month since Aberdeen’s John Alexander Cruickshank won the Victoria Cross for incredible heroism during a raid on a German U-boat. Remarkably, John is still alive at 104, the last surviving VC recipient from the Second World War and one of Aberdeen’s war hero’s. John Alexander Cruickshank is no ordinary Scotsman. On the contrary, the Victoria Cross he was awarded 80 years ago this summer marks him out as somebody special, not that you would ever guess it from meeting such a modest individual. In plain terms, he is the Aberdonian who sank a German U-boat, defied being injured more than 70 times, and flew himself and his comrades back to Sullom Voe during the Second World War. It sounds like a Boy’s Own storyline and the ordeal faced by Mr Cruickshank during a mission over Norway in 1944 was highlighted in a Commando-style cartoon strip in the 1980s.

One of the most audacious acts of the conflict

Pilot John Alexander Cruickshank.

The former Aberdeen Grammar school pupil was involved in one of the most audacious acts of the conflict when he steered his Catalina aircraft through a torrential hail of flak. And, although his first pass was unsuccessful, he brought it around for a second sortie, this time straddling a U-boat and sinking the vessel. However, the German anti-aircraft fire proved fatally accurate in response, killing the navigator and injuring four others, including both Flight Lieutenant Cruickshank and Flight Sergeant Jack Garnett. The Granite City pilot, who was just 24, suffered scores of different injuries while he and his comrades were engaged in sinking the German submarine, and, although they had succeeded in their first objective, there was another huge task in trying to return home safely to Shetland. From a distance of 80 years, it still seems miraculous that Mr Cruickshank survived in the hours which followed.

A Catalina flying boat.

He was hit in 72 places and suffered serious lung injuries and 10 penetrating wounds to his lower limbs. Yet, despite this panoply of pain, he refused medical attention until he was sure that the appropriate radio signals had been sent and the aircraft was on course for its home base. Even at that stage, he eschewed morphine, aware that it would cloud his judgement and potentially jeopardise the rest of the men on board. Flying through the night, it took the damaged craft five-and-a-half hours to get back to Sullom Voe, with Flt Sgt Garnett at the controls and his colleague lapsing in and out of consciousness.

Incredible bravery

Mr Cruickshank’s Victoria Cross honours.

Eventually, though, as another major hurdle came into the equation, he returned to the cockpit and took command of the aircraft. And after deciding that the light and the sea conditions for a water landing were too risky for his inexperienced colleague, Mr Cruickshank kept the craft in the air for as long he could, circling for an extra hour, as the prelude to bringing it down successfully on the water and ferrying the plane to an area where it could be safely beached. It was an astonishing act of bravery, and yet Mr Cruickshank has always shunned the limelight or refused to take any credit for his actions. As one of his RAF colleagues later recalled, he felt he was one of the lucky ones to survive the conflict, unlike so many of his friends who perished.

The Press and Journal’s 1944 front page featuring Mr Cruickshank’s VC award.

The Press and Journal reported in 1944 how Mr Cruickshank had become the recipient of the VC and carried the details of the citation which outlined why he had been given the honour. It said: “Flying Officer Cruickshank was struck in seventy-two places, receiving two serious wounds in the lungs and 10 penetrating wounds in the lower limbs. His aircraft was badly damaged and filled with the fumes of exploding shells. “But he did not falter. He pressed home his attack, and released the depth charges himself, straddling the submarine perfectly. The U-boat was sunk.”

John Cruickshank’s story was told in the Victor comic in the 1980s

Those of us who attended the First World War production Far, Far from Ypres at His Majesty’s Theatre in Aberdeen in 2018 could scarcely have imagined we had a real-life hero in our midst. However, sitting there, in the audience, was Mr Cruickshank, who appeared rather abashed when the MC announced he was present.

One of his friends said later: “I had the privilege of meeting him at a dinner and it was an unforgettable experience for everybody who was there. There was a stunned silence for 45 minutes while he spoke, because everyone present recognised the incredible bravery which he had demonstrated. And yet, one of the things which struck us was that he didn’t want a big fuss made about it. After everything he had endured, when he regained consciousness in the Catalina, the first thing he said was: ‘How are my crew?’”

There aren’t many of these brave men left from the Second World War. But they deserve our utmost respect.

By: Neil Drysdale.

 

Warwick talent takes the stage at The Royal Edinburgh Military Tattoo

Warwick, Queensland, has reason to celebrate as four talented young men from the Warwick Thistle Pipe Band have secured coveted spots to perform at this year’s Royal Edinburgh Military Tattoo (REMT), the world’s largest event of its kind. The region is punching above its weight with four of the 75 musicians selected globally for the Tattoo’s international REMT Pipes and Drums’ band coming from Warwick. They will be part of the 700 strong cast performing 26 shows to around 9,000 people a night at Edinburgh Castle, with the show being broadcast to millions around the world later in the year.

The young men went through a two-stage video audition process, with Nic McGahan and Rory Macfarlane showcasing their skills as pipers, while Josh Hullock and Kweller Manfield demonstrating their drumming talents as tenor and snare drummers, respectively.  Kweller said, “As the audition was open to all pipers and drummers from around the world, a high standard was expected, which included not only playing, but also showing I could march – there’s lots of choreography which we learn during the week of rehearsals when we arrive in Edinburgh’. He said he has ‘been blown away by the well wishes and support from people in our community who have seen media posts and come up to me, and that’s a great feeling.”

Being in a pipe band opens doors

Kweller Manfield.

Nic has successfully auditioned for a second year in a row for the international band as he ‘loved it so much he couldn’t wait to return.’ He said, “You can’t put a price on this experience” where he has made life-long friendships with performers from all over the world.  Three of the group joined ranks with Brisbane Boys’ College Pipe (BBC) Pipe Band performing at the 2022 Tattoo. Rory has great memories from that experience and said he is honoured to be selected this time. He said; “A highlight was when you first perform each night entering through the smoke over the castle draw bridge all playing and the crowd erupts as they see and hear the roar of the massed pipes and drums – it is hard to beat.”

Josh shared that this experience will be one of the best of his life and is continually amazed, he added  “That being in a pipe band opens doors you didn’t even know could be opened.” He performed with BBC in 2022 and said, “It is nerve racking initially, and in the end, you are sleeping to the sounds of piping.”

All four musicians were also members of Scots PGC College Pipes and Drums during their school years, highlighting a longstanding commitment to their musical journey from an early age. Thomas Crawford, current student from Scots PGC College, has also been selected to join the ranks of BBC Pipe Band at this years’ Tattoo. Their success underscores the supportive environment and high standard of tuition provided by both the Warwick Thistle Pipe Band and Scots PGC College. Generous sponsorship from John Dee Warwick, Club Warwick RSL and the Warwick Country Women’s Association has been instrumental in making this opportunity easier for these talented musicians. Alexander Manfield, Thistle Pipe Sergeant, said that it is heartening to see such support from the community and businesses for our local pipe band as it allows our members to open a world of performance and competition possibilities.

Main photo: Rory Macfarlane, Josh Hullock and Nic McGahan.  

Editorial – The Scottish Banner Says….

August 2024 (Vol. 48, Number 02)

The Banner Says…

Investing in Scotland’s tourism

Gracing our front cover: The Kelpies at night. Photo: VisitScotland/Kenny Lam.

As we release this issue the busy tourist season is in full swing in Scotland, with August being one of the biggest months for visitors coming to Caledonia. Sure, you may have to pack that umbrella, or dare I say even a jacket, but the summer months in Scotland are full of world class events, long days of light and nature in full bloom.

2023 was a bumper year for Scottish tourism with a surge in international visitors after what can only be described as several dire years during the Covid pandemic. Scotland welcomed with open arms nearly four million international visitors last year, a figure which tops the nations pre-pandemic records. Visitors from the USA, Canada, Europe, Australia and China had some of the biggest jumps.

And who can blame people for wanting to visit such an outstanding place, Scotland has so much to offer. The history, people, scenery, events, nature and culture are just some of the drawcards that has meant Scotland has outperformed the rest of the UK in tourism growth. Readers of the Scottish Banner hardly need reasons to visit, or to be sold to do so. We all generally know what those millions of other people are so enthralled by!

Visitor Levy (Scotland) Bill

Edinburgh Scotland’s most popular tourist destination. Photo: VisitScotland.

However, all those visitors that will spill into Edinburgh’s historic streets this month for the many festivals, hit the Highlands, or drive across the Isle of Skye do put pressure on local councils and can cause a strain on local facilities and infrastructure. Therefore, after many years of lobbying, the Scottish Government have approved the Visitor Levy (Scotland) Bill. The Visitor Levy will allow local authorities to apply a levy on overnight stays (hotels, B&B’s, holiday lets) with all funds raised to be reinvested in services and facilities largely used by tourists and business visitors. The fee would be an add on to your accommodation rate and help local councils maintain and improve roads, car parks, public toilets, parklands and public spaces.

This will benefit not only the visitor but those locals who live there. The notion of a tourist levy is not new, and you will already find it in place in cities across Europe and beyond. In the UK Manchester just recently introduced one and Wales is also preparing to finalise theirs later this year. Cities such as Venice, Barcelona, Amsterdam and Paris have not reported any significant impact on tourism numbers, in fact numbers continue to climb. It’s not just Scotland welcoming the world this month with Paris hosting the Olympics and they used some of that levy to fund transport costs associated with the Games.

The levy in Scotland is not expected to come into place until the spring of 2026 which will give the industry time to prepare for it. Edinburgh, the most popular tourist destination in the country, has already stated they intend to be one of the first to implement the tax and keep the city as welcoming and enjoyable as possible for everyone.

In this issue

Pilot John Alexander Cruickshank.

This year marks the 10th anniversary of The Kelpies, the largest equine sculptures in the world located between Falkirk and Grangemouth. Many will be familiar with them whether they have seen them in person or across any number of platforms. They have without question become one of Scotland’s most photographed pieces of modern public art. We are again very fortunate to have the opportunity to speak to Andy Scott, the creator of The Kelpies whose work is celebrated much beyond these incredible and iconic pieces of art.

Something we have only touched on in previous editions would be the role of healing wells in pre-modern Scotland. Scots for years have placed importance on the healing powers of water and several ancient rituals took place at these sites to heal people of their ailments.

It was 80 years ago this month that Flying Officer John Cruickshank, aged 104, was awarded the Victoria Cross, the UK’s highest award for gallantry, for his incredible contribution during the Second World War. The Aberdeen pilot sustained seventy-two separate injuries while sinking a U-boat and is today the last living recipient to have been awarded the VC from that war, and we are so very honoured to highlight Mr Cruikshank in this edition.

The land of our ancestors

Tourism is one of Scotland’s key economic contributors bringing in huge revenue and providing many jobs. In our modern world it is so easy now for many to jump on a plane and visit the land of
our ancestors. Scotland has always been a welcoming place and as more people discover it, more pressure is put on local infrastructure. Not all councils may wish to charge this levy, but you can see why some of the regions in Scotland would want to.

No one likes to pay more for things but if the revenue that this ‘tourist tax’ would bring in, then be invested back into the community, then it is a win for the visitor and locals alike and make being in Scotland that much better.

What are your thoughts on the impending Visitor Levy? Will it change your travel plans to Scotland? Do you have you any comments from the content in this month’s edition? Share your story with us by email, post, social media or at: www.scottishbanner.com/contact-us

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Virtual reality brings historic Edinburgh cityscape to life

Two hundred years ago the first virtual-reality experiences were born in Edinburgh, not from digital technologies, but from the mastery of painted perspective, the control of space and light and an understanding of the psychology of human perception.  The world’s first panorama, a dramatic Edinburgh cityscape dating back to 1788,  is on display in a free public exhibition in Edinburgh. In a 21st century twist, viewers will get to experience the painting using a virtual reality headset, bringing the Georgian skyline to life with immersive techniques.

The Barker Panorama of Edinburgh from Calton Hill is rarely on public show and is just one of the pieces in the exhibition Panoramas: The World in 360°. The work spans more than three metres and offers a 360-degree vantage of the city with the Pentlands and the Forth in the distance.

The University of Edinburgh Library show includes a viewing rotunda, allowing visitors to appreciate the full scope of the innovative cylindrical paintings. Artist Robert Barker, originally from Ireland, first created his panorama with the help of his son, Henry Aston Barker, and was granted a patent for his invention of “an entire view of any country or situation as it appears…so as to make observers feel as if really on the very spot.”  The Barkers went on to form a company and showed their works at a purpose-built rotunda in London London’s Leicester Square which created a sensation in the early 1790s and, over a span of 70 years,  showed scenes from London to New Zealand that were so realistic they reportedly made Queen Charlotte “feel sea-sick”.

Exciting moment in the city’s urban history

Exhibition organisers say the Barker panorama captures an exciting moment in the city’s urban history as it shows the first gridded streets that would form the planned Georgian New Town, alongside its medieval Old Town. Amongst the other historic gems on show are a celebrated print of Constantinople, and the royal patent awarded to Robert Barker by King George III in 1787. The exhibition is now open at the University of Edinburgh Library on George Square. It will run until the end of September and forms part of the Edinburgh Festival Fringe in August.

Elizabeth Quarmby Lawrence, Rare Books and Literary Collections Curator at the University of Edinburgh Library, said:  “The panorama was astonishing to its original audiences, who were often overcome by the realism of the experience. We are hoping that this exhibition will capture a little of the original magic, and make it easier to imagine seeing it through their eyes.”

The exhibition explores the panorama’s history and gives visitors a chance to taste the experience of its very first visitors. Zita Takacs, University of Edinburgh student and uCreate Makerspace Student Technician, added: “Smartphones have made panoramas easy for us all to capture and to share but they were really cutting-edge at the time of invention. I hope that virtual reality will inject the sense of immersion into the painting that was felt by viewers in the 18th century.”

Main photo: Conservator Amanda Dodd makes repairs to one of the panoramas on display: Henry Aston Barker’s Panorama of Constantinople.

Thousands of oysters released into Forth Estuary as part of restoration project

Marine scientists at Heriot-Watt University working hand-in-glove with an extensive team of volunteers have successfully reintroduced a further 16,000 oysters into the Firth of Forth as part of an ambitious restoration project. European flat oysters were once abundant in the estuary but were fished out of existence around 100 years ago.   Now, the marine conservation project, Restoration Forth, is aiming to deposit 30,000 of the sea creatures back into the Forth to create a new oyster reef, providing a vital habitat for many other species including fish, crabs, sea snails and sponges.

Recently, 220 volunteers have participated in a series of oyster cleaning events, including at Heriot-Watt’s Edinburgh campus, where dirt was carefully removed to help prevent the spread of unwanted hitchhikers, non-native to the Forth. In addition, volunteers ‘glued’ many of the molluscs together using a form of harmless putty to mimic natural oyster clumps and attach these to ropes so scientists can monitor their growth and determine how well they survive in their new home.The oysters have been collected from Little Loch Broom in Ullapool. It is the second batch of young oysters to be released into waterway with the first 4,000 introduced by the project last autumn.

Restoring healthy oyster beds

Research assistant Naomi Kennon from the School of Energy, Geoscience, Infrastructure and Society at Heriot-Watt University, who helped coordinate the volunteers, said: “It’s no exaggeration that without the volunteers giving their time to help with cleaning the oysters, as well as helping set up the monitoring experiments , this project just couldn’t happen. The support received from the community has been incredible; volunteers are so passionate, and have worked so hard to help. It has really been inspiring to see so many people from different walks of life come together to contribute to this project. It takes a lot of hours to process thousands of oysters, so that no damaging hitchhikers or diseases enter the waters unintentionally.  As well as cleaning, this year we’ve ‘glued’ many of the oysters using a form of harmless putty to mimic natural oyster clumps and attached many to stings so we can monitor their growth and how well they survive in their new home.”

European flat oysters are important to waters in Scotland, helping to filter water and providing complex habitats.  For hundreds of years, the Firth of Forth was home to a massive oyster bed that was roughly the same size as Edinburgh is today and supported local fishing communities.  Sadly, this oyster bed and most others around Europe were lost due to overfishing.  At its peak in the 1800’s, 30 million oysters were taken from the Firth of Forth each year for a ten-year period to be used for food and exported around Britain and northern Europe.This rate of demand wiped out their populations from our shores in a matter of decades. Projects like Restoration Forth are now working with communities to restore this important species and allow underwater ecosystems to thrive once again.  Recent research has suggested that by restoring healthy oyster beds biodiversity could double over ten-years.

Main photo image courtesy of WWF.

