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The Isle of Rum has been designated as Scotland’s first International Dark Sky Sanctuary by DarkSky International. The designation recognises the efforts of the Isle of Rum Community Trust and NatureScot to protect and promote the island’s special starry skies and nocturnal environment, as well as acknowledging its scientific and cultural importance. While Scotland has five designated International Dark Sky Places, the Inner Hebridean island is the first area to be designated as a Sanctuary following stricter night sky quality criteria to reflect its remote location and naturally dark night skies.

There are just 20 other International Dark Sky Sanctuaries worldwide, with only one other in Europe – Ynys Enlli or Bardsey Island in Wales.  Over the past few years, Rum’s small population has been working to ensure that all lighting on the island is dark sky-friendly, as well as hosting astrological and educational events for the community, the local school, and visitors.

Importance of dark skies

Amber Harrison, the Dark Sky Places Program Manager, said: “This certification represents the hard work and dedication of advocates, residents, and community officials who recognize the value of Rum’s natural and cultural resources and are dedicated to safeguarding them against human impacts into the future. Rum is home to a significant breeding population of Manx shearwaters and these efforts will ensure that their habitat is protected for years to come.”

Future aspirations include the establishment of a Dark Sky Tower in Kinloch village with telescopes available to all to view the night sky and views of the island’s dramatic mountain ridges. An all-sky camera and weather station in the village is also planned to provide round-the-clock online viewing worldwide. A year-round program of astronomy events and informative signs around the island will be put in place to educate visitors and locals alike on the importance of dark skies both for human health and for nature.

Alex Mumford, who led the Dark Sky bid while visitor services manager on the Isle of Rum, said: “We are thrilled to become Scotland’s first Dark Sky Sanctuary and relish the prospect of the impact we can have far and wide. It has been a long process and a lot of hard work has gone into this and we hope to provide inspiration around the world for other small communities to do the same. The work now begins to put our exciting plans into motion and we cannot wait.”

Nationally important natural heritage

Fliss Fraser, a director for the Isle of Rum Community Trust, said: “As a small Scottish island with a resident population of 40, we are really proud to have achieved Dark Sky Sanctuary status. Along with all the benefits for our natural heritage, we hope to encourage visitors to enjoy our dark skies as part of our ongoing sustainable approach to tourism.”

Most of Rum is designated as a National Nature Reserve (NNR), recognizing its internationally and nationally important natural heritage. Rum National Nature Reserve is managed by NatureScot as a special place for wildlife and people. In spring and summer, the island’s mountain tops are home to one of the world’s largest breeding colonies of Manx shearwater. More than 120,000 pairs descend on Rum each year, representing around 25% of the world’s breeding population.

Lesley Watt, NatureScot’s NNR manager for Rum, said: “Dark skies are vital for many species to thrive, and this is especially so for Rum’s population of Manx shearwater. Along with many birds, light pollution can have a really negative impact on these amazing seabirds, particularly for fledglings who are active at night and are attracted to artificial light. When it is time for the Manx shearwater fledglings to leave Rum and make their first flight out to sea, light pollution can disorient them causing them to crash on land and never reach the sea or their destination. This designation is excellent news as by protecting our night skies we can ensure the island remains a safe haven for these birds and the many other species that make Rum so special.”

Main photo: Rum house with starry skies ©Steven Gray Cosmos Planetarium.

The Williamstown Highland Celtic Gathering is thrilled to announce its upcoming event, a vibrant celebration of Highland Scottish and Celtic culture. This much-anticipated gathering will be on Saturday, 26 October 2024, at the historic Seaworks precinct in Williamstown, a short train ride from Melbourne Central. Join in for a day filled with the stirring sounds of bagpipes, the grace of Highland dancers, and the strength of athletes displaying their skills in a mini-heavy games event. Visitors will have the opportunity to explore a variety of stalls offering authentic Celtic food, drink, merchandise, and crafts, with plenty of activities to amuse the children all day.

Highlights of the Williamstown Highland Gathering:

• Celtic Music: Immerse yourself in the playing of the bagpipes and Celtic folk music on the stage and all day in the Pirate Bar.
• Celtic Dancing: Watch dancers of forms of Celtic dancing & all ages perform traditional and modern Celtic dances.
• Heavy Events: Cheer on athletes as they showcase their skills in classic and traditional events.
• Cultural Displays: Learn about Scottish and Celtic history and heritage through interactive exhibits and demonstrations.
• Unique Merchandise: Take home a piece of the Highlands with crafted goods.

The Williamstown Highland Gathering is a family-friendly event that celebrates the rich cultural tapestry of the Celtic people. It’s a perfect day out for anyone interested in experiencing the warmth and excitement of Highland Scottish hospitality. Tickets are available for purchase online. For more information, please visit the website or contact our event coordinator. The Williamstown Highland Gathering is an annual event that brings together the best of Scottish and Celtic culture in Melbourne. The Melbourne Highland Games and Celtic Festival Inc. is a not-for-profit organisation of dedicated volunteers giving access to all who identify with and want to celebrate Scottish heritage and culture.

Event details:

• Date: Saturday, 26 October 2024
• Time: 9:00 AM – 4:00 PM
• Location: Seaworks, Williamstown, Melbourne, Victoria, Australia
• Cost: Children under 16 FREE, All concession holders $20.00, Adults $25.00

Contact: Event Coordinator: Secretary; Alistair MacInnes

Email: [email protected]

Website: www.melbournehighlandgames.org.au/williamstown-highland-celtic-gathering

Jamie Lees, an Amherstburg, Ontario resident and co-owner of Jank Words & Pictures, has curated a unique historical exhibition titled: Left at The Wellgate: The Untold Story of Mary Petrie Smith at the Central Dundee Library in Scotland. On now the exhibition delves into the enigmatic story of Jamie’s great grandmother, Mary Petrie Smith, who, on September 14, 1911, left her two young sons in their pram outside a pub in The Wellgate, before leaving for Canada (her journey spanned several Canadian cities, including Montreal, Perth, Kingston, and Collingwood, where she rebuilt her life). Through a meticulous collection of artifacts, documents, photographs, and personal stories, Jamie presents an emotionally charged and historically rich narrative.

Dedicated to her great grandmother, the exhibition Left at The Wellgate: The Untold Story of Mary Petrie Smith allows Mary to finally share her side of the story that remained secret; untold for 113 years. Jamie’s journey to uncover the truth behind this family mystery has profoundly affected her, leading her from deep sorrow to a sense of peace as she felt her great grandmother’s spirit guiding her throughout the process. The exhibition invites visitors to explore various possibilities of what really happened that dark day in 1911 and what drove Mary to make such a drastic decision, encouraging them to form their own opinions based on the artifacts, documents, and personal stories presented. Jamie Lees said: “Left at The Wellgate: The Untold Story of Mary Petrie Smith has been an emotional journey of discovery and connection for me. It is a privilege to share my great grandmother’s story with the people of Dundee and to highlight the resilience and strength of women like her.”

Understanding of the historical landscape

Collaborating with The Wellgate Project and leveraging her expertise in visual storytelling with her husband, Jamie brings a deeply personal yet universally resonant experience to the audience. Frank D’Angelo, co-owner at Jank Words & Pictures, praises her dedication to preserving and sharing this heritage thoughtfully with a broader audience, fostering a stronger cultural connection between Canada and Scotland. In addition to the exhibition, there will be a series of related talks by guest speakers and interactive events to further engage the community with the historical themes and the stories presented.

Dr. Erin Farley, Project Lead and Library & Information Officer, Central Library, Dundee, Scotland, where the exhibition will take place, notes, “We’ve collaborated with Jamie in Canada from Scotland to create an immersive experience that sheds light on the social and cultural context of early 20^th century Dundee. This exhibition not only honours Mary Petrie Smith’s legacy but also enriches our understanding of the historical landscape in which she lived.”