The Flying Scotsman-One of Scotland’s great Olympians

In the next few weeks, there will be much talk of “disaster” and “tragedy” in some newspapers if participants at the Olympic Games drop a relay baton or fail to reach their personal best. In truth, such words should not be employed when talking about sport and certainly not as the Games return to Paris 100 years after Scotland’s Eric Liddell took his principled stand not to compete on a Sunday due to his devout religious beliefs. It might have cost him one or even two gold medals – but Liddell, an Edinburgh University graduate, who also represented his country on the rugby field in dynamic fashion, was adamant about his priorities as a missionary whatever the cost. And he still stuck to them 20 years later when he sacrificed himself during the Second World War to save the life of a pregnant woman.

The Scottish all-round sporting star was one of the greatest of his generation and his story was captured in the Oscar-winning film, Chariots of Fire, directed by David Puttnam, which featured the magical music of Vangelis and the famous scene where athletes trained on the beach at St Andrews.

And, though it’s nearly 80 years since he died at just 43, his strong principles will be celebrated once again when the Olympic torch is lit and the world stops for a fortnight to pay attention. In the film, which took a few liberties with the truth, Liddell was boarding a boat to the 1924 Paris Olympic Games when he discovered the qualifying heats for the 100m sprint, were scheduled for Sunday. As a Christian, he had known the schedule for months in advance and decided not to take part in the 100m, the 4×100m relay and the 4×400m relay because they all required running on a Sunday. Sections of the press were livid and even described his decision as “unpatriotic”, but Liddell devoted his training to the 200m and the 400m, races that would not require him to break the Sabbath. And, once he was in the thick of the action, he rose to the occasion, winning a bronze medal in the 200m and then, memorably, surging to the 400m title in a world-record time.

Crowning moment in sport

The Flying Scotsman, Eric Liddell.

On the morning of the final, July 11 1924, Liddell was handed a folded square of paper by one of the team masseurs. Reading it later, he found the message: “In the old book it says: ‘He that honours me I will honour.’ Wishing you the best of success always.”

Recognising the Biblical reference, Liddell was profoundly moved that someone other than his coach believed in him and the stance he had taken. The pipe band of the 51st Highland Brigade played outside the stadium for the hour before he ran. The 400m had long been considered a middle-distance event in which runners raced round the first bend before coasting down the back straight. However, inspired by the message, and deprived of a view of the other runners because he drew the outside lane, Liddell raced the whole of the first 200 metres to be well clear of the Americans. It was his crowning moment in sport. But there were plenty of other things in his life.

After quitting athletics, Liddell returned to China, where he had been born, to continue his family’s missionary work. He died there in 1945 in a Japanese internment camp. Under a prisoner-exchange deal, he could have left the camp, but relinquished this opportunity so the pregnant woman could go in his place. In his last letter to his wife, written on the day he died, Liddell talked about suffering a nervous breakdown. He had an undiagnosed brain tumour; and the cumulative impact of overwork and malnourishment hastened his death. One of his colleagues later wrote: “The entire camp, especially its youth, was stunned for days, so great was the vacuum that Eric’s death had left.” That’s real heroism and his demise was a genuine tragedy. But Eric Liddell’s name will live forever in Scotland’s sporting lore.

Text by Neil Drysdale.

Main photo: The iconic St Andrews beach run scene in the 1981 film Chariots of Fire.

Angus Smith – The Arctic Piper

Fairbanks, Alaska is home to the farthest north pipe band in the United States. The Red Hackle Pipe Band is celebrating 50 years as a band this year and amongst its members is a Scottish piper. Angus Smith grew up in Perthshire and played for the Black Watch, he also worked in the stunning Scottish Highlands before settling in wild Alaska and keeping his life of bagpipes alive in the arctic, as James Bartlett explains.

Unless there is anyone at a research station or on an expedition, it is quite possible that Angus Smith is the nearest Scottish bagpiper to the North Pole.  Angus, 56, has lived in Fairbanks, Alaska, for close to 20 years, and this city of some 32,000 people is where he began what he jokingly calls his “North American Tour.” Born in the tiny village of Dale in Southern Pembrokeshire, Wales, where his father had taken a temporary job blasting oil silos, the new family returned to their native home of Crieff in Perthshire when Angus was just a few months old.

A lifelong love with the instrument

Angus in the Black Watch in 1986.

Angus seemed to be a particularly loud child, and laughs when he recalls: “It all started around the age of seven, when I was making too much noise in the house. Father took me by the ear to the backdoor, and said I could choose one of three possible words: fiddle, accordion or pipes. For me it was the latter.” This began a lifelong love with the instrument, and today, over half a decade later and following a long spell in the famous Black Watch of the Royal Highland Regiment, he continues to play regularly in his newfound home at the centre of the Alaskan Interior.

“I spent all my schooling at Morrisons Academy playing in their band and CCF, and at 16 I joined the Junior Army at IJLB (Infantry Junior Leaders Battalion) in Shorncliffe. It was lucky I could play really, as my report cards said things like “Angus – a nice wee chap, but alas will never set the Academic Heather alight!”

He took the colours of the Black Watch at Kirknewton in 1985, but after four years he was looking for a new challenge, and he became a “pony man” on an estate in the Southern Cairngorms. “The bothy I lived in was the highest inhabitable place in the UK, which, now I think of it, was good training for a future in Alaska!” He worked in deer management as a stalker at Glen Etive – a location known for its connection to Ian Fleming of James Bond fame – and then at the Tarbert Estate on the Isle of Jura, but then he ‘began looking for an escape’.

“There was a fantastic piper and drumming website, BobDunsire.com – that man should have been knighted for his services to piping – and it had a list of every band throughout the world, and in the world of deer stalking one would always hear great tales of Alaska, so I put my thoughts together.”

Red Hackle Pipe Band

The Red Hackle Pipe Band on display.

Fairbanks was home to the Red Hackle Pipe Band, and, after taking some advice from Steve Small, another former Black Watch piper who was known for playing in the rain during the 1997 handover of Hong Kong and was then the Senior Instructor at Edinburgh Castle, Angus set out for the Far North, arriving in Fairbanks in 2004. Describing life in Alaska, a huge landmass that is often unfamiliar to many, Angus notes that as a deerstalker, his eye and mind were often consumed with the fine detail of the lay and fold of the land.

“In Alaska your mind is in overdrive, with a never-ending horizon. The solitude and scale of it is truly mighty. Oh, she can and will kill you in a heartbeat: there are raging rivers, predators, -40 degree cold and more, but you quietly are always prepared.”

Angus joined the American military – or what he calls “Uncle Sammy’s Infantry” – in 2009 and spent time in Afghanistan in 2012, then after leaving their service in 2013 he got his powerplant rating and qualified to work as a mechanic for Everts Air, a family-owned business in Fairbanks that flies DC-6 and C-46 and other aircraft, hauling fuel and cargo out to towns and villages in the remote bush.

“Our moto is ‘Legendary Aircraft Extraordinary Service’, which I’ve always thought should have included ‘and Characters!’ he laughs. He had landed safely and happily in his musical life too.  “The Red Hackles were home from home to an ex-Black Watch piper like me,” he says, noting that they are currently celebrating their 50th anniversary. “We perform regularly, though there’s always more action in the summer,” he explains.

Foster Scots culture

Proud piper Angus Smith.

From mid-May until mid-July, Fairbanks sees 24 hours of “midnight sun” every day, and barely any darkness until the end of August. “We gather most weeks upon an evening, and we might be one of the few bands left, certainly in America, that field dancers in band uniform. We also encourage and foster Scots culture, and educate the younger generation in the form of piping, drumming and dancing.”

Angus feels he has been especially lucky with his band, as many can be “a battlefield of egos,” and he notes that their ‘next door neighbour’ band in Anchorage (Anchorage being some 350 miles from Fairbanks, and ten times the population) are “Always bickering. Hell, if they all came together, they would field a Grade 1 band!”

Around Fairbanks, Angus is known by his unique personalized number plate 1BW (for Black Watch), and he met his wife Kimberly, who hails from Long Island, New York, and now works in behavioural health, when he was stationed at Fort Bliss in El Paso, Texas.  Angus however has not come across many other Scottish people in Alaska, and says that he tries to return to Scotland every year to see his mother, who suffers from dementia.  “I think I miss the characters that abounded in the Highlands: stalkers, shepherds, crofters and islanders – they’re a colourful bunch – but I love it here, and the band has given much nurturing care and attention to ‘Project Angus’, I can tell you!”

Red Hackle Pipe Band photos courtesy of Bleep Media Productions.

Cold War Scotland

A new exhibition at the National Museum of Scotland explores Scotland’s critical position on the frontline of the Cold War. Over 190 objects, many on display for the first time, will be brought together in Cold War Scotland (running to 26 Jan 2025) to tell the stories of the Scots at the centre of this global conflict. Scotland’s unique geography and topography provided a useful base for Allied military preparations and research during the Cold War, a 40-year nuclear stand-off between the USA and the Soviet Union following the end of the Second World War. Atomic power brought jobs and investment to some of the country’s most remote areas, but as global tensions mounted the threat of attack or nuclear disaster became part of everyday life. Now on, Cold War Scotland will explore both the visible and invisible legacies of the war in Scotland.

The impact of the war still lingers in Scottish politics, culture and memory. Scots played an active role in the global conflict as soldiers, for example, within intelligence services and as part of voluntary civil defences. The exhibition will also draw on Scotland’s rich history of Cold War-era protest and activism. Firsthand accounts include a young mother who decorated her daughter’s pram with Campaign for Nuclear Disarmament (CND) badges. A rattle made from an old laundry detergent bottle emblazoned with the CND logo was given to her baby during the Peace Marches of the early 1980s and will go on display in the exhibition.

The exhibition will also reveal the physical remains of the Cold War; the ruined bases, forgotten bunkers and decommissioned nuclear power stations still evident across the Scottish landscape. This infrastructure became part of the fabric of local communities, none more so than the US-controlled radar base at Edzell in Angus, now commemorated with its own bespoke tartan.

Cold War heritage

Britain’s Women Learn Atom Defence, 1952. Image SuperStock /Alamy Stock Photo.

Dr Meredith Greiling, Principal Curator of Technology at National Museums Scotland, said:  “From nuclear submarines to lively peace protests and observation stations perpetually monitoring for devastating attack, the Cold War permeated every aspect of life in Scotland for decades. This conflict is so often remembered on a global scale, but this thought-provoking exhibition will offer a Scottish perspective of the period, allowing Scots from all walks of life to tell their remarkable stories for the first time.”

Further highlights of the exhibition include artwork from Glasgow’s 1951 Exhibition of Industrial Power and a toy nuclear power station, operated by steam and hot to the touch when played with. Both these examples highlight the spirit of optimism, progress and modernity associated with atomic energy in postwar Britain. In contrast, a Geiger counter used by farmers in East Ayrshire to test for radiation in sheep following the Chernobyl Disaster illustrates the enduring but unseen impact of the Cold War on Scotland’s landscape.

Cold War Scotland is an output of Materialising the Cold War, a collaborative research project between National Museums Scotland and the University of Stirling. The project explores how the Cold War heritage is represented and how museums can adapt to tell this story in future. Materialising the Cold War is funded by a major grant from the Arts and Humanities Research Council.

Cold War Scotland runs to 26 January 2025 at the National Museum of Scotland, Chambers Street, Edinburgh, admission is free. For more information: www.nms.ac.uk/ColdWarScotland.

Main photo: Polaris Demonstration at Holy Loch, 3rd Feb 1961 Image Trinity Mirror Mirrorpix Alamy Stock Photo.

Perth Museum-At the centre of Scotland’s story

The new Perth Museum open its doors earlier this year after a £27 million development project. This world-class cultural and heritage attraction highlights the fascinating objects and stories that put Perth and Kinross at the centre of Scotland’s story. At its heart sits the Stone of Destiny, also known as the Stone of Scone, one of Scotland and the UK’s most significant historical objects. The Scottish Banner spoke to João Philippe Reid, Exhibitions and Interpretation Manager, at Perth Museum on some of the many attractions found at the museum and why you should include Perth on your next visit to Scotland.

Perth Museum.

Perth Museum recently opened its doors after an exciting £27m redevelopment of the former city hall. Can you tell us the background to the new Perth Museum?

JPR: The driver for a new museum came about from a number of different needs – there was a recognition that the nature of high street economies has been changing; that a recalibration away from retail-dependency is really important to create thriving urban spaces. There was also an understanding that Perth & Kinross’ nationally significant museum collections were untapped and limited by a lack of display space (there are some astonishing objects in the collection which have been off public display for decades). Finally, there was a huge, empty building at the very heart of the city centre – a building which historically had played a prominent role in the life of Perth but which by the time the project really got going in 2017, had been blighting its environment for over a decade.

And the site is an important part of the museum ethos – that building, and its predecessor have been the social, political and cultural heart of the city for 180 years – everything from political rallies, gigs, record sales, dance competitions, school concerts, and wrestling matches happened there and there’s a very profound sense of identification with the building from local communities. Visitors regularly come in and say things like, ‘my grandparents met at a dance in this building’ or ‘I played clarinet in a school concert on the stage here.’ In this, the museum is a perfect vehicle to explore the stories of this place.

The Stone of Destiny.

The new Museum’s centrepiece is the Stone of Destiny. Can you tell us about the history of the Stone of Destiny and why this is such a coup for the Museum to house?

JPR: The Stone is a symbol of power and has been for hundreds of years. It is also an object of ongoing contention, for Scots it is a symbol of Scottish nationhood, for others it is symbolic of the integration of the crowns of England and Scotland and the Union – and it has gone backwards and forwards over the border a few times since it was first seized in 1296.

The Stone of Scone (Stone of Destiny is a later name that became very fashionable with the Victorians) refers to the inauguration Stone, a superficially innocuous block of sandstone that new monarchs were inaugurated on at Scone Abbey, an important royal centre a few miles north of Perth. The monarch-to-be, surrounded by bishops and nobles would sit on the Stone and be elevated to kingship (no queens were inaugurated on the Stone while it was in Scotland). When King Edward I of England invaded Scotland, he sacked Scone Abbey and removed the Stone in 1296, he commissioned a golden throne to house the Stone at Westminster Abbey in London. This is still known as the Coronation Chair and, with the Stone encased in it, Edward was making a clear political message: by sitting on this Stone, me and my heirs are the rulers of Scotland. The same chair (and of course the Stone) are still used in coronations of British monarchs today.

As a disputed object the Stone has attracted a lot of origin myths – some believe is ‘Jacob’s Pillow’, the stone on which the grandson of Abraham rested when he was shown a vision of a stairway to heaven. The English favoured this myth because it implied that their keeping of the Stone in London was the will of God. The Scots favoured a myth which traced the Stone’s origins to Scota, daughter of the Pharoah, who carried the Stone from Ancient Egypt to the Hill of Tara from where, centuries later, it was brought to Scone by the (traditional) first King of Scotland, Kenneth MacAlpin – this myth emphasised Scotland’s status of a longstanding independent realm in the face of English aggression. But there are many other myths, including ongoing arguments about authenticity – some people believe that the ‘real’ Stone is buried under Dunsinane Hill near Perth (of MacBeth fame) or even in a pub in Glasgow called The Arlington Bar.

Due to recent scientific analysis, we know that the Stone is red sandstone that was quarried a couple of miles outside Scone. From the patterns of wear on its surface, we also know that it would likely have been used as a step or threshold for an important ancient building, possibly retrieved from a Roman ruin.

The Stone of Destiny returned to Perthshire for the first time in over 700 years. Can you tell us what the logistics was like for this to take place and also for any future necessity to have the stone moved for ceremonial purposes?

JPR: Sadly I can’t. Security and logistics around movement of the Stone is extremely sensitive owing to the fact that it has been the target of repeated attempts of theft or damage (including as recently as 2023).

Inside Perth Museum.

Apart from the Stone of Destiny the Museum holds more than 3,000 objects, spanning 10,000 years. Can you outline some of the other ‘must see’ items visitors can see at the Museum?

JPR: Perth holds one of the oldest public collections in the UK having been founded in 1784. It’s incredibly rich and diverse covering Natural History, Fine Art, Social History, archaeology, costume and World Cultures and numbering over half a million objects in total. Because of Scone and Perth’s prominence as an early royal centre and medieval economic hub, and because of distinct preservation conditions in the ground here, material survives that can paint a very rich picture of what life was like centuries ago. From 700-year-old children’s shoes and leather purses, to ivory combs and knives, the medieval collections are eye-opening. I particularly like an 13th century old egg which was found during excavations of a medieval midden in the city centre. It looks like an egg you could buy at the supermarket today but has remained perfectly intact for over 700 years.