The public are invited in celebrating this remarkable transatlantic connection and discover the compelling story of Left at The Wellgate: The Untold Story of Mary Petrie Smith, a story that peels back the layers of the life of a complex woman—abandoner, immigrant, bigamist, survivor, enigma. A paradoxical maternal path that shaped a family’s history.

Left at The Wellgate: The Untold Story of Mary Petrie Smith runs to October 14, 2024 at the Central Library, The Wellgate, Dundee. For more information, please contact Jamie Lees at [email protected] or visit The Wellgate Project’s website at www.leisureandculturedundee.com/event/33287.

Main photo: Mary’s passport photo, 1911.

On 17-18 August 2024, Clans Buchanan, Edmonstone, Fraser, MacDonald, MacGregor, MacKinnon, MacNichol and McPherson gathered and struck their tents at Kryal Castle, Ballarat. The haunting sound of the lone piper from the 5/6 Royal Victorian regiment calling the crowds to gather within Kryal’s mighty walls.  A sizeable proportion of those attending were from the large Scots diaspora residing near Ballarat and in the Central Highlands region of Victoria.

This year’s event was also celebrating the 750^th anniversary of the birth of King Robert I of Scotland. On both days the event was opened by the burly lads and lasses from Highland Muscle, who kept the crowd entertained with feats of strength including caber tossing, hammer throw and other expositions of superhuman strength. Crowd participation was encouraged and great fun was had by all.

This was followed on the Saturday by the official opening of the event by our Chief of the Day, Simon Abney-Hastings, the 15^th Earl of Loudoun. Mayor of Mirrabool Shire, Councillor Ally Munari also gave a great speech in support of the event. The Earl presented a mighty claymore known as the ‘Tarskavaig Toothpick’ to be awarded to the winner of the England versus Scotland joust. Shortly thereafter the massed bands including members from 5/6 Royal Victorian Regiment Pipes and Drums, Golden City Pipe Band, and the Ballarat Pipe Band regaled the crowd with many classics Highland tunes. Special mention to Malcolm Edmiston, Armiger and High Commissioner for Australasia for the Edmonstone Clan Society, who took the salute on Sunday the 18^th in remembrance of those who served in the Australian Armed Forces with honour in Vietnam, including himself!

The castle walls were filled with lots of other attractions

The Highland Dancing by the Victorian Scottish Union Highland Dancing with performers from Geelong Scottish Dance wowed the crowd with their Highland dancing demonstration and the tiniest dancers stealing the show. This year “Who is the real William Wallace?” with the real versus the woad covered imposter, again attempted to educate the crowd about how the historical William Wallace would have looked and sounded. It did seem that the woad covered comedian proved the most popular of our William Wallace’s. Following, was a joust between the knights of England and the mighty knights of Scotland. Andrew McKinnon, armiger of Clan MacKinnon and Commissioner for Australia for the Clan MacKinnon Society, jousted with his own heraldry and proved too good for the English taking victory and winning the might claymore for Scotland!

The castle walls were filled with lots of other attractions including Highland cows and the magnificent Scottish Deerhounds and lots of fabulous vendors selling Scottish food and wares.  As the dusk drew in, the audience enjoyed the individual band performances from all band participating in the massed bands performance. As part of the action packed program, there was a Highland themed feasts held with haggis and delicious Scottish food served and a whisky tasting narrated by Craig Merson from the Whisky Company. The hungry attendees were royally entertained by Auld Alliance, a two-piece band playing stirring Scots classics who also called a few enthusiastic patrons up to dance at the post feast ceilidh.

Due the success of 2024’s event another one has been confirmed for 2025 with an announcement about the date to follow.

Main image: Andrew McKinnon leads Scotland to victory against the English in the Joust.