Some of the most impressive and imposing objects in the collection are the carved Pictish Stones which are between 1,000 and 1,500 years old. Often intricately decorated with animals and mysterious symbols, these huge monoliths once stood in the landscape as markers of church and secular power. The Picts, who were the predominate political force in early medieval eastern Scotland after the retreat of the Romans, also created astonishingly intricate and opulent jewellery, many examples of which are on display at the new museum.

Another example of opulence is a slashed silk doublet from the 1620s – this is an extremely rare survival. Effectively a gentleman’s jacket, this example, from a wealthy family in Highland Perthshire, is virtually unmatched in condition. It looks new and very few of these survive in a condition in which they can be even put on public display.

Glen Lyon Brooch.

Perth Museum’s first exhibition is Unicorn. This is the first major UK exhibition to explore the cultural history of Scotland’s national animal from antiquity to the present day. Can you tell us how this exhibition came about and how visitors to Scotland this summer can enjoy this exhibition?

JPR: There are a few key themes in the museum’s permanent galleries around monarchy and symbols of power. We’re interested in how power articulates itself through symbols (like a 152kg block of sandstone or Pictish carved stones for example). Many countries have national animals and many of these first arose in the medieval period when dynasties were effectively attempting to ‘brand’ themselves – the kings of France opted for a Porcupine, Aragon and Castille for a Black Eagle and England for the Lion for example. In Scotland, King James I selected a Unicorn, wrapped in chains and wearing a crown collar – so the exhibition premise began with an interest in the circumstances in which a mythical creature came to be associated with Scottish monarchy.

The exhibition starts with this theme, looking at the use of the unicorn on Mercat crosses (market crosses still found across Scotland today), coins, books and in the iconography of the Union (the lion and the unicorn). But the exhibition expands to look at the history of unicorns, from the classical period through to the present day. We tell the story of this mythical creature through Italian Renaissance oil paintings, medieval illuminated manuscripts, narwhal tusks (which were traded as unicorn horns) and many other fascinating objects. But the exhibition is one of two halves, whilst the first galleries are focused on this creature’s use and representation in history, the final part of the exhibition explores contemporary culture’s continuing fascination with unicorns as pop cultural icons and as symbols of LGBTQ+ identity. These spaces feel very different and feature an amazing mass display sourced from local communities of pop cultural unicorns (such as ‘My Little Pony Unicorns’ or ‘The Last Unicorn’ posters) as well as a set of striking contemporary art commissions which explore the use of Unicorn iconography as a symbol of LGBTQ+ resilience and strength.

Since opening on March 30th Perth Museum has already welcomed more than 50,000 visitors and been awarded a five-star visitor attraction status by the national tourism body, VisitScotland. How does that make the team behind the Museum feel to be acknowledged in this way by both the general public and tourism industry?

JPR: I think the team are really thrilled at the response to the new museum opening. We’re obviously still getting used to how the building operates now that it’s filled with people and learning about how things that we’ve been developing for years through blueprints and drawings, actually function in the real world. That’s been interesting and we’re trying to be very responsive to this phase where we’re learning what works best for visitors and the objects on display. There were a few areas of the development where we were trying something new and perhaps even, challenging (about how to tell the story of a particular object for example) and we’re really thrilled at the audience response to new ideas.

Perth Museum.

Scotland has a variety of world-class museums to visit. From learning more about the story of Scotland, to being a great place to get out of the weather, a day at the museum can be so rewarding. Why do you think it is important for a visitor to Scotland to include some museums in their itinerary?

JPR: Scotland’s is renowned for its stunning landscapes and vibrant cities, and these have been shaped by the people who have lived here. There is no better way of getting an understanding of place than through its museums – these are storehouses of stories and experiences – and there is no better route in to embracing the culture and life of a place than through its people – whether those are people living today or people hunting and gathering by riverbanks 10,000 years ago, or Roman soldiers standing guard over a border zone 2,000 years ago, or Victorian factory-workers, or Jacobite soldiers. Museums are places where experiences and stories over time come together.

For visitors who have yet to experience Perth or the surrounding Perthshire region, can you give us any recommendations for the first-time visitor to see (apart from the new Perth Museum of course!)?

JPR: Our sister venue, Perth Art Gallery, is just a couple of minutes’ walk from Perth Museum and houses an outstanding art collection including a newly completed exhibition on the important Scottish Colourist, J.D. Fergusson. Beyond that, given its close ties with the Stone of Destiny, Scone Palace (site of the now vanished Scone Abbey) is a great place to explore. Perthshire is home to some of the most iconic landscapes in Scotland, each one, resonating with history. From Mary Queen of Scots’ island prison of Loch Leven Castle to the recreation Iron Age village at the Scottish Crannog Centre by the banks of Loch Tay, from Lowland to Highland, Perth & Kinross has so much history and landscape to explore.

For more information on Perth Museum visit: perthmuseum.co.uk

Photos courtesy of Julie Howden and Culture Perth and Kinross.

 

Paisley Mòd Gold Medallists head stateside for Mòd Chesapeake

The Gold Medal winners from last year’s Royal National Mòd in Paisley, Emma MacLeod and Iain Cormack, will attend Mòd Chesapeake in Maryland this August to celebrate the thriving Gaelic connection between Scotland and the USA. As part of their prize for winning the coveted Gold Medals for Gaelic song, the pair will act as ambassadors at the regional festival, taking place on Saturday 3rd August 2024, and will perform and teach two workshops, as well as attending a celebratory dinner and cèilidh in the evening. Mòd Chesapeake, hosted by Sgoil Gàidhlig Bhaile an Taigh Mhòir, marks a significant milestone in the international outreach of the Royal National Mòd, emphasising its global footprint and fostering strong connections with diaspora communities.

Unite Gaelic communities worldwide

Founded in 2023, the link between An Comunn Gàidhealach and the Chesapeake Mòd represents a revival of the longstanding tradition of cultural exchange between Scottish and American Gaelic enthusiasts, rekindling the spirit of camaraderie and shared heritage, with Iain and Emma’s journey across the pond serving as a testament to the enduring bonds that unite Gaelic communities worldwide. Mòd Chesapeake was established by two local Gaelic groups – Sgoil Gàidhlig Bhaile an Taigh Mhòir in Baltimore and Gàidhlig Photomac who are based in both Washington, D.C. and Northern Virginia. Regional Mòds continue to grow in the United States, with Mòd New York and Mòd Kentucky also starting in 2023, and the North Carolina Mòd and U.S. National Mòd already established.

At Mòd Chesapeake, attendees will have the opportunity to immerse themselves in Gaelic language and song through a series of workshops tailored for both beginners and advanced learners. Led by experienced instructors, these workshops offer a unique avenue for participants to deepen their understanding of Gaelic culture and elevate their language skills.

Mòd Gold Medallist Emma MacLeod, who is originally from Scalpay, was already a Traditional Gold Medallist when she won at last year’s Mòd, completing a Gold double following her outstanding performance. Iain Cormack, who hails from Skye and now resides in Glasgow, comes from a long line of Mòd Gold Medallists, and sang the song his father sang 40 years ago when he won the Gold Medal himself. Liam Ó Caiside, co-founder and adjudicator of Mòd Chesapeake, co-organiser of Gàidhlig Photomac and President of An Comunn Gàidhealach Ameireaganach, said: “We are really delighted that Iain and Emma will be here in the States for Mòd Chesapeake this year. This will be our second regional Mòd in this region – between Baltimore, Washington, D.C., and Northern Virginia. Scottish Gaelic learners in the region will get great encouragement from this visit – it’s a big honour.

Gaelic ambassadors

Massed choir at the 2023 Royal National Mòd in Paisley.

“We at Mòd Chesapeake are very excited to be working with An Comunn Gàidhealach in Scotland this year. ACG is raising our event to a higher level. We’re receiving support from An Comunn Gàidhealach America too. It’s important for learners or students here to meet with singers and speakers of Scottish Gaelic, and Iain and Emma will be fantastic Gaelic ambassadors. We will learn so much from them and I hope they will see how strong the interest is in Scottish Gaelic in this area. Some people will come just to meet them! They will have a great welcome.” Emma MacLeod said: “I am thrilled to be given the opportunity to go overseas to Mòd Chesapeake as a Gaelic Ambassador, alongside Iain. It’s a great honour to travel so far afield to share my love and passion for the Gaelic language, culture and song. I look forward to engaging with attendees, inspiring them to explore and embrace Gaelic traditions, and fostering a deeper appreciation for Scotland’s heritage. Being able to represent Gaelic internationally is not just a privilege but also a testament to the enduring significance of our cultural identity. What better way to learn a language than through song? I live for the Mòd and now I get to go to two within a couple of months – delighted!”

Iain Cormack said: “It is an honour to be invited to take part in Mòd Chesapeake and I am very proud that I, along with Emma, are to be there as ambassadors for An Comunn Gàidhealach and the Gaelic community as a whole. The Mòd has always played a very important part in my life, having competed from childhood into adulthood, and I am very much looking forward to be bringing a small taste of Gaelic language and music to an international stage! It is very important to maintain the connection of Gaelic culture with American people of Gaelic descent, and I am sure there will be several attendees at the Mòd that come into that category. Personally, I am especially looking forward to meeting those with good Skye ancestry! Here’s to Mòd Chesapeake!”

The second annual Mòd Chesapeake will take place at St. Vincent Pallotti High School, Laurel, Maryland, USA on Saturday 3rd August 2024. For more information and updates, please visit www.sgoilgaidhlig.org/mod-chesapeake. This year’s Royal National Mòd will take place in Oban, Scotland between 11 – 19 October 2024. Find out more at www.ancomunn.co.uk.

One of ours: New research reveals the origins of ‘Trimontium Man’

It began with a skeleton. Not long ago, that skeleton was given a face. Now, after nearly 2,000 years in the soils of a Roman fort, we finally know the place that face called home. The skeleton in question was unearthed at Trimontium Roman fort along the River Tweed near Melrose in the Scottish Borders. Meaning ‘place of the three hills’ after the Eildon Hills looming over it, Trimontium was a massive auxiliary fort which at times marked the northernmost frontier of the Roman Empire in Britain.

The Trimontium Trust, who run Trimontium Museum in Melrose and conduct archaeological research into the Roman invasions of Scotland, have announced the results of new dating and isotope analysis into the identity of this ‘Trimontium Man’. He was no legionary conqueror, but a local born and raised in the Scottish Borders. The question that remains is: why was his body buried within a Roman fort?

The lands that would one day become Scotland

Trimontium Fort Monument. Photo: © DCW.

First built by the forces of Agricola, who went on to victory at the Battle of Mons Graupius, in the late 70s AD, Trimontium was occupied on and off until 211 AD when the death of Emperor Septimius Severus caused a total Roman withdrawal from the lands that would one day become Scotland. The fort had the northernmost confirmed amphitheatre in the Roman Empire, a bathhouse, barracks blocks, a luxurious mansion, and four annexes dedicated to manufacturing, civilian housing, and training. The skeleton’s identity was a mystery within a mystery. It was found in one of the 107 pits discovered at Trimontium during excavations led by Melrose solicitor James Curle between 1905 and 1910. These pits were no mere dips – some were more like wells, up to 36 feet deep. Their contents were astonishing, fuelling speculation about the fort’s ultimate fate to this very day. The exact circumstances of their creation remains unknown.

The pits were stuffed to the brim with everything you can imagine, and some things you’d rather not. Huge volumes of masonry from the fort itself were tumbled into them. Prized possessions including iron weapons and armour, brooches, rings and leather shoes were mixed in among animal bones, shattered pottery, and several separate human remains. Seventeen horse skulls were recovered from a single pit, all of them seemingly killed by a blow to the head shortly before they were dumped into the pits.

Trimontium Fort cropmarks. Photo: © Trimontium Trust.

What could possibly have driven such destruction? The contents of the pits date from at least two different periods of occupation, the 80s AD and 180s AD. In both cases, Trimontium was abandoned – or overwhelmed – as the Romans withdrew south to consolidate and focus on threats on other frontiers of the empire. Were the contents of the pits deposited in good order, perhaps by the garrison grimly cutting their losses and preventing anything of value from falling into native hands? Or could they have been filled in the wake of a violent overthrow of the fort by the vengeful Selgovae or Votadini tribes who had previously bent under the Roman yoke?

The debate still rages, and we may never know the truth. Now, however, we know intimate details about the life of Trimontium Man. Analysis coordinated by Professor Derek Hamilton of the Scottish Universities Environmental Research Centre (SUERC) as part of the Francis Crick Institute’s 1000 Ancient Genomes from Great Britain project has confirmed that Trimontium Man’s life coincided with the first period of the fort’s occupation, some time before 120 AD. He was born and raised somewhere in a swathe stretching from Moffat in the southwest to the Lammermuir Hills in the north-east.

A son of the Borders

Facial reconstruction of the Trimontium Man.

A facial reconstruction for Trimontium Man was previously made by Professor Caroline Wilkinson. His face is weathered but kindly, with small features and a bald pate – the kind of face you’ll see in most any pub or while walking along any British high street today. Strontium isotope analysis of one of his teeth identified him as between 36 to 45 years old at the time of his death. His diet consisted almost entirely of land-based plants and animals despite having the River Tweed and North Sea nearby, an unusual trend of minimal fish consumption we see across early Scotland through into the Pictish period. He had periodontal disease with several abscesses and an overbite on the right side, so he must have been no stranger to pain and discomfort.

As for how his life ended, we can only guess. He could have been a civilian trading with the soldiers of the fort who was simply in the wrong place at the wrong time. Perhaps he was a warrior or dignitary executed by the Romans to send a message, or killed simply out of blind malice as the soldiers prepared to retreat to Hadrian’s Wall. It was, after all, common practice for Romans to execute prisoners prior to withdrawing from a region. Intriguingly, an iron spearhead was found alongside his skeleton, but this may have shifted from elsewhere in the pit and may have no direct connection to Trimontium Man. Whatever the truth, Trimontium Museum is telling as much of the story as it can through continuing research and interpretation. Many of the finds from Trimontium’s pits are on display at the museum, as well as at the National Museum of Scotland in Edinburgh. There is a special pride in Trimontium Man in Melrose – he was, after all, one of ours, a son of the Borders.

By: David C. Weinczok

The 33rd annual Canmore Highland Games

Two full days of Celtic culture- August 31st and September 1st.

A vein of Scottish culture runs strong through Canmore’s community and is celebrated annually through the Canmore Highland Games. Founded in 1884 as a coal mining town, driven by the expansion of the Canadian Pacific Railway (CPR). Scottish immigrants and their families settled in Canmore, bringing with them their customs and traditions. Immerse yourself this Labour Day weekend in majestic mountains and the sounds of pipes and drums that bring together the traditions, athleticism, and spirit of Scotland. Canmore may not be the Scottish Highlands, but on August 31st and September 1st, it will feel like it is.

Rich Celtic custom

Feats of strength.

Reflecting rich Celtic custom, the weekend will be filled with music and dance. Highland dancers of all ages, from near and far, will take the stage in dance competitions exhibiting strength, agility, and grace. The air will be filled with the sounds of the hundreds of pipers and drummers who come to win honours at the Piping and Drumming competitions. And the thrill of the closing ceremony, where all bands will join the Massed Pipes & Drums of the Canmore Highland Games, will move you.   Central to the Canmore Highland Games, and a crowd favourite on the festival fields, are the heavy Highland sports. Cheer for the athletes as they throw the hammer, try the stone put, and attempt to toss the caber end over end. These traditional athletic competitions showcase the strength, skill, and endurance of the players.

The Canmore Highland Games also serve as a gathering point for Scottish clans. Clan tents will be set up to share about the history and heritage of various Scottish clans. Perhaps you’ll find your people?   Wander through the Celtic Market to find a kilt or a new tam. Peruse the British Car show. Watch the Sheepdogs at work herding. Enter in the Tug of War! There’s something for everyone. We give cheers to our opening day with the Taste of the Highlands Saturday night, August 31st. Enjoy an evening in a Celtic lounge atmosphere sipping wines and whisky’s, meads and ales from some of the world’s most celebrated producers. Appetizers will be served up by some of Canmore’s finest restaurants.

A vibrant celebration of Scottish culture

Scotland’s Rollin Drones.

Over the two days of the Canmore Highland Games, festival tents will showcase additional entertainment from local bands and Irish Step Dancers. An additional ticket can be purchased for a special Scotch-tasting experience. And be sure to join us for our kitchen party, the Canmore Ceilidh, on Sunday, September 1st. This year, coming all the way from Glasgow, we have the Rollin Drones, a dynamic, energetic, 6-piece bagpipe pop band, here to close out our weekend of events with the party of the summer!

The Canmore Highland Games have grown significantly since their inception, becoming a major event in Canmore’s cultural calendar. Held annually on the Labour Day weekend, the games attract participants and spectators from across Canada and beyond. The event is a vibrant celebration of Scottish culture and summer festival in the Rocky Mountains that you don’t want to miss.

Come celebrate Celtic culture in Canmore, Alberta on August 31st and September 1st. Get all the details and tickets at: www.CanmoreHighlandGames.ca

Scone Palace-The crowning place of Scottish kings

Scone Palace is the family home of the Earls of Mansfield and been in the Murray family for over 400 years. The Palace is rich in history and is today a top visitor attraction in the region. William Murray, Lord Stormont, took the time to speak to the Scottish Banner on its incredible past, some of the gems found both inside and outside the Palace and just why he loves Perthshire.

William Mansfield, Lord Stormont, at Scone Palace.

Scone Palace has a fascinating past as the ancient crowning place of Scottish kings and has hosted some huge names in Scottish history. Can you tell us briefly about some of the history of Scone Palace?

There is the history of Scone Palace and also the history of Scone as a place. Scone as a place has been of significance in Scotland from at least 843 when the first King of Scots, Kenneth MacAlpine, came to Scone and was inaugurated as first King of Scots here. He chose Scone as his Westminster, as his seat of power, and used it for ruling and administering the emerging Scottish Kingdom. Scone is also the first site of a recorded parliament in Scottish history, so it was a coronation site, a site of Parliament and a religious destination, because there was a monastery, and later an Abbey, which were in the grounds here.

Our family came along after the Reformation in 1600. So, we have been here for 400 years as the stewards of Scone and quite a lot has happened in that period as well. Including the rise and fall of the Jacobites, who were heavily associated with the emergence of the Hanoverian state which we managed to transition to support fully. And I think I would say peak Scone was 1842 when Queen Victoria came to visit on her Jubilee tour on her state visit, and that is when our family was really in its pomp, and where Scone was really humming as a place.

High above Scone Palace.

The Palace is not only rich in history but houses some incredible objects. What can visitors to the Palace expect to see?

There are extensive and beautiful collections of various things, and it is quite broad, so that makes it so interesting. There are ceramics, ivories, there are wonderful papier mâché vases which are extremely special. Obviously, furniture of all shapes and kinds, some of which was given to us by famous people like Marie Antoinette, there is also a very nice collection of clocks and ceramics.

But beyond that, there is also some other things like the Moot Hill itself, though not part of our collection, but definitely a physical item of great significance at Scone. The Moot Hill is where the coronations of Scottish kings took place. Macbeth, Robert the Bruce, David the 1st, all the big names of Scottish history are all crowned here, on the Moot Hill. And anyone who comes here can witness that and be part of that tradition. They can go up onto the Moot Hill with its fantastic folklore. The name is also referred to as the Boot Hill, which relates to the soil that was essentially collected there. Soil having been brought in on the boots of all Scots who are coming to witness ceremonies at Scone, and having that soil pour into a mound, the same mound on which the King of Scots would stand to make his vows to the Scottish people. Meaning that that mound quite literally represents all of Scotland. So, I cannot speak about the collection without talking about the Moot Hill as it is such a special place.

State Dinning Room.

Scone boasts 100 acres of woodlands and gardens to enjoy, can you tell us about the magical outdoor space Scone Gardens has to offer?

Most of the outdoor space was designed and laid out at the same time as the palace was refabricated, rather than built, in 1800. It was designed by JC Loudon who was a very famous landscape designer.

Trees are very important to us at Scone, we have some ancient old trees. We have trees in the garden that were planted by recent royalty, current royalty and some more ancient royalties. The oldest tree planted here was by James the 5th of Scotland, which makes it about 500 years old. One of the newer highlights is the newly opened walled garden, which for various reasons was in a very bad state of disrepair until recently, primarily because of the 1st and 2nd World Wars as it was turned over for making potatoes rather than beautiful flowers and plants. So essentially it had to be entirely recreated since then and our gardening team has done a fantastic job and it’s still an ongoing project, which I think makes it quite fun for our visitors, especially returning visitors, because every time they come back they can see the next stage of the evolution.

My favourite thing in the gardens is the pinetum, the legacy of David Douglas son of Scone, who became a highly lauded botanist, and he was the one that put a name to a lot of plants in North America, including the famous Douglas Fir. Indeed, the first Douglas Fir to be planted successfully from a seed outside of North America is in the garden here. People quite literally come on pilgrimage just to visit that one tree, it is like we have a celebrity tree in the garden.

Interestingly guests to Scone Palace once had to be given a door handle to be able to access the rooms of the Palace, can you tell us about any of your favourite fascinating bits of history about the property people may not know about?

I definitely think the door handles is up there because it’s just so quaint and wonderful. I just love the idea of going to stay in the hotel where you are not given a room key, you are given a door handle, and you must wander around with that in your pocket. Another thing like that, which is quite fun is we have a loo which is called the poodle loo. My great grandmother was obsessed with dogs and the wallpaper has poodles on it. And it was not just the wallpaper, there are teddy bears, little China models, books, cards the whole thing is poodles. It is bonkers, but I think it speaks to our family and these places have to be family homes as well as museums.

Queen Victorias bedroom.

People can stay at Scone Palace, can you tell us more?

Yes, not only can you do self-guided tours, but we have also got accommodation within the Palace as well. We have five-star self-catering accommodation for those who would like to come and visit, and I can personally attest to how wonderful that accommodation is because that’s where I stayed during the first lockdown with my then fiancé.  During Covid we isolated ourselves in the Balvaird Wing, which is the most comfortable place to stay in the Palace. So, you can really enhance your trip and come and stay in the Palace, which is something pretty special.

Scone Palace has been in your family for over 400 years. The upkeep of this property must be quite a challenge. How do you manage to balance the property as both an important part of Scotland’s heritage but also as a modern-day business enterprise?

It is very challenging and there’s no shying away from that and you have to approach things now as a business, I think you could get away with not doing that 50 years ago, but now you really need to approach things as a commercial concern and it is greatly challenging.

We are trying to interact more with the local community here. That will be a big sea change that will happen in the coming years for us, because currently we are a pay to play venue. And we are going to be redeveloping our stable block to mean that you don’t have to pay to play, you will be able to visit the stable block and have a nice coffee and a bite to eat, and look at the various shops there without paying to enter the grounds and to enjoy the historic side of it. So, there is a big change on the way there for us, which is very exciting, although a little bit daunting. But again, this speaks to that challenge of everything is about making our business sustainable and our family being at Scone for the future. Whatever we can do to achieve that, we will.

Medieval Archway to Palace.
Paws at the Palace.

Scone Palace not only offers visitors a chance to immerse themselves in Scottish history and stunning gardens, but the Palace also offers a fantastic array of events held on the grounds for people to enjoy. Can you tell us about some the events you host and why it is so important for a historic property to offer these diverse range of events for the public?

Yes, there is lots happening here at Scone year-round. We have events such as Paws at the Palace which is our dog specific event. Our family follows in the steps of my great grandmother and loves dogs. We had over 1,000 dogs last year, which is a lot of dogs to have on the lawn.

And there are other events, for example we just had the Garden Fair, which is like the Chelsea Flower Show of Scotland. Which is in its third year and extremely popular already and on its way to being an established gardening event. Next up for us is The GWCT Scottish Game Fair, which is a celebration of the Scottish outdoors.

Otherwise, there is nearly always something happening, an event of some sort, or works of some sort. We have Christmas tours where we do up the palace to look particularly Christmasy and that is pretty magical. We really are quite incredibly busy and there are always things going on. We do not really have a quiet time, the only time it is a bit quieter is January, the team here roll their sleeves up as we do not really have a down month. We keep busy here making ends meet and these types of events help us to maximise profits to keep things running.

Scone Drawing Room.

And finally, Perthshire is full of incredible outdoor spaces and is known as “Big Tree Country”. Can you tell us any parts of Perthshire that you love to visit and why?

That is a very good question, I would say it is one of the walking routes in the area. We are blessed where we are. We are an hour from Edinburgh and all the city life, and we are also less than an hour from some very wild areas. So, we can access a lot of different things very easily. Whether it is nice hiking routes, walking routes, kayaking and things like that. That is all very easily done from here, so I cherish that element of where we live.

Perth has everything that you need for a visit to Scotland. It is within striking distance of whatever you want, if it is castles we can do that, if it’s whisky we can do that very well and if it’s hiking, bicycling, or golf, everything is on the menu here. It is also a great base for day trips such as St Andrews or Edinburgh, so in terms of a hub and spoke visit strategy Perth is perfect.

Scone Palace is located one mile from Perth city centre. For details see: www.scone-palace.co.uk.

All images courtesy of Scone Palace & © ZACandZAC.

Fergus Scottish Festival to welcome Outlander stars

The Fergus Scottish Festival and Highland Games is thrilled to announce that their Featured Guests for 2024 will be Duncan Lacroix, also known as Murtagh Fitzgibbons Fraser, alongside Maria Doyle Kennedy, known as Jocasta Cameron, on the hit TV series Outlander based on the best-selling books by Diana Gabaldon. Canadian actor Charles Vandervaart, who plays William Ransom, was scheduled to appear this year however a filming conflict in Scotland has meant he had to cancel his appearance.

“The Festival team has curated an amazing combination of rare and exclusive VIP experiences. Visitors will have the opportunity to attend autograph/photo sessions and free, engaging panel discussions. Our incredibly popular whisky tasting is back, along with some exciting new experiences this year,” stated Executive Director Elizabeth Bender. “One rare event we are particularly excited to be presenting is a concert at the Fergus Grand Theatre featuring Maria Doyle Kennedy, who is an accomplished musician. Of course, we are sad that Charles will not be able to attend but Duncan is a wonderful replacement.” Bender added.

Outlander fans will know that on the show the characters played by Maria and Duncan, Aunt Jocasta Cameron and Murtagh Fitzgibbons Fraser, are in an endearing relationship. “In 2022, Duncan Lacroix was our Featured Guest and was a huge hit with our guests. We are incredibly happy to have him back and know that with all the amazing events we have planned, it is going to be a great year.” Bender said.

There will be multiple opportunities to meet both guests up close at the scheduled featured events, and they will also be participating in activities throughout the Festival grounds all weekend. The full schedule is available online at fergusscottishfestival.com, and tickets for the scheduled Featured Guest events with Maria Doyle Kennedy and Duncan Lacroix are on sale. Stay on top of announcements and updates by signing up for their newsletter and following Fergus Scottish Festival’s social media channels.

For more information about the Featured Guest’s and to get your Festival admission tickets, which are on sale now, visit:  www.fergusscottishfestival.com.

Events announced for Robert the Bruce’s 750th anniversary

Historic Scotland sites across the country will hold host to anniversary events.

This month marks the 750th anniversary of Robert the Bruce’s birth on 11th July, Historic Environment Scotland (HES) sites are hosting a range of activities that give visitors the chance to walk in the shoes of the iconic Scottish ruler and learn more about his historic legacy. Visitors can follow in the footsteps of the iconic Scot with the Outlaw King Trail, leading to historic sites connected to Robert the Bruce and the Netflix film Outlaw King. There will also be special talks offered at Melrose Abbey, where Robert the Bruce’s heart was buried.

To mark the special anniversary, HES has joined forces with other organisations in Dumfries and Galloway, a region of Scotland of great significance in the lives of Robert the Bruce and his family, with a programme of events including a children’s trail across Sweetheart Abbey, Whithorn Priory, Glenluce Abbey and Caerlaverock Castle, where little ones can also learn about the life of Scotland’s renowned ruler. Caerlaverock Castle will also host the exhilarating Spectacular Jousting on the 27th and 28th of July.

A true Scottish hero

Alongside themed tours and trails, Living History performances of Robert the Bruce are planned across Historic Scotland sites over the summer including Edinburgh Castle, Dunfermline Abbey and Melrose Abbey. A new range of products has also been launched on Stor, the Historic Scotland shop. Featuring bold and vibrant designs that honour the King who won the Battle of Bannockburn, the range has been created by Scottish designer Allistair J Burt in partnership with Historic Scotland.

Stephen Duncan, Director of Marketing & Engagement at Historic Environment Scotland, said: “Robert the Bruce is a truly iconic figure from history who has connections to a number of our sites. We’re looking forward to welcoming visitors across the country with a range of events to explore and lots to discover about a true Scottish hero.”

The full list of events, activities and the sites involved can be found on the Historic Scotland website at:  www.historicenvironment.scot/bruce.

Former Prime Minister of Australia Kevin Rudd received honorary degree in Glasgow

The University of Glasgow has awarded an honorary degree to the former Prime Minister of Australia, Dr Kevin Rudd, for his dedication to International Relations. Currently the Australian Ambassador to the United States of America, Dr Rudd was recognised for his long and distinguished career in global politics.

Dr Rudd received his honorary degree at a special ceremony in the University’s Bute Hall and gave a keynote speech focusing on The Impact of US China Relations on Global Geo-Politics, Geo-Economics and Climate Change.

Professor Sir Anton Muscatelli, Principal & Vice-Chancellor, University of Glasgow, said: “I am delighted to welcome Dr Rudd to Glasgow and to hear his keynote speech on the impact of US China relations on global politics.In awarding this honorary degree we are recognising the exceptional impact Dr Rudd has made on the international stage for two decades. As Prime Minister of Australia, Minister for Foreign Affairs and now the Australian Ambassador to the United States, Dr Rudd has played a pivotal role in representing his country. Closer to home, Dr Rudd has worked tirelessly to ‘Close the Gap’ on inequalities across Australin life and society. In doing so, Dr Rudd has proved he shares the values of the University of Glasgow and I very much welcome him to our community of world changers.”

Australia’s twenty-sixth Prime Minister

Dr Kevin Rudd served as Australia’s twenty-sixth Prime Minister from 2007 to 2010, then as Minister for Foreign Affairs, before a second term as Prime Minister in 2013. Since leaving government, Dr Rudd became inaugural President of the Asia Society Policy Institute in New York in 2015 and is recognised as a leading analyst on China. In 2020, he was appointed President and CEO of the Asia Society globally and, in 2022, he founded the Asia Society Policy Institute’s Center for China Analysis. In 2019, Dr Rudd was appointed a Companion of the Order of Australia for eminent service to Indigenous reconciliation, innovative economic initiatives, and major policy reform, and through senior advisory roles with international organisations. He is co-chair of an Australian charity, the National Apology Foundation, which works to advance reconciliation between Indigenous and non-Indigenous Australians, building on his commitment as Prime Minister to ‘Close the Gap’ on inequalities in health, education, employment, housing, incarceration, child protection, violence, mental health, traditional languages and digital inclusion facing indigenous communities in Australia.

In March 2023, Dr Rudd became Australia’s Ambassador to the USA. Accepting the honorary degree, Dr Rudd said: “The University of Glasgow proudly boasts the great moral philosopher and modern economist Adam Smith as one of your own, whose writings in The Theory of Moral Sentiments and The Wealth of Nations have shaped my own worldview over many years. In the engineering sciences, you also nurtured James Watt, Adam Smith’s great friend and contemporary, who became the inventor of the stream engine, giving rise to what we came to call the Industrial Revolution which transformed the world. I thank this ancient university, founded in the 15th century, and now among the oldest in the world, for awarding me this honorary degree.”

Chariots of Fire story brought to life in Paris

The inspiring story of a Scottish athlete who refused to run on Sundays is being brought to life at the Scots Kirk in Paris. Eric Liddell won a gold medal in the 400m at the 1924 Olympic Games in the French capital – the triumph depicted in the Oscar-winning film Chariots of Fire. He refused to run in the heats of his favourite race, the 100m, because they were held on a Sunday – a day he believed is set aside by God as special and not for work – and chose to preach in the Scots Kirk instead. To mark the centenary of his gold medal victory, the congregation recently hosted two performances of Eric Liddell – the Chariot of Fire.

Produced by the Searchlight Theatre Company, the synopsis of the four person play states: “Set in Paris, during the Olympic Games of 1924, we see the struggles Eric Liddell faces around him in staying true to his principles. When given the chance to become the fastest man in the world, will his convictions buckle? Should he stay true to his beliefs? And can he bring home a medal for King and country?” One reviewer described the play as an “exploration of determination, ambition and faith”.

The Flying Scotsman

Actor Michael Taylor as Eric Liddell and the Scots Kirk in Paris. Photo: Church of Scotland/Searchlight Theatre Company.

Eric Liddell was born in 1902 in Tientsin (now Tianjin) in northern China. His Scottish parents were Christian missionaries with the London Mission Society and he and his elder brother, Rob, went to a boarding school in London. He saw his parents and sister when they returned to the family home in Edinburgh and in 1920 he enrolled in the University of Edinburgh to study pure science. Known as the “Flying Scotsman”, the athlete broke the world record three times before winning the 400m final, which was held on a week day. Valerie Prieur, session clerk at the Scots Kirk, said: “The play is being performed as part of our Eric Liddell commemorations and we are very privileged to have Searchlight bring it here. It covers Mr Liddell’s Olympic Games period, his decision not to run in heats for his favourite race the 100m because they were held on a Sunday, his preaching at the Scots Kirk on the 6th and 13th of July 1924 and his subsequent gold in the 400m.”