Scientists’ search for the source of Stonehenge’s iconic Altar Stone has intensified, with a new paper ruling out Orkney as where it came from.  The new findings follow last month’s news (Scotland’s link to Stonehenge, the Scottish Banner, September, 2024) that the largest “bluestone” at the heart of Stonehenge came from the Orcadian Basin of north-eastern Scotland, and not from Wales as previously thought. Construction at Stonehenge began 5,000 years ago, with changes and additions to the ancient site happening over the next two millennia. Although it is unclear when the Altar Stone arrived at Stonehenge, it may have been placed within the world-renowned central horseshoe of stones during the second construction phase at around 2620 – 2480 BC. With many Neolithic monuments, and having the right geological features, Orkney seemed a likely candidate for the source of the Altar Stone.

North-east of Scotland

Published in the Journal of Archaeological Science: Reports, the new research examined both the five exposed Neolithic-age stones at the Stones of Stenness and seven others at the Ring of Brodgar on mainland Orkney, similar in size and rock type to the Altar Stone.   The research concludes that the six-tonne Altar Stone at the heart of the ancient site was not sourced from Mainland Orkney but elsewhere within north-eastern Scotland.

Professor Richard Bevins from Aberystwyth University, the lead author of the new study, has been investigating Stonehenge for the last 15 years. He said: “The mystery of where the stone came from is becoming clearer and clearer as we begin to rule out specific areas in north-east Scotland. This research is radically changing our thinking about the origins of the Altar Stone. It’s thrilling to know that our chemical analysis and dating work is slowly unlocking this great mystery. The Altar Stone is anomalous in many ways to both the bluestones and the sarsens at Stonehenge. Whilst, at six tonnes, it is nowhere near the size of the sarsens, it is substantially larger than the bluestones, with which it has previously been classed. It lies in an unusual position at the monument, occupying a near central location and not within either the Bluestone Circle or the Bluestone Horseshoe. It is also grey-green sandstone, unlike all the other bluestone rock types. As an academic, I have been fascinated by Stonehenge for decades. I and my other colleagues in the team will continue to work to pin down where exactly in the north-east of Scotland the Altar Stone came from.”

The new research adds to findings by Aberystwyth University and other UK and Australian scientists published last month in Nature that concluded that the Altar Stone came from north-eastern Scotland. In turn, this built on previous Aberystwyth University research that ruled out its Welsh origins and suggested that it should no longer be classified as a bluestone.

Main photo: The Altar Stone, seen here underneath two bigger Sarsen stones. Photo: Professor Nick Pearce, Aberystwyth University.

The 63^rd Scottish Gathering and Highland Games held in Salado, Texas, is the oldest Scottish festival in Texas and hosts the largest gathering of Scottish Clans in the state. The landmark event has been sponsored continuously by the Salado Museum since 1961 with all proceeds benefitting the museum, a nonprofit organization (www.saladomuseum.org).

Heralding all things Scottish, the 3-day event (November 8-10) highlights bagpipe band, Highland dance and heavy athletics competitions and features a Clan Village with some 40 Scots Clans represented. Weekend activities also include performances by Celtic musicians, Bonniest Knees and Shortbread contests, and a multi-vendor Celtic marketplace.

Events begin Friday afternoon with an educational presentation on Scottish music history in the museum. A special Calling of the Clans torchlight ceremony takes place that evening on the banks of nearby Salado Creek. Festival grounds open Saturday morning with opening ceremonies held at noon that include a Bands and Clans Parade through the streets of Salado and a massed bands presentation on the grounds.

Sunday activities begin with the Kirkin’ o’ the Tartan and include pipe band and dance performances, live Celtic music, and a Dog Costume Contest. The Wee Scots Gift Shop is open all three days in the Salado Museum.

For more information on the Salado Scottish Gathering and Highland Games see: www.saladoscottishfestival.com

Islanders on the Hebridean Isle of Barra have launched an ambitious fundraising effort to replace the statue of the saint who gives the island its name which is in danger of being lost to the sea.  The statue of 6^th century Saint Barr, which stands on a small island in Barra’s Northbay area, was erected in the mid-1970s. However, over time its condition has deteriorated badly. It is showing extensive damage and is in danger of disintegrating completely.  A campaign to raise £100,000 is now underway to have it replicated and replaced, with £10,000 already donated to the campaign.