The play was created and first performed in 2012 to coincide with the Olympic Games in London and in later years was toured in the USA, Australia, Canada and New Zealand. Actor Michael Taylor who played the role of Eric Liddell said: “The play has been on ice for some years but when we realised that the Olympics were going back to Paris, 100 years after they were last held there, we thought the chance to bring this story to life again, in a place that played a pivotal but often overlooked role in this story, is really special. The Scots Kirk is such a significant part of it because that is where he went on a Sunday morning, not knowing whether or not if he was going to be going home from the Olympics with nothing to show for it other than making a stand for God.”

The Eric Liddell 100

Mr Liddell graduated from the University of Edinburgh after the 1924 Paris Olympics, went on to study Theology for a year after which he returned to Tientsin to work as a missionary with the London Missionary Society. He taught science at the Anglo-Chinese college and later decided to become an evangelist in rural China, travelling by foot and bicycle. Following the Japanese invasion of China and the outbreak of the Second World War, Mr Liddell’s pregnant wife and their two children left for the safety of Canada, her birth country, but he decided to stay. He was later classified as an enemy national and sent to the prison camp at Weishien in 1943. Mr Liddell took on a leadership role to meet prisoners’ physical and spiritual needs – preaching sermons and teaching hymns. Tragically, he developed an inoperable brain tumour and died in the camp in February 1945.

A one man play covering Mr Liddell’s life after the Olympic Games is being staged at the Scots Kirk on 6 July. The Eric Liddell 100 is a programme of educational, sporting and cultural events celebrating Liddell’s legacy and aiming to bring his achievements to life for new generations.

The Paris 2024 Games will be the biggest sporting event organised in France and will take place from 26 July to 11 August.

The Eric Liddell 100 is a programme celebrates one of Scotland’s iconic figures. Eric Liddell’s legacy is being celebrated 2024, the centenary of Eric Liddell’s historic success at the 1924 Olympic Games in Paris. For more information see: www.ericliddell.org/the-eric-liddell-100

Main photo: Eric Liddell. Photo:  The Eric Liddell Community and the Liddell Family.

Latest search for the Loch Ness Monster concludes with unexplainable noise captured on hydrophone and potential sighting

The search took place on the 90th anniversary of the first organised surface watch of Loch Ness, Sir Edward Mountain’s expedition with a team of 20 volunteers named the ‘Watchers of the Monster’.

The Loch Ness Centre returned with an even bigger search of Loch Ness as it continues its goal of uncovering the loch’s mysteries. The Quest, which took place on Thursday 30th May to Sunday 2nd June, saw hundreds of budding monster hunters involved in scouring the 23-mile-long loch for unusual activity, both in person and online.  Using the hydrophone to listen for mysterious sounds echoing from the depths of the loch, Alan McKenna from Loch Ness Exploration captured a unique noise to be analysed, a rhythmic pulsing that lasted about 10 seconds. Alan will now isolate the noise in attempt to identify the source of the fascinating sound that he has never heard before.  Evelyn Murphy, age 11, also captured a potential sighting with an intriguing photo, showing a clear break in the water made by an unidentified object or creature.

The Quest took place on the 90th anniversary of the pioneering adventurer Sir Edward Mountain and his team of twenty becoming the first ‘Watchers of the Monster’.  Over the 4 days, as well as the search, a number of other celebratory events took place. The centre hosted a live debate with Alan McKenna from Loch Ness Exploration, Roland Watson, a renowned Loch Ness writer, and eyewitness Richard White, which was held in-person and screened virtually to participants from around the world. The panel told gripping stories, discussed their ongoing research, and dissected eyewitness accounts, all while debating the existence of the elusive monster.

The mysteries beneath the loch

Possible Nessie sighting.

Other volunteers explored the depths of the world-famous loch with Deepscan Captain, Alistair Matheson, the Skipper for the Loch Ness Project. Monster hunters joined Alistair and Alan McKenna for an extended excursion, utilising a 60-foot hydrophone to listen for mysterious sounds echoing from the depths of the loch.

Ashley Range, a volunteer who travelled from Washington State to take part in The Quest, said, “I’ve been obsessed with Scotland and Nessie my whole life, and to be here is just a dream. To be on an actual expedition and out on Deepscan exploring Loch Ness is a dream come true. I definitely believe in Nessie. Although a lot of the evidence can be explained, there is a lot out there that is unexplainable. It’s been an incredible trip!”

Paul Nixon, General Manager of The Loch Ness Centre, said, “The excitement this weekend has proven that intrigue surrounding Loch Ness and its monster is still very much alive. We all want the same thing, to discover the mysteries of the natural phenomena beneath the loch. We’ve been delighted to welcome so many people to The Loch Ness Centre for hour-long centre tours and Deepscan boat trips across the weekend. After another successful The Quest Weekend, we’re more determined than ever to continue our search for answers.”

On the search for Nessie.

Looking ahead, The Loch Ness Centre are pleased to announce an upcoming collaboration with a prestigious Scottish university to conduct pioneering research on Loch Ness. This ground-breaking study will be using technology that has never been used on this iconic body of water. Next year’s Quest Weekend is taking place on Thursday 22nd to Sunday 25th May 2025.

For more details see: www.lochness.com/thequest

The Montreal Highland Games 2024: Come for the competitions, stay for the fun

The Montreal Highland Games, established in 1855, are the oldest Scottish festival in Quebec.  Starting with Promenade of Cabers through the streets of Verdun on Thursday; a Wee Ceilidh at the Burgundy Lion Pub on Friday night; and culminating with the Games on Sunday, August 4 on the grounds of the Douglas Hospital in Verdun, we bring Scotland to the city.

Scottish athletic events are fan favourites.

Newly elected President of the Games, Cameron Stevens, sums it up this way, “The current version of the Games are a tribute to all those who came before us. Countless men and women who offered their time and money to preserve Scottish culture in Montreal. We remain grateful to our present-day sponsors and volunteers who continue this tradition. The Games wouldn’t happen without them.”

Co-presenting sponsors are the St-Andrew’s Society of Montreal and Pembroke Private Wealth Management.  “We have more pipe bands than ever this year. We are especially thrilled to welcome the Normandy Highlands Pipe Band, from Rouen, France and the Prince Charles Pipe Band from San Francisco, California” says Stevens.

Wide range of activities

“Come for the competitions, stay for the fun!” represents the wide range of activities occurring alongside traditional Scottish contests at the Games such as Athletics, Piping and Highland Dance. Everyone wants to see who tosses the caber the furthest and the straightest. Fans want to know which pipe band will win their category and which dancer will take home the trophy.

But… there is also the Celtic Mile with the fiddlers’ tent; a whisky tasting station; and numerous clans to meet and greet. There are wee cabers to be tossed, faces to be painted and castles to be bounced in at the Family Village. Medieval knights will do battle in the ring, rugby players will be on the pitch and fans will cheer on the tug of war! Don’t forget the tartans and baubles to be purchased from vendors; and food and drink to buy at the concessions.

Haggis eating contest in the Ceilidh Tent. Who will win in 2024?

Those who know, KNOW, it’s the Ceilidh Tent where the fun never stops. This year the Games are thrilled to welcome back fan favourites Mariner’s Curse along with Scotland’s premier bagpipe Celt-Rockers Gleadhraich.  Hop on the free shuttle bus from the Angrignon métro station and join in the celebration at the Douglas Hospital Grounds, Verdun on Sunday, August 4. Tickets can be purchased on the website.

Follow the Montreal Highland Games on Facebook and Instagram for updates or for more details see: www.montrealhighlandgames.com

Text: Marilyn Meikle, Communications Coordinator, Montreal Highland Games.

All photos courtesy of Peter Matulina.

Ayrshire baker kick off Euro 2024 with Scotland’s first official Tartan Army Pie

Scotland may have already exited the Euro 2024  championships, but one of the largest traditional craft bakeries in Scotland has kicked off this year’s European Football Championship by launching the country’s first official Tartan Army Pie. Ayrshire-based Brownings the Bakers released its latest savoury showstopper ahead of Scotland’s first match against Germany in the Euros.

Made with a traditional Scottish beef mince and tattie filling and a puff pastry top, Tartan Army Pies will hit shelves from 11 June in all 105 Aldi stores in Scotland, more than 100 Spar stores, selected Morrisons, and Brownings’ own six retail outlets in Ayrshire and the pies will be available throughout the summer.

World Scotch Pie Championships

Brownings currently holds the title of the Best Steak Pie in Scotland for its Kilmarnock Pie from the World Scotch Pie Championships. The family firm has twice been named World Scotch Pie Champions for their Scotch Pie, as well as British and Scottish Baker of the Year.

John Gall, Managing Director of Brownings the Bakers, said: “We’re really proud to be kicking off this year’s Euros with the launch of Scotland’s first official Tartan Army Pie. We wanted to create a showstopping pie that not only reflects the quality and heritage of our family craft bakers, but something that the nation could take to its heart as we support our national football team this summer. Our Tartan Army Pie has a traditional Scottish beef mince and tattie filling and delicious puff pastry top, which we hope will appeal to football fans and pie lovers across Scotland.”

Established in 1945, Brownings already has a strong link with Scottish football due to its award-winning Kilmarnock Pie. The company also sponsored Kilmarnock Football Club for three seasons. Despite being a ‘Kilmarnock’ Pie, Brownings’ famous pie is loved by football and pie fans across the country.

Remote woodland – home to Scotland’s oldest wild pine – saved as part of rewilding initiative

A remote ancient woodland, home to Scotland’s oldest wild Scots pine, which is at least 565-years-old – has been saved from being lost forever and given a chance of regeneration thanks to Trees for Life, as part of the charity’s vast Affric Highlands rewilding initiative. The pinewood remnant of some 57 pines, all several centuries old and scattered through Glen Loyne in the northwest Highlands, was at risk from overgrazing by excessive numbers of deer – a key threat to surviving Caledonian pinewoods that prevents them from naturally regenerating. The oldest pine has been dated to at least 1458 by St Andrews Tree-Ring Laboratory, and is believed to be even older. The ancestry of such pines stretches back to the last ice age.

Globally unique

In cooperation with the landowner, whose love of the pinewoods made the project possible, Trees for Life has created a new deer-proof ‘exclosure’ of fencing to protect the woodland, including the most ancient pines, and to allow young seedlings to grow without being eaten. “Glen Loyne’s wild pines and other Caledonian pinewoods are globally unique, and a special part of Scotland’s character and culture. Saving and restoring them offers a major opportunity for tackling the nature and climate crises,” said James Rainey, senior ecologist at Trees for Life.

Trees for Life surveyed the site as part of its four-year Caledonian Pinewood Recovery Project, one of the most comprehensive surveys of the health of Scotland’s pinewoods. The team found that some of the oldest pines were outside an area of fencing which had been erected in the 1990s to protect the trees from grazing pressure. Deer had also breached the fenced area. Trees for Life has now erected 1.5 kilometres of new fencing, and has connected up, extended and repaired existing sections, with the heavy-duty materials having to be transported into the remote glen by helicopter. The pinewood will now be able to naturally regenerate for the first time in decades. “Fencing is only a temporary fix, but for now it’s a vital way of giving these precious pinewoods a fighting chance of recovery until effective landscape-scale deer management can be properly established,” said James Rainey.

The UK’s largest rewilding landscape

Historically part of the royal hunting grounds of Cluanie, the Glen Loyne woodlands would once have been home to capercaillie, wildcat, and lynx. Ordnance Survey maps from 1874 show a more extensive woodland in the glen, but by the 1990s there were only 85 ancient pines left – a number that has since been reduced further to just 57. The nature recovery project has been funded by the family of Harry Steven, who with Jock Carlise wrote The Native Pinewoods of Scotland, published in 1959. This pioneering book recognised the special status of the pinewoods, and documented 35 wild pine populations that had managed to survive centuries of deforestation.

In the 1990s, the work of Steven and Carlisle led to the then Forestry Commission Scotland compiling Scotland’s official Caledonian Pinewood Inventory, which today recognises 84 sites. Glen Loyne, on East Glen Quoich estate, lies within Affric Highlands – the UK’s largest rewilding landscape. Led by Trees for Life and Rewilding Europe, this 30-year community-focused initiative will restore woodland, peatland and riverside habitats over half a million acres from Loch Ness to the west coast, supporting re-peopling and nature-based economic opportunities.

The Caledonian forest once covered much of the Highlands, but today less than 2% survives. The pinewoods are one of Scotland’s richest habitats, and offer refuge to declining wildlife such as red squirrels, capercaillie and crossbills. Trees for Life is dedicated to rewilding the Highlands, including by restoring the Caledonian forest.

 

For further details see: www.treesforlife.org.uk.

New tour of Cathedral gravestones brings Orkney’s past to life

Locals and visitors can delve into Orkney’s fascinating history and colourful characters of the past as revealed by the gravestones surrounding St Magnus Cathedral – through a new in-depth guided tour, available from this summer. The project has been made possible through the support of the Friends of St Magnus Cathedral who’ve helped fund a new Cathedral Curator post – filled earlier this year by Fran Flett Hollinrake who will be well known to many as Cathedral Custodian for many years and gifted local storyteller. During the hour-long tour guided by Fran, folk will encounter the many characters who have shaped Orkney’s trajectory, or been affected by pivotal moments in its past.

Highlights include gravestones of the rich and famous, including the 19th century epitaph of Samuel Baikie of the Orkney family dynasty of Tankerness House. Brother of William Balfour Baikie, the renowned African missionary from Orkney buried inside the Cathedral, Samuel built the striking Town Hall opposite St Magnus Cathedral – and also much of Dundas Cresent. The tour will also showcase five war graves from WWI (three in War Grave Commission style), the mass graves where nave burials were relocated from inside the Cathedral, paupers’ graves – and a gravestone somewhat uniquely featuring the date ‘30 February’.

Wealth of history

Fran explains the tours are aimed at people who want to get a view of Orkney over the centuries – through a grass roots lens, “It’s often said death levels us all, and there is much to be learned by reading between the lines of someone’s gravestone and how their contribution to society was recorded at the time in this most final of ways.” One of Fran’s favourite gravestones is that of Peter Wick, the first Cathedral Custodian, who died in 1902 and whose photo is held by the Orkney Library and Archive: “His main job seems to have been to be stop people from carving their names in the walls of the Cathedral! I think everyone would agree we’ve moved on since then – nowadays the Cathedral is admired around the world and seen as a marvel holding an age of amazing stories. And this new tour of the graveyard is just one way to prise open the lid on that wealth of history.”

Chair of the Council’s Education, Leisure and Housing Committee, Gwenda Shearer, said: “Fascination for Orkney and its history continues to grow the world over, as does local pride in our heritage – so it’s with delight that we are launching this new tour to further celebrate the wonderful history embedded in St Magnus Cathedral.”

St Magnus Cathedral was founded in 1137, and is of international significance. Built from local red and yellow sandstone, the cathedral is mostly Romanesque in style. It is dedicated to St Magnus, Earl of Orkney in the 12th century, at a time when Orkney was part of the Kingdom of Norway. He was killed on the orders of his cousin and rival Hakon, and many miracles were reported after this death. In 1137 Magnus’s nephew Rognvald began construction of the ‘fine minster’ in honour of his saintly uncle; Magnus’s relics remain interred in a pillar of the choir. The cathedral has stood firm against Reformers, Cromwellian troops and wartime danger, and is the most complete medieval cathedral in Scotland.

Visit the Orkney Museums website for more information: www.orkneymuseums.co.uk

Editorial – The Scottish Banner Says….

July 2024 (Vol. 48, Number 01)

The Banner Says…

The Battle for Scotland’s history

Gracing our front cover: Perthshire’s Scone Palace. Photo courtesy of Scone Palace.

Scotland’s history cannot be told without mentioning the brutal warfare which took place on its soil. Most of Scotland’s battles related to England as an opponent but some involved the Romans, Vikings and of course some were Scots fighting Scots. Clashes took place across the country and ranged from small skirmishes to major battles with triumphant victories and devastating defeats. These brutal conflicts helped shape Scotland and are forever a part of the Scottish story.

Sacred spaces

Scots gave their lives at these historic sites and for many they are considered not only as sacred spaces but a place of pilgrimage. And whilst blood and suffering are soaked into the ground of these sites, a battle is now again brewing in the heart of Scotland. Recently Stirling Council received a development application to build a trotting track on land of the historic and internationally important Bannockburn Battlefield. The application includes a horse track, bar and toilet facilities and a car park for 200 cars.

In June 1314 the historic Battle of Bannockburn took place as Robert the Bruce defeated the imposing English army and became a defining moment of Scotland’s story. Robert the Bruce is now a Scottish legend and still today evokes pride in Scots around the world, this month is in fact the 750th anniversary of his birth with several events taking place across Scotland. This development risks both damage and the integrity of this historic landscape and setting surrounding the battlefield on one of the most important places in Scotland’s history.

Sadly, this is not a new situation for Scotland as Culloden Battlefield, located just outside Inverness, has also had to grapple with developers wanting to build on these hugely historic and hallowed landscapes.

One of the most pivotal moments in Scottish history

Bannockburn Battlefield. Photo: National Trust for Scotland.

Conservation charity the National Trust for Scotland, who have managed the site since 1943, is now calling on the Scottish Government to intervene to stop this development from going ahead. Stuart Brooks, National Trust for Scotland Director for Conservation and Policy said: “We are extremely disappointed that Stirling Council planning department is considering the proposal for a trotting track at the Whins of Milton site on the nationally designated Battlefield of Bannockburn, and in the single remaining fragment that allows us to understand how the battle unfolded. We are calling for the Scottish Government to pull this planning application to ensure the future of this historic battlefield for the benefit of future generations.

“Bannockburn is much more than just a battlefield. It is the location of one of the most pivotal moments in Scottish history when Robert the Bruce, King of Scots defeated the English army led by King Edward II. The landscape surrounding the battlefield was instrumental in helping Robert’s men beat their English rivals and ensuring the nation’s future.

“The location of the proposed development at Whins of Milton is in the vicinity of where Bruce’s army faced off against the vanguard of Edward’s army on the first day of the battle. It is close to Foot o Green Farm, where the famous duel between Bruce and De Bohun is said to have taken place. Milton Bog formed a defensive screen for the western flank of Bruce’s army on Borestone Brae that would’ve assisted the Scots men in securing victory against Edward and his men.

“Over previous decades much of the historic setting has been lost and we are deeply concerned about any new development that would encroach on this and further erode and degrade this iconic landscape. We are calling for the Scottish Government to step in and save Bannockburn Battlefield from this proposal to ensure the longevity of a site steeped in Scottish history.”

In this issue

This month we highlight Perthshire. Travel booking website booking.com has called Perthshire ‘2024’s Most Welcoming Region on Earth’. We hear from two of the region’s major draw cards, the historically significant and beautiful Scone Palace and theincredible new Perth Museum.

The eyes of the world will be on Paris later this month when the 2024 Summer Olympics, or the Games of the XXXIII Olympiad, will take place. There will no doubt be many history making sporting feats made. However, we have focused some of this issue on Paris 1924 when 100 years ago a legendary Scot, Eric Liddell, became known not only for his athletics but his beliefs.

Trimontium Museum in the Scottish Border town of Melrose has done some incredible work looking into Scotland’s past. The museum has used modern technology toreconstruct some of Scotland’s Roman history and quite literally put a face on that time with the ‘Trimontium man’.

Celebrating our 48th year

I cannot also not make mention that this issue marks our 48th year. I do feel every issue we do is somewhat a cause for celebration as this is a business full of challenges, however I know I cannot shout out about it monthly. However, we have come a long way in 48 years with many triumphs, challenges, wins and losses. But we are still here thanks to you!

Our incredible readers and advertisers have allowed the Scottish Banner to remain a part of the international Scottish scene and your support is greatly appreciated. I hope you enjoy your month ahead.

Have you visited a Scottish battle site? Have you visited Perth and Perthshire? Do Do you have you any comments from the content in this month’s edition? Share your story with us by email, post, social media or at: www.scottishbanner.com/contact-us

#ScottishBanner, #TheBanner #NewsForGlobalScots

The Scottish Banner is more reliant than ever on our readers helping us to provide you with our unique content by buying a copy of our publication, regardless if by print or digital subscription or at a retail outlet.

We appreciate your support and hope you enjoy this edition.

New photos of Greyfriars Bobby unveiled

Greyfriars Bobby needs no introduction. He’s one of the most recognizable figures in Scottish history and probably one of the most famous dogs in the world. Yet despite a wealth of literature, and a Disney film, there remain open questions about who exactly this little dog was. Speaking strictly from the photographic record, there are two dogs purported to be Greyfriars Bobby. One, often named Greyfriars Bobby the First, appears in at least five photographs, taken by Edinburgh publisher Walter Greenoak Patterson around 1867. The other, Greyfriars Bobby the Second, appears in a single photograph of unknown date and origin.

Skye terrier

The Traill family and Bobby. Photo: The City of Edinburgh Council, Museums and Galleries; Museum of Edinburgh.

Before we continue, we must sadly put Greyfriars Bobby the Second to bed. In the cold light of day, a single photograph of a Skye terrier, with “Grayfriars Bobby” written on it, is not enough to suppose, as some have, that there was a second dog. Photographs are frequently mislabelled. On the balance of probability, we have no choice but to conclude that Greyfriars Bobby the Second was no Greyfriars Bobby at all, but a Greyfriars Red Herring.

Consequently, we must dismiss the hypothesis that Greyfriars Bobby the First died and was replaced prior to 1872 – the “two dog” theory. That so famous a dog could have been replaced by one of a different breed without raising any eyebrows already stretches the bounds of credulity. Perhaps most importantly, it means that Bobby was, probably, neither a purebred Skye terrier, nor a Dandie Dinmont, although they will forever remain an integral part of the legend of Greyfriars Bobby.

Photo: National Galleries Scotland.

So, who was Greyfriars Bobby the First? If you visit Bobby’s display at the Museum of Edinburgh, you will see the three images known prior to 2010.  One shows Bobby with the family of John Traill, another with the family’s children, and one by himself, the Museum’s cabinet card-sized copy addressed to John Traill from WG Patterson. John Traill ran an establishment at 6 Greyfriars Place, at different times described as a coffee house, refreshment rooms, or a restaurant, always with Temperance added to signify that no alcohol was sold. Today, it is part of Alandas Gelato, with nothing but a neon sign reading “where the magic happens” to signify its historical ties to Bobby.

Bobby would visit and be fed at 6 Greyfriars Place, as he would visit other local homes and businesses in-between stints in Greyfriars Kirkyard. As time went on, the Traill family’s role evolved to something like carers or owners, and it is for this reason they were photographed with the famous pooch.  What is rather remarkable is that since 2010, three entirely new photos have come to light. Mine is the latest and the reason for this article.  In 2010, a Flickr user posted an Edinburgh carte-de-visite photo of a small terrier in a cemetery. It was quickly pointed out that the photographer, WG Patterson, the graveyard setting, and the general appearance of the dog, suggested it might well be Greyfriars Bobby. Having compared the photograph to the location of John Gray’s grave in Greyfriars Kirkyard, and the subsequently discovered photos of Bobby, I am confident that not only is this indeed Greyfriars Bobby, but Bobby at the famous graveside he may have mourned at.

A better understanding of Bobby

Friends of Dalry Cemetery volunteer Lani Knott with the newly unveiled photograph of Greyfriars Bobby in Greyfriars Kirk.

In 2022, another carte-de-visite of unknown ownership but with a remarkable resemblance to the renowned canine began to circulate in the media. Fresh on its heels, I discovered a further carte-de-visite in 2023. For the first time, we can assemble all of these photos together and gain a better understanding of Bobby.  One of the first conclusions we can draw (yes, pun intended) is that the previously-known solo portrait is not a photograph, but a traced illustration of the photo I discovered, with some minor changes. Another is that being intended for commercial sale, the images were probably taken in order of saleability until the final, illustrated image was chosen for sale to the public.

Resembling the most strongly a traditional Victorian studio portrait, it is likely that the Traill family was photographed first. However, the inclusion of a family that not all intended customers would have been familiar with, and Bobby looking away from the camera in one photo and blurry-faced in the other, probably necessitated additional photos.  From here it may have been decided that instead of with his current caretaker family, Bobby might be photographed at the famous graveside of John Gray, the man who may have been his former owner. With no further known photos in this Kirkyard series, we can hazard a guess that Bobby may not have been particularly cooperative in terms of adopting a mourning pose when prompted. We can also see from the shallow depth of field that the studio camera had been adjusted for a shorter exposure, probably to maximize chances of keeping a moving dog in focus.

Inability to secure a photo of Bobby suitably reposed may have led Patterson back to the studio, where Bobby was placed, by himself, on an ornamental pedestal. One photo shows his claws, in another they are absent – the photo with claws must have been taken first. Perhaps they were trimmed to soften Bobby’s appearance. His coat, too, is brushed. In my photo, an alert, sitting Bobby, claws hidden and coat smooth, finally has his face in focus.

For the first time, we can truly look Bobby in the face. He is unquestionably a terrier cross, resembling no breed in particular. He has teefs. He looks quite happy.  So why was this relatively good photo made into an illustration for sale? Here, examining the minor changes is revealing. Bobby’s right ear is lowered. His teeth are hidden. His eyes are made to gaze upward, his entire demeanour taking on an air of mournfulness. His body, made blurry by the shallow depth of field, is brought into sharp focus. Finally, Patterson had his sellable image of a sad Greyfriars Bobby. The rest is history.

Text by: Jakob Assarsson, Friends of Dalry Cemetery.

Rare artefacts go on display for first time in new exhibitions in Lewis

Rare objects representing thousands of years of island life, from the Neolithic to the Viking Age, have gone on display in Lewis. More than 40 artefacts on loan from National Museums Scotland, including some displayed for the first time, feature in new exhibitions at Comunn Eachdraidh Nis and the Kinloch Historical Society Museum.

The artefacts were discovered at sites across Lewis and include a unique, complete 2500-year-old pot from Allt Cleascro, Achmore, found buried deep in peat, and an exceptionally rare example of pre-Viking Age Scandinavian craftsmanship.

The intricately decorated bronze mount was converted into a buckle during the Viking period and worn on its journey to Scotland. Brought together for the first time the objects provide an insight into the island’s deep past, revealing how people have lived and thrived in this area for thousands of years.  Na Dorsan opened at Comunn Eachdraidh Nis and charts the history of the Galson area. The objects, discovered on the Galson coastline, tell the fascinating story from the first farmers in the area, some 6,000 years ago, through to the arrival of Vikings on the island.

Unique find for Scotland

Archaeology Homecoming at the newly accredited Kinloch Historical Society Museum, also raises awareness of the area’s rich archaeology. The exhibition highlights remarkable finds like the Achmore pot, and significant features within the local landscape such as Sidival Stone circle.

Dr Fraser Hunter, Principal Curator of Prehistory and Roman Archaeology at National Museums Scotland, said: “It’s been a real treat collaborating on these exhibitions with our colleagues in Nis and Kinloch. These objects help bring the distant past to life, from elegant bone tools from Galson that show the craft skills of the Iron Age to the remarkable Viking-period bronze mount from Ath Linne, which is a unique find for Scotland.”

Photo: Scandinavian cast gilded bronze mount, Lewis. Image © National Museums Scotland.

The Heart of Dunfermline

Dunfermline is Scotland’s newest city; it was awarded this status in 2022 as part of the late Queen Elizabeth’s Platinum Jubilee Celebrations. Oddly, it’s also one of Scotland’s oldest cities. Like Stirling and Edinburgh, it has a historic quarter with medieval origins, in this case squeezed between the town’s busy shopping streets and Pittencrieff Park.

There are none of the crowds you’d associate with Edinburgh’s Royal Mile, Stirling Castle or Linlithgow Palace. In fact, if tourist Edinburgh’s sheer busyness wears you down, you could do worse than hop on a train to Dunfermline. If you do, you’ll alight at a station that has been speedily renamed Dunfermline City: it was formerly Dunfermline Town. You also get to cross the wondrous Forth Bridge.

The capital of Scotland

Dunfermline Abbey. Photo: VisitScotland/Kenny Lam.

Dunfermline has a very long history. In the 11th century it was the stronghold of King Malcolm III and arguably the capital of Scotland, so its city status was perhaps overdue. Ruins known as Malcolm’s Tower stand in Pittencrieff Park but the name is misleading; what’s visible probably dates only from the 14th century. However, Malcolm’s residence may well have occupied the same site; there’s a lot of ‘perhaps’ and ‘may’ when we talk about a thousand years ago. We do know that Malcolm married his Queen, Margaret, at Dunfermline in 1070.

Margaret was a particularly devout Roman Catholic and founded a religious house at Dunfermline, importing Benedictine monks from Canterbury to get it started. Four of her sons subsequently became kings of Scotland; even her youngest, David 1, came to the throne, in 1124; this year sees the 900th anniversary of his accession. David was determined to see his mother’s religious community become a major abbey and installed Geoffrey, the former prior of Canterbury, as abbot in 1228. David had grown up in England and he wanted to create an impressive building in stone, like the ones down south, for his mother’s foundation. He imported stonemasons from Durham Cathedral and the nave of the structure they built survives in Historic Scotland’s care, dominating this part of Dunfermline still.

Malcolm and Margaret both died in 1093 and were buried at Dunfermline Abbey. So too, in 1153, was David. Margaret’s and Malcolm’s remains were removed to a new dedicated shrine at the eastern end of the abbey church after Margaret’s canonisation. The shrine was a focus for pilgrims for centuries, but Malcolm’s and Margaret’s remains are said to have been removed for safekeeping at the Reformation, sent to the Escorial in Spain, and then lost.

Royal burials continued at Dunfermline for centuries. William the Lion and Alexander III are among those interred in the abbey. Most famously, Robert the Bruce (minus his heart) was laid to rest there in 1329. The last royal burial was Robert, the infant son of James VI, in 1601. The locations of most have been lost; we need Scottish equivalents of those clever people who identified Richard III of England below a Leicester car park.

St Margaret

Abbey and Palace. Photo: David Mcvey.

Talking of car parks, Margaret was said to pray in a cave near the centre of modern Dunfermline. In recent times the area has been built up and a car park covers much of the site, but the grotto was preserved. Accessed by a steep flight of steps and a tunnel, St Margaret’s Cave became Dunfermline’s oddest attraction. Since the pandemic, access has been limited so it’s best to check before any planned visit. Queen (or Saint) Margaret is multiply commemorated around Dunfermline and Edinburgh, even in the name of the new city’s other railway station.

By the time of the Reformation, the abbey St Margaret founded was the third richest monastic foundation in Scotland. Afterwards, many of its buildings fell into decay, but the nave of the abbey church survived in use as the parish church. In 1821, a new parish church was consecrated on the site of the former choir; its tower is ringed in stone with the words KING ROBERT THE BRUCE so’s you know who’s buried there. The site of St Margaret’s Shrine is still identifiable, outside the church to the east, but its glory has departed.

The refectory is the most complete survivor of the monastic buildings at Dunfermline; an impressive gatehouse, which houses exhibition space and the Historic Scotland shop, links it to the monastic kitchens and the guesthouse. The spiral staircase down to the monastic kitchens is the tightest I’ve ever encountered, and as a history buff I’ve encountered quite a few. It’s strictly one person at a time.

Monks had a duty to provide hospitality for visitors and maintained guesthouses. Like hotels today, guesthouses offered different grades of accommodation; guests could be lowly, penniless pilgrims, and they’d get the budget beds. Yet visitors could also be royalty. The remains of one guesthouse survive at Dunfermline, with its earliest remains going back to the 14th century. It probably offered top of the range accommodation and in the 1580s, James VI’s Queen Anne employed the royal Master of Works, William Schaw, to transform the building into a royal palace. Their daughter (later Elizabeth of Bohemia, ‘The Winter Queen’) was born here in 1596 and in 1600 so was their son, the future Charles 1. Charles was the last ruling monarch to be born in Scotland or, indeed, to be a Fifer. His son, Charles II, visited the palace as late as 1650 but it fell into disuse soon after.

The most impressive surviving medieval buildings in Scotland

Abbot House. Photo: David Mcvey.

Abbey, palace and nave are amongst the most impressive surviving medieval buildings in Scotland, but they’ve been much altered over the centuries. The huge buttresses on either side of the nave were added in the 17th century to prevent the structure from collapsing. The southwest tower did collapse in 1807 and was replaced.

Also in Dunfermline’s historic quarter, the 1821 parish church is usually open to visitors. To the north of the kirkyard is the beautifully restored 16th century Abbot’s House, which has a gift shop and cafe on the ground floor. The rest of the building is not usually open to the public but there are occasional open days when you can explore this fascinating survivor.