The sculpture was created by local artist Margaret Somerville, who died in 2018, using concrete moulded around a steel frame. It depicts the Irish saint holding a shepherd’s crook aloft as he looks to the heavens.  In Gaelic, Barra is Barraigh which translates as Barr’s Island. It takes its name from Saint Finbar of Cork who is believed to have been a follower of Saint Columba and introduced Christianity to the island.  The exposed sea location and the Hebridean weather has meant that since its erection it is showing signs of extensive damage. The metal frame has become exposed and is rusting due to sections of concrete becoming brittle and falling off, mainly around the statue’s hands, arms and feet.

The fundraising campaign, which is expected to last several years, is led by a community group that came together due to the increasing concern over the statue’s condition and the danger of it being lost completely. They have engaged experienced sculptor Stephen Tinney to use the existing sculpture as the basis for the new statue. Stephen lives on the Isle of Skye but has family connections to Barra and is a regular visitor to the island.  A mould of the existing statue will be taken so that it remains true to Margaret Somerville’s original work and recreate it in hard wearing bronze. It is also proposed to increase the statue’s size by 50% so that it is more prominent and visible from the shore.

A symbol of the island

Michael MacNeil of the Saint Barr Statue Fundraising Group said: “For almost 50 years, the statue has been a symbol of our island and its rich heritage. It would be a huge loss if Saint Barr was to crumble into the sea completely without any effort to preserve Margaret’s work and her gift to the community. We know her family, who are supportive of the campaign, will not want that to happen. This project will see the statue recreated in a material that will withstand the worst of Hebridean weather and cope with its exposed seashore location.”

Increasing the visibility of the statue will enable greater public engagement and understanding of the statue through greater interpretation and storytelling. Fundraising group member, Michael MacKinnon added: “Margaret was a very popular and respected member of our community. She contributed so much to the life of Barra in so many ways from public artwork to teaching the clarsach (harp). It is important that we recognise her impact on Barra and ensure her main public artwork is visible, enjoyed and understood by future generations of islanders and visitors.”

The fundraising campaign has been kickstarted with a £10,000 grant from the Crown Estates Scotland. Theresa Irving of Northbay Community Council and member of the fundraising group welcomed the donation. She said: “We are so grateful to the Crown Estates for this funding towards replacing Saint Barr. This is a very welcome boost and a positive start to our fundraising. We know this is an ambitious campaign, but we are confident that islanders at home and away and those who visit will back it so that our saint remains in place.”

To help erect a new statue of Saint Barr in Northbay, Isle of Barra visit: www.justgiving.com/crowdfunding/saintbarrstatuefund

Main photo: L-R Michael MacKinnon, Theresa Irving and Michael MacNeil.

Glasgow’s visitor attractions are often world-class; think of Kelvingrove Museum, The Burrell and Glasgow Green. But there are visitor attractions that are lesser-known as well as other quirky and intriguing features that only locals are aware of – and often not many of them. Here are a few Glasgow surprises.

‘Partick’ Thistle?

Everyone has heard of Glasgow’s alternative soccer team, the much-loved plucky underdogs Partick Thistle. Sport-inclined visitors may well want to go along and take in a game, but if you get hold of tickets the one thing to not do is head for Partick. The club was formed in 1876 and did occupy several home grounds, mostly in Partick, a former burgh now very much part of Glasgow that’s a couple of miles west of the city centre on the banks of the Clyde. However, in 1909 the club moved to their present home, Firhill, in Maryhill, to the north-west of the city centre. Thistle are noted for their distinctive if garish red and yellow colours; yet until the 1930s they played in blue, so even their look isn’t as traditional as you’d think.