In more recent historical times, Dunfermline is perhaps best known as the birthplace of Andrew Carnegie. If the city’s most famous son funded New York’s Carnegie Hall, he also funded Dunfermline’s Carnegie Hall. If he funded hundreds of libraries around the world, Dunfermline’s was one of them. The Carnegie Library now has modern extensions housing a gallery, museum and café making it a visitor destination as well as a community resource.

 

It’s a city! Photo: David Mcvey.

Carnegie bought the Pittencrieff Estate in 1902 and donated it to his home town; it is now the popular and elegant Pittencrieff Park which extends to 76 acres and is renowned for its peacocks. The magnificent 17th century Pittencrieff House, restored not long ago, used to be a local museum but is now sadly disused. However, the Carnegie Dunfermline Trust (it was set up by Carnegie in 1903 and owns the park) hope to reopen it as a public facility in the future. It would be a fantastic focal point for the park.

The birthplace of Charles 1, the shrine of St Margaret, the burial place of Robert the Bruce, the legacy of Andrew Carnegie; Dunfermline has enough to satisfy the most demanding history enthusiast.

Text by: David McVey.

Main photo: Dunfermline Abbey. Photo: VisitScotland.

Luca leapfrogs Noah to top Baby Names chart

Luca was Scotland’s top name for baby boys for the first time in 2023, according to new figures released by National Records of Scotland (NRS).  Luca climbed four places to the top spot with 344 baby boys given the name. Last year’s most popular name, Noah, is pushed into second place, while Leo remains third. Jack has dropped out of the top three names for boys for the first time since 1996, falling to fourth place. Isla returns to the top slot for the first time since 2020, overtaking Olivia, the most popular name for girls in recent years. Freya is still the third most popular girls’ name.

Scotland’s bundles of joy

NRS Statistician Phillipa Haxton said: “National Records of Scotland is pleased to welcome all of Scotland’s bundles of joy in 2023.  There are more names in use today than there were in previous generations. The number of different names for boys reached a new all-time high in 2023, as did the number of unique names given to only one child in the year. The same pattern was observed for girls’ names, and the variety of names given to girls is still greater than for boys.”

Some of the names rising in use are associated with movies. Luca is now Scotland’s top name for baby boys, rising from 43rd in the charts before the release of the 2021 Pixar movie of the same name. Meanwhile the names of actors in the summer blockbuster movies Oppenheimer and Barbie further increased in popularity, with Cillian up 24 to 99th in the list and Margot up 57 places to 106th.

New entrants in the top 100 names include Oakley, which rose 64 places to 87th and Mabel, which leapt 102 places to joint 93rd.  Choices for baby names differ across Scotland’s 32 local authorities. Luca was top in seven areas and Isla in eight. Luca and Isla were top in Moray and North Ayrshire but Luca shared the top spot for boys with several names.

A celebration of Scotland at the Melbourne Tartan Festival

With a skirl of pipes, the Melbourne Tartan Festival (MTF) will open with the annual Kirkin’ ‘O The Tartan service at The Scots’ Church, Melbourne on Sunday 30th June. This year will celebrate the 150th anniversary of opening of the current Scot’s Church building on the corner of Collins and Russell Streets, Melbourne. The Parade of Clans will be piped into the church, with each Clan being announced and welcomed in both Scottish Gaelic and English.

The Melbourne Tartan Day Parade on Collins Street on Sunday 7th July is another festival highlight event. More than 200+ pipers, drummers and dancers will be joined by Clan representatives as the official party leads them down Collins Street. Preceding the parade will be displays of dancing and piping on the terrace of the Old Treasury Building from 11.30am with pop-up events around the City, including the Block Arcade.

The Melbourne Tartan Day Parade.

A CBD Scottish Connection guided walk with cultural historian, curator and tour leader Kenneth Park will commence at 10.00am–bookings essential. Tickets for the annual MTF Ceilidh dance with Melbourne Scottish Fiddlers at Collingwood Town Hall on the 12th  July will see 200 dancers take to the floor, for what one enthusiast described as “a better workout than a session at the gym”!

During the month-long festival there will be concerts and recitals featuring Fiona Ross, Graeme McColgan ‘The Scotsman’, The Twa Bards and Claire Patti & Pria Schwall- Kearney, each showcasing different genres of Scottish music. The program includes the Victorian Pipers Association Solo Piping Championships, online and in person lectures, whisky tasting, genealogy, Burns Suppers, poetry in the park and pub and much more throughout the month of July.

The Lord Lyon.

The Main Hall of Melbourne Town Hall will be the setting for a grand and ceremonial welcome befitting the Office of the Lord Lyon at the Gala Dinner and Concert on Saturday 20th July, in what will be the premier event of the Melbourne Tartan Festival.

Dr Joseph Morrow CVO CBE KStJ KC LLD DL FRSE, the Right Honourable the Lord Lyon King of Arms has accepted an invitation to be our Guest of Honour . Guests will be piped in on arrival to enjoy drinks and canapés in the Town Hall foyer before entering the glittering Main Hall for a sumptuous gourmet meal accompanied by an assortment of fine wines, and traditional and contemporary concert style entertainment. This will be a night to remember as we welcome the Lord Lyon King of Arms to Australia.

Visit the Melbourne Tartan Festival website for the full program, with more events being added weekly at: www.melbournetartanfestival.com.au and follow the Facebook page.

Images courtesy of Adam Purcell, Melbourne Ceili Camera.

Mighty McVitie’s-Edinburgh biscuits conquer Britain and beyond

By a long stretch the maker of the best-selling biscuits in the UK, producer of the famed Chocolate Digestives, Hobnobs and Jaffa Cakes, McVitie’s is another example of Scottish inventiveness and ingenuity that started small and then snowballed into massive proportions. Incredibly, sales numbers for 2020 show that McVitie’s outsold its two closest competitors by more than five to one.

It all started in Edinburgh with Robert McVitie (1809-80), an apprentice baker from Dumfries. Robert and his father William established a provision shop in Rose Street, Edinburgh in 1839, from where Robert sold his baked goods. These proved so popular that Robert opened another shop at Charlotte Place near Charlotte Square. Robert married in 1844, and with an eye toward continuing and expanding the family business, sent his two sons Robert Jr and William to study bakery on the Continent.

Royal seal of approval

McVitie’s Rich Tea biscuit. Sean Whitton, CC SA-BY 3.0.

In the 1870s McVitie’s had premises at Antigua Street, East London Street, and Queensferry Street. Charles Edward Price joined the firm in 1875 as sales rep. After Robert passed away in 1880, Robert Jr took over the Queensferry establishment. Robert Jr expanded into Merchant Street in 1884, and a few years later hired biscuit maker Alexander Grant of Forres as bakery foreman. Price’s success as salesman led to the partnership McVitie & Price. Business was so brisk and demand so high that the firm couldn’t keep up the required production, so in 1888 the team established the massive St Andrews Biscuit Works in the Edinburgh suburbs.

The company marked another milestone when in 1892 Alexander Grant developed the Digestive biscuit which became a McVitie & Price flagship product. McVitie & Price received the royal seal of approval in 1893 after being requested to bake the wedding cake for Princess Mary and the Duke of York. Going from strength to strength, surging trade south of the border led the firm to establish a factory in Harlesden, North London in 1902. After Robert Jr passed away in 1910, Alexander Grant became the firm’s main shareholder and managing director.

With the outbreak of the Great War in 1914, the British government called upon McVitie & Price to apply its expertise and factories to producing ‘iron ration’ plain biscuits for the British Army. This venture required the opening of yet another production facility, this time in Manchester, in order to meet the demand. The business continued to grow post-war, and in 1922 McVitie & Price acquired Simon Henderson & Sons, an Edinburgh bakery.

In 1923 Alexander Grant donated a £100,000 endowment for the establishment of the National Library of Scotland. McVitie & Price began focusing primarily on biscuit production from 1924, as biscuits kept well, were easily portable and handy to eat on the run. High-profile travellers who used and endorsed the biscuits included George Binney, who led the Oxford University Arctic Expedition in 1924. The firm’s concentration on biscuits led to experimenting with chocolate and the creation of the Homewheat Chocolate Digestive brand biscuit, now famously known as McVitie’s Chocolate Digestives.

A titan on the British and world stage

McVitie’s Hobnobs. Sargant, public domain.

Pastries were still on the McVitie & Price agenda, however, with the now renowned Jaffa Cake appearing in 1927. Flavoured by sweet Jaffa oranges and a tangerine oil jam, the Jaffa Cake was the subject of a controversy when Her Majesty’s Customs and Excise declared that the item was a biscuit and not a cake, and so subject to VAT. The firm succeeded in proving to the courts that the Jaffa Cake is a cake, and decades later the treat remains VAT-free. Another £100,000 came from Alexander Grant in 1928, this time for the construction of the National Library site on the George IV Bridge in Edinburgh. The deprivations and sacrifices of World War II had a profound impact on McVitie & Price. So great was the effect of these challenges that while the company was producing 370 varieties of biscuits and cakes in 1939, in 1945 only 10 different McVitie & Price items were on offer.

McVitie & Price had more royal involvement when in 1947 they made the more than 2.5-metre-tall wedding cake for Princess Elizabeth and Lieutenant Philip Mountbatten. Working amidst Britain’s food-rationing restrictions, the cake’s ingredients were imported from overseas. In 1948 McVitie & Price merged with Macfarlane, Lang & Co Ltd to form United Biscuits Group. United Biscuits acquired Edinburgh biscuit company William Crawford and Sons in the early 1960s. William McDonald & Sons, the Glasgow maker of Penguin brand biscuits, came into the United Biscuits fold in 1965, followed by Carr’s of Carlisle in 1972.

Yet another McVitie’s breakthrough occurred in 1985 with the introduction of Hobnobs. So popular was this biscuit that McVitie’s brought out its chocolate variant only two years later, soon followed by another hit, Boasters. Adding to its century-long string of successes, McVitie’s introduced its Milk Chocolate Caramel Digestive biscuit in 1999, and in 2004 the product won the Dunk for Britain campaign, earning the title ‘Nation’s favourite McVitie’s dunking biscuit’. In an effort to make its biscuits more healthful, McVitie’s reduced the saturated fat content of its Rich Tea and Hobnobs brands by fifty per cent in 2009. The company performed more royal duties when in 2011 it was commissioned to create a groom’s cake for the wedding of Catherine Middleton and Prince William – a no-bake cake with McVitie’s Rich Tea biscuits as a main ingredient! Marching further on into the 21st century, McVitie’s has introduced McVitie’s Sweeet™, Digestive Nibbles and Digestive Thins. What would Robert McVitie think that well over a century on, his Edinburgh-based bakery is a titan on the British and world stage?

Did you know?

Digestive biscuits

McVitie’s Chocolate Digestive biscuit. Jolly Janner, public domain.

In 1839 two Scottish doctors originated the semi-sweet digestive biscuit as a digestive aid. The high sodium bicarbonate content of the recipe was believed to work as an antacid. A digestive biscuit’s basic ingredients are course brown wheat flour, sugar, malt extract, vegetable oil, wholemeal, raising agents and salt.  In 1851 brown meal digestive biscuits were offered for sale in The Lancet, and Huntley & Palmers of Berkshire advertised digestive biscuits in 1876. The digestive biscuit developed by Alexander Grant and manufactured by McVitie’s was made from a secret recipe which is still in use today. McVitie’s Digestives remain the best-selling biscuit in the UK, with the Chocolate Digestives consistently voted the UK’s number one snack food.

Rose Street

Kenilworth Bar, 152, 154 Rose Street, Edinburgh. Enric, CC SA-BY 4.0.

Sandwiched between George Street and Princes Street, the narrow Rose Street was constructed in 1770-81 as a secondary east-west road running from St Andrew Square to Charlotte Square. Originally lined with three-storey houses, as of 1820 more and more shops were in operation on Rose Street. This trend progressed until by the mid-20th century the entire street was devoted to shops and bars. The street became pedestrian-only in the 1980s. The Eagle Buildings (1904) and Kenilworth Bar (1899), the latter named after one of Sir Walter Scott’s Waverly novels, are notable establishments on the street.

Jaffa oranges

Sliced McVitie’s Jaffa Cake. Asim18, public domain.

Named for the ancient Canaanite port city, now part of Tel Aviv, Jaffa oranges were developed by Arab farmers in the mid-19th century. Also called the Shamouti, the Jaffa orange is oval with a thick, deep orange-coloured peel. Due to the thickness and toughness of its peel the Jaffa travels well and so is an ideal fruit for export. Despite its hardy skin, the Jaffa is easy to peel and the flesh tastes sweet and is almost seedless.

Text by: Eric Bryan

Main photo: McVitie & Price’s Digestive factory sample, 1870-1900, Victoria and Albert Museum. Gryffindor, CC SA-BY 3.0.

The Glengarry Highland Games-75 times perfection

When the crowds start flooding the gates of this year’s Glengarry Highland Games on August 2 & 3, they will be following in the footsteps of thousands of fans who have made this festival one of the most popular in Canada and one of the premier Celtic events in North America.

This year’s 75th edition of the Games in Maxville, Ontario, will include the traditional Scottish events of highland dancing, fiddling, heavy events and piping that everyone has come to love and enjoy.  To celebrate its 75th, the Games has added many special events making for two jam-packed two days of music, tradition and heritage.

The Games will host this year’s World Scottish Highland Games Heavy Events and welcomes the best in the sport to our infield. Friday night’s famed Tattoo will headline Canada’s Celtic Ambassadors, the Barra MacNeils, and to honour the 100th Anniversary of the RCAF, the RCAF Pipes and Drums will also perform. To the delight of many long-time Games fans, long-term Games MC Reg Gamble has been selected as this year’s Guest of Honour.

At Saturday’s breath-taking Games closing, the massed drum fanfare will return based on the hugely enthusiastic response to the performance at last year’s Games.  Many more surprises are in the works for this milestone celebration of Scottish heritage and the welcome is out to all to come and discover the magic at the 75th Glengarry Highland Games.

The 75th Glengarry Highland Games will take place August 2 & 3 in Maxville Ontario. For details see: www.glengarryhighlandgames.com

Paisley Museum weaves new chapter in textile history

Paisley’s rich textile history is being brought back to life, as part of a pioneering partnership which is helping the next generation of conservators to make their mark on Scotland’s biggest cultural heritage project. As part of the £45 million refurbishment of Paisley Museum, textile conservation students at the University of Glasgow, have conserved items of clothing dating from the 1830s through to the early 20th century. They include a children’s dress and bonnet, as well as a crinoline ‘cage’ skirt and even a knitted woollen water polo uniform.

UK’s only textile conservation programme

The University is home to the UK’s only textile conservation programme and, as a global leader, attracts students from across the world. The partnership with OneRen, the charity which is leading the refurbishment of Paisley Museum, provided a unique opportunity for students to work on objects which will go on display, rather than back into museum stores. The textiles, in many cases, were dirty, laden with decades of industrial dirt and soot and required delicate, painstaking work to transform them. The results have been phenomenal, with marked differences in before and after photos. However, the work of a textile conservator is not about making objects look as good as new.

The team helped conserve 13 objects in total, with more being worked on this academic year. One of the more unusual pieces conserved is a knitted swimsuit from the early 20th century that belonged to a member of the Irish International water polo team. It was exchanged with William G Peacock, an Olympic water polo player who trained at Paisley’s Corporations Baths in Storie Street.

Scotland’s largest cultural heritage project

Sean Kelly, Collections and Conservation Manager at OneRen, said: “The work done by the students and the team at the University of Glasgow has been exceptional, helping to bring these incredible objects back to life. This has been a fantastic partnership, bringing benefits for both the conservation and care of these textiles and for the next generation of conservators. Of course, what’s even more exciting is that these items will soon be on public display at the refurbished Paisley Museum, where everyone can see for themselves the students’ outstanding work. The refurbishment of Paisley Museum is Scotland’s largest cultural heritage project, creating a world-class attraction with community and partnership at its core. I want to extend my thanks to the team at the University of Glasgow for their continued support and their part in making the new museum a reality.”

Paisley Museum & Art Gallery in Scotland is set to reopen in 2025 with a new public courtyard, a 26% increase in gallery space, hundreds more objects on display and new learning, community-making and social spaces.

Embracing our Heritage: Scotland In The Class Program extends free resources to educators and families

In a world where cultural diversity is celebrated, preserving heritage remains paramount. For Jennifer Licko, leader of the Scotland In The Class initiative, nurturing a deep connection to Scottish heritage begins in the classroom and extends into family homes across the United States.

What truly sets Scotland In The Class apart is the personal connection of its creators to their Scottish heritage. These are not just teachers, but individuals with a profound understanding and love for their culture. They have crafted a program that resonates deeply with both teachers and students, ensuring that Scottish heritage is not just taught, but felt in the classroom.