Jenny Lind

Jenny Lind (1820-1887) was a soprano known as ‘The Swedish Nightingale’. She debuted in her native Stockholm at 18 and eventually taught singing at the Royal College of Music in London. Apparently (it’s a musical so I’ve never seen it) she appears as a character in the blockbusting film The Greatest Showman. So, what does she have to do with Glasgow? Well, remarkably, there is a small neighbourhood that is actually called Jenny Lind south of the river.

The homes there stand on what used to be part of the Pollok Estate and it is believed that Lind stayed in a cottage there during a visit to Glasgow. Subsequently, an inn was named after her and when the houses were built, the area took on the name of the inn. I wish it were a bus terminus; I would love to see the name ‘Jenny Lind’ on the front of a bus! Lind was a superstar in her day and there is also a beach in Queensland and an island in Canada named after her. But a district of Glasgow is surely the ultimate accolade?

The Sculpture that Disappeared

Back in the 1970s, Buchanan Street was pedestrianised and one of the items of street furniture that appeared was a mysterious, abstract sculpture entitled Concept of Kentigern. It was the winning entry in a competition and was the work of artist Neil Peter Livingstone. It is an imaginative, symbolic envisioning of one of Glasgow’s patron saint’s miracles; St Kentigern (or St Mungo) restored a robin to life. It was unveiled in October 1977, the very month that I started at the University of Strathclyde, so I was in Glasgow daily and saw it a lot. I rather liked it but, sadly, in a city that prides itself on being a centre for art, much of the media and public response was hostile and mocking. I remember one local was quoted in the Evening Times as saying ‘It’s got nae heid!’

The sculpture was removed in 2000 and spent nearly two decades in storage. Happily, when City of Glasgow College’s magnificent City Campus opened in 2016, a new home was finally found for Concept of Kentigern outside one of the entrances. For more art inspired by St Kentigern/Mungo and his robin, head to High Street for street artist Smug’s wonderful gable-end mural.

Rottenrow Gardens

During my time at Strathclyde, there was an enormous hospital building on the hill opposite the McCance Building in Richmond Street, where I spent most of my time. This was the Glasgow Royal Maternity Hospital which operated on this site from 1860 to 2001. The main entrance was on Rottenrow and this became the shorthand name for the facility; Glaswegians will say, ‘Aye, I was born in Rottenrow.’ When it closed most of the hospital was demolished and the site was developed as a green open space by the University, something Strathclyde lacked in my day.

As such it now promotes mental health. There’s a typically quirky George Wyllie artwork on site; entitled Monument to Maternity, it’s a giant safety pin – how many safety pins did Rottenrow Hospital use in its lifetime, I wonder? The entrance to the hospital has also been retained as a grand gateway to the gardens.

Wild West Glasgow

In 1891, Buffalo Bill’s Wild West Show came to Glasgow, setting up camp in Dennistoun in the East End. Thousands of Glaswegians enjoyed seeing sharpshooter Annie Oakley and real live Native Americans. There was a sour aftertaste, though, as many of the Native Americans were effectively prisoners of war who had been given the choice of being locked up or becoming circus acts.

In any case, in 2006 a statue of Buffalo Bill was placed on the site of the show, becoming the focal point of a garden in a new housing development. Glasgow has always loved its Wild West. Roy Rogers’ horse Trigger famously was photographed inside the Central Hotel climbing the grand stairway! In the Southside you will also find Glasgow’s own Grand Ole Opry where there are weekly country gigs and other western-related activities. Howdy, y’all.

Bud Neill Remembered

Continuing on from the last subject, Bud Neill (1911-1970) was a much-loved Glasgow newspaper cartoonist whose best-known character was Lobey Dosser, the Sheriff of Calton Creek, a town in America’s Wild West populated entirely by Glaswegians. The humour ranged from pawky, to clever wordplay, to Pythonesque surrealism, though I suspect much of it would be incomprehensible to non-Glaswegians. Lobey Dosser’s horse, El Fideldo (or ‘Elfie’ for short) was remarkable for only having two legs; Neill claimed he could not draw four-legged horses.