At the core of Scotland In The Class lies a commitment to inclusivity and accessibility. Offering a comprehensive celebration unit for school spanning art, music, physical education, history, and reading, the program ensures that every grade, from kindergarten to fifth grade, has access to standards-based lessons that seamlessly integrate Scottish culture into the classroom experience.

From captivating lessons on Robert the Bruce to lively Highland Dance tutorials, educators have access to a wealth of materials designed to engage and inspire young learners, all available for free. Moreover, by understanding families’ pivotal role in shaping cultural identity, Scotland In The Class extends its outreach beyond the classroom.

Torchbearer for Scottish heritage

Parents and grandparents are invited to explore the program’s kids corner newsletters, which offer enriching activities centered around Scottish history, culture, and tradition. By fostering meaningful connections between generations, Scotland In The Class empowers families to celebrate their heritage together.

Moreover, the Scotland In The Class program is not just a resource, but a collaborative effort. It invites Scottish organizations and clans to utilize these materials in their own communications, fostering a sense of community and heritage preservation among members. Your involvement is crucial in this journey of cultural celebration and preservation.

The significance of the Scotland In The Class initiative is not just in its practical offerings, but in its role as a torchbearer for Scottish heritage. By embracing our heritage from a young age, we lay the foundation for its preservation into adulthood. Jennifer Licko and her team understand this profound truth and are dedicated to ensuring that future generations carry forward the torch of Scottish heritage with pride and reverence. Your participation is vital in this mission.

As we navigate an increasingly globalized world, initiatives like Scotland In The Class serve as beacons of cultural preservation and celebration. By visiting the website, educators, families, and organizations can access a wealth of free resources to ignite a passion for Scottish heritage in children’s hearts everywhere.

So, let us embrace our heritage, nurture our roots, and sow the seeds of cultural legacy for generations to come. After all our unique threads of heritage weave the most beautiful stories of all.

Visit the website to see all the available resources at: www.ScotlandInTheClass.com.

Glasgow tunes up for Scotland’s biggest week of bagpipes this August

Piping Live! festival and the World Pipe Band Championships get set for summer of sound.

Glasgow is set to host Scotland’s biggest week of bagpipes this summer, with the return of Piping Live! from Saturday 10th – Sunday 18th August, and The World Pipe Band Championships on Friday 16th and Saturday 17th August. The world’s biggest piping festival, Piping Live! attracts over 30,000 attendees to Glasgow each year, with an eclectic programme of events for pipers and music lovers alike to be held at venues across the city. Run by the National Piping Centre and now in its 21st year, the festival will have lively concerts, captivating recitals, hard-fought competitions, engaging workshops and energetic sessions involving 700 musicians on the musical menu across its nine days, including a swathe of free and ticketed events.

The World Pipe Band Championships – a major event which Glasgow first hosted in 1948 and the city has staged every year since 1986 – attracts thousands of pipers and drummers from all over the world to compete in the ultimate ‘battle of the bands’. Organised on behalf of the Royal Scottish Pipe Band Association by Glasgow Life – the charity which delivers culture and sport in Glasgow. Social media sensation Ally Crowley-Duncan, known online as Piper Ally with a combined following of over 4 million for her innovative piping content, will be flying in to take part in Piping Live!. Originally from New York, Ally will be performing and hosting a Q&A as part of the Street Cafe, taking part in the Piping Live! Big Band, and acting as a secret judge in competitions across the week.

The sound of the pipes to the streets of Glasgow

Celebrated piper, composer and teacher John Mulhearn pictured at the lanuch of Piping Live 2024 outside The Pipe Factory in Glasgow’s Eastend.

Ally the Piper, said: “Being part of Piping Live! is like standing on the grandest stage of bagpipe mastery. It’s where the world’s finest gather to showcase their talents and where every note carries the weight of centuries of tradition. To be invited back to this world-renowned festival is an amazing moment for me in my musical journey and I can’t wait to share the experiences I have with all of my followers. Even though my career in bagpiping largely exists outside of the traditional, I’m immensely grateful for the opportunity to stay connected to the community, and immerse myself once again in the atmosphere of Piping Live! and I am really looking forward to being back in the beautiful country of Scotland and reconnecting with old friends, having first taken part with the Scotia Glenville Pipe Band (now the Capital District Youth Pipe Band) in 2012.”

The spectacular sonic week includes the iconic Piping Live! Big Band welcoming pipers and drummers of all ages and abilities to join the festival’s mass participation event, filling the city centre streets with music as they march from Mansfield Park in Partick to Kelvingrove Art Gallery and Museum. Also taking place are free, open-air performances by pipe bands from across the globe taking place each day. Including sets from the Royal Edinburgh Military Tattoo Pipes and Drums, the City of Angels Pipe Band from LA, and Old Scotch Pipes and Drums from Australia, these performances offer a fantastic chance to experience world-class piping in the bustling heart of the city centre. In Glasgow’s West End, the iconic Kelvingrove Art Gallery and Museum will host a recital by an amazing international artist each day of the festival at 2pm, showcasing bagpiping traditions from around the world in the breathtaking Centre Hall.

Finlay MacDonald, Artistic Director for Piping Live!, said: “We are proud and excited to be able to bring the 21st edition of Piping Live! to the city of Glasgow. We are thankful to our supporters, performers, participants and funders who have continued to support this event through some challenging times for the creative industries. As the popularity of piping and traditional music continues to grow and thrive, we have created a diverse, inclusive and engaging programme, showcasing the breadth and depth of the piping traditions whilst celebrating world, indigenous and modern traditional music. There are opportunities for pipers of all levels and ages, whether in competitions, at our Big Band event, or for those who fancy a go, our come and Try Sessions. You don’t have to be a piper to enjoy and take part in Piping Live!, Piping is for everyone and we look forward to bringing the sound of the pipes to the streets of Glasgow.”

The very best pipe bands on the planet

L-R Young piper Emma Hill, Croft No. Five drummer, Paul Jennings, renowned bagpiper and BBC Radio Scotland Young Traditional Musician of the Year 2023 finalist Ailis Sutherland, and celebrated piper, composer and teacher John Mulhearn.

The week will come to a fitting crescendo with The World Pipe Band Championships at the iconic Glasgow Green with bands competing from across Scotland and the world in all grades. This year’s ‘Worlds’ promises another fiercely-fought competition involving the very best pipe bands on the planet. Royal Scottish Pipe Band Association Chief Executive, Colin Mulhern, said: “Last year’s spectacular World Pipe Band Championships, which attracted a fantastic attendance from bands from almost every corner of the globe as well as spectators from near and far, demonstrated just how much this iconic event means to the international piping community, and how much interest there is in the music of Scotland’s national instrument. This year’s ‘Worlds’ promises another superb showcase of piping and drumming, and – judging from the number and very strong contingent of bands already signed up – we can look forward to an incredible, hard-fought contest.”

Glasgow Life Chair and Glasgow City Council Convenor for Culture, Sport and International Relations, Bailie Annette Christie, said: “As a UNESCO City of Music, Glasgow has a great international reputation as a fantastic destination for lovers of all types of music, and there’s certainly nowhere better to enjoy world-class piping.  With the city hosting both the world’s biggest piping festival and the pinnacle of the global piping competitive calendar, Glasgow is looking forward to resounding with our national instrument’s very best talent in August. Celebrating Scotland’s culture and music and providing fantastic entertainment, Piping Live! and the Worlds are firmly established highlights of the city’s summer events programme. Attracting thousands of pipers and spectators, boosting Glasgow’s visitor economy and further enhancing its international profile, these much-loved events are extremely important to our city.”

Piping Live! 2024 takes place from Saturday 10th – Sunday 18th August. For more information and tickets see: www.pipinglive.co.uk.  The World Pipe Band Championships take place on Friday 16th and Saturday 17th August. For more information and tickets see:  www.theworlds.co.uk.

The War Wolf at Stirling Castle

In 1304, Edward I, the Hammer of the Scots, besieged Stirling Castle. It was ‘game over’ for the Scots when a monstrous weapon called The War Wolf arrived on the scene. Robert the Bruce looking on as the terrifying trebuchet flings a pot of “Greek fire” at Stirling Castle makes a memorable opening scene to the epic film Outlaw King. But it’s quite likely that this dramatic episode really happened, and that the War Wolf isn’t just the stuff of legend!

The Hammer of the Scots

An illustration by Jim Proudfoot showing the siege of Stirling Castle in 1304.

After defeating William Wallace at the Battle of Falkirk in 1298, Edward I of England needed a further six years to grasp full control of Scotland. But by April 1304, nearly all of Scotland had been reconquered by “the Hammer of the Scots”. William Wallace was hiding in the countryside, soon to be betrayed to the English. The Scottish nobles had surrendered, submitting to Edward’s rule in exchange for the return of their lands. Only at Stirling Castle did any resistance remain. Sir William Oliphant was the governor and held the castle with about 25 men. On the ramparts, he still defiantly flew the Lion Rampant flag, a symbol of the Scottish crown. In March, Edward had the garrison declared outlaws at his parliament at St Andrews. Preparations began to extinguish the final glimmer of resistance in Scotland.

Edward decided to flex his authority in Scotland as he prepared to travel to Stirling. He no longer had to rely on troops and supplies from England alone. Now, he could order his Scottish subjects to help him take their individual castles. Scottish earls and lords were ordered to send men and horses to Stirling to assist the siege effort. They were also told not to allow their people to try and provision the garrison. Edward did not just want men, though; Stirling was one of the most defensible castles in Scotland and it would require more than bows and arrows alone for it to fall.

Materials for siege engines were shipped from Newcastle and Edward ordered the churches in Scotland to strip their roofs of lead and send it to Stirling. On top of “all the iron and great stones of Glasgow”, five carts from Brechin, 12 from Dunfermline and 22 from St Andrews arrived at the castle filled with lead to be used by the English engineers for their siege engines. By the time Edward arrived at Stirling on the 22 April, the siege was ready to begin. Oliphant attempted to delay the inevitable by asking for permission to send a messenger to the guardian of Scotland, John de Soules. Considering that de Soules was in France at the time, his request was unsurprisingly denied.

The War Wolf

An interpretation of the siege by Heath Gwynn.

When the bombardment began, the “Hammer of the Scots” appears to have wanted to simply pummel this last stronghold of Scottish independence into submission. To do so, he arranged possibly the largest array of siege engines ever assembled by the kingdom of England. The Scots were to be left with no doubt about what another uprising would bring. 13 catapults and trebuchets hurled projectiles at the castle day and night. Robert the Bruce, the future king of Scots, was said to have been present during at least part of the siege. In fact, he provided Edward with several siege engines. It’s possible that Bruce’s experience at Stirling contributed to his policy of destroying castles during his own campaign against England.

Against all odds, Stirling Castle held out against Edward’s siege. For three months, Edward watched on as the catapults flung boulders and fire at the castle walls. He was determined to see it fall. Oliphant must have been fairly surprised too. The defences were holding out and still had plenty of salted beef to feed the men. Little did he know that Edward’s engineers had been working on something special…

Five master carpenters and 50 workmen had been tirelessly assembling massive wooden beams, winches and an enormous counterweight into one of the largest trebuchets ever. When Oliphant saw it in its final stages of construction he knew that it was over. He surrendered in an attempt to save his men and the castle from the destructive power of Edward’s hugely expensive new toy. However, Edward was not in a particularly generous mood. This was to be the final nail in the coffin of the Scots and he wanted them to know it. He had a gallery constructed for the ladies of the court to view this humiliating spectacle. The fearsome engine was christened the “the War Wolf”. When its 140kg missile was released, it shattered Stirling Castle’s curtain wall. Oliphant and his men were publicly humiliated and sent to England for imprisonment.

Political theatre

The siege had shown the overwhelming resources Edward had at his disposal and his attitude towards Scotland. This was not merely a military operation. Unlike most sieges, Edward did not want to break the castle’s mighty walls just to gain a military advantage, Oliphant had already given up. Instead, he designed a piece of pure political theatre. He did not allow the garrison to surrender, so he could make a public spectacle of his power in the form of the world’s largest trebuchet.

Edward wanted to quench any thirst for resistance in grand and ultimately humiliating style. In showing himself to be overwhelmingly powerful and resourceful, it was not just Scottish military forces that he wanted to crush, it was the idea of an independent Scottish kingdom, an idea of which he had become the destroyer. It was in this atmosphere of total defeat that a young Robert the Bruce launched his campaign to become king of Scots.

Want more stories from Stirling Castle? Then head on over to the dedicated section of the Historic Environment Scotland blog where there’s tales of queens, kings, tournaments and ghosts. And if you’re visiting the castle, grab one of the brand-new guidebooks. They’re packed with research, reconstructions and riveting reads to enhance your experience of the iconic stronghold. See: https://blog.historicenvironment.scot/category/stirling-castle

Historic Environment Scotland is the lead public body established to investigate, care for and promote Scotland’s historic environment. For more details see: www.historicenvironment.scot

By: James Macivor. Text and images courtesy of Historic Environment Scotland.

Main photo. Stirling Castle today. Photo: VisitScotland.

 

2024 Australian Pipe Band and Drum Major Championships

After a 63 year recess, on the 13th April 2024 the Australian Pipe Band Championships returned at last to where it all started, the Victorian goldfields town of Maryborough. Maryborough was the site of the very first Australian Pipe Band Championships on New Year’s Day 1961. On that day, New South Wales Police band won Grade 1, the 17th Battn, Royal New South Wales Regiment won Grade 2, and Knox Grammar (Sydney) won both Grade 3 and the Juvenile Grade.

Singapore’s Lion City Pipe Band.

Forward 63 years, on a beautiful, clear autumn day the 2024 Championships began with a Street Parade along Maryborough High Street. The Mayor, Councillor Liesbeth Long, took the salute from 15 bands. The Parade was led by 2022 Australian Drum Major Champion Dominic Strudwick-Andersen from the Australian Federal Police Pipe Band and, in a nod to the very origins of the championships, headed by representatives from three bands that had competed in 1961 – Hawthorn Pipe Band (Victoria), Knox Grammar (Sydney), and Scotch College (Melbourne).

At 10.08 precisely, the Championships proper began in the stunning setting of Princes Park, Maryborough. The Maryborough Highland Society played host – as they did in 1961 – with the championships being run by Pipe Bands Victoria (PBV), the local branch of Pipe Bands Australia, under the direction of PBV Chair, Mrs Karen Wallace. The State Member for Ripon, Ms Martha Haylett MP, joined the Mayor, PBV Chair, and President of Maryborough Highland Society to formally open the Championships.

Thirty-five bands competed across all seven grades, from Grade 1 to Juvenile Novice B, carefully assessed by three panels of adjudicators, including three international adjudicators. The two white-picket fenced contest circles were embraced by adoring crowds all day, crescendo-ing to the highlight performances by Grade 2 Emmanuel College Highlanders from the University of Queensland and Australia’s only active Grade 1 band, the “local” Hawthorn Pipe Band.

Home of the Australian Championships

The championships were fiercely contested across all grades, especially Grades 4A, 4B, and Novice A. The winners? Grade 1 – Hawthorn Pipe Band (uncontested); Grade 2 – Emmanuel College Highlanders UQ (uncontested); Grade 3 – City of Melbourne Highland Pipe Band; Grade 4A – Scotch College (Melbourne) Pipes and Drums; Grade 4B – Maryborough & District Highland Pipe Band; Novice A – The Scots College Sydney; Novice B – Scotch College (Melbourne) Pipes and Drums No.2.

Drum Major Championship.

As the sun began to sink slowly westwards, the crowds were delighted by the Drum Major Championships. While there were only two competitors, the contest was of the highest standard. Both participants were immaculately turned out, each attaining perfect scores for Dress. With slightly better flourishing, Sgt Benjamin Casey (Pipes and Drums of the 5th/6th Battalion, Royal Victoria Regiment) narrowly edged out reigning champion Dominic Strudwick-Andersen (Australian Federal Police Pipe Band). Thanks to Coastal Scottish from Western Australia for being the duty band for the contest.

Clans on display.

The magnificent day closed with the famous Girl on a Drum, a Maryborough specialty where a local Highland Dancer performs her art on a Bass Drum held high. Amazingly skilled, and slightly scary! Congratulations to all participants. A highly successful day, most fitting of the “home” of the Australian Championships. As expected of Victorian hospitality, the day closed with a ceilidh at the Maryborough Highland Society. The sounds of the pipes and drums rolled on into the night, as did the stories of success from the day.

Text by: Professor Euan M Wallace AM, Secretary, Pipe Bands Victoria.

Images courtesy of Mal Nicolson.

Main photo: Albury Wodonga Pipes and Drums.

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