So, the statue erected in 1992 in Neill’s honour, featuring Elfie with Lobey Dosser and sworn enemy Rank Bajin on his back, is said to be the world’s only two-legged equestrian statue. Perhaps it is. You’ll find it in Woodlands Road, just west of Charing Cross. To finish where we began; a regular character in Lobey Dosser strips was the GI Bride, who usually appeared carrying her child and trying to thumb a lift back to ‘Pertick’. In 2011, a statue of bride and baby appeared on the concourse at Partick Station. The two Bud Neill statues probably baffle many non-natives who see them. Well, now you know.

Text by: David McVey

Main photo: Rottenrow Gardens and the George Wyllie artwork.

Developed in the 1950’s as the Scottish rival to the legendary Austin Mini, the Hillman Imp began production in Linwood just outside Glasgow in the early 1960’s. The innovative car, and modern new factory which employed thousands of Scots,  sadly never was the success it was made to be as the project was plagued with poor build quality,  unreliability and low sales. The icon of Scottish motoring is still however fondly remembered as Eric Bryan explains.

In 1955 the British Rootes Group inaugurated a small car project with an eye toward designing a vehicle which would compete with the bubble cars of the time. The petrol shortages created by the 1956 Suez Crisis increased the British demand for small, economical cars and further sharpened Rootes’ determination to develop a viable entry into the compact car market.

Engineers Mike Parkes and Tim Fry produced two different prototypes of a model called the Slug, but the Rootes board members condemned the designs for their outward similarities to bubble cars. Instead, the board pointed to the Austin A30 and Ford Poplar as representing a more fitting direction in design for the proposed Rootes car. This decision instigated Project Apex.

Innovative design           

The Apex design was fitted with a rear-mounted aluminium 875cc Coventry Climax engine, and a newly-designed Adrian West transaxle. Both were considered excellent and ahead of their time. The Apex body shape, particularly the front end, took some inspiration from American cars such as the Corvair, and the now-familiar Imp lines emerged. Various factors caused Rootes to rush the Apex/Imp project in 1962, preventing the engineers from perfecting some features.

The Hillman Imp went into production at the Rootes factory in Linwood, 14 miles west of Glasgow, and burst onto the British automotive scene in 1963. Published road tests of the Imp praised its splendid gearbox, engine and handling qualities. But due to the hurrying of the project in its final stages, the Imp initially suffered mechanical difficulties and earned a reputation for unreliability. Rootes ironed out these problems, but the Imp’s rear-engine arrangement was overshadowed by the BMC Mini’s front-engine-front-wheel-drive design. However, this new compact saloon became the least expensive British car of the period. Though not reaching the iconic status which the Mini achieved in the mid-1960s, the Imp was an innovative design, and production as well as competition versions of the car had some famous wins in the Tulip Rally and at Monte Carlo.

Some basic specs

The original Imp four-cylinder 875cc engine had a Solex 30 PIHT-2 carburettor, a compression ratio of 10 : 1, and produced 39 hp. The engine was positioned behind the rear axle at a 45-degree angle in order to fit. The aluminium gearbox had synchromesh on all four gears and was considered perhaps the best of its time. The Hillman Imp had a wheelbase of 208cm, a length of 353cm, a kerb weight of 698kg and a turning circle of 9.3m. The car’s top speed was about 122 km/h. Acceleration from 0-100 km/h was approximately 23 seconds, and the average fuel economy was 12.7 km/l. The 1966 Imp Sport variant had 50 hp and offered 0-100 km/h in 18 seconds and a top speed of 138 km/h.

One of the car’s innovative features was an opening rear window-hatch, which gave access to a small luggage area that could be increased by folding down the rear seat. Though not an actual hatchback, the Imp was a predecessor to that design and the first car with this option.  The De Luxe version of the Imp, also introduced in 1963, was slightly heavier but had similar performance. Extras available for the De Luxe included radio, whitewall tyres, heavy duty shock absorbers, ventilator (opening wing windows), seat belts and reverse lights. The Imp Series I Saloon was replaced by the Series II in 1965 and the Series III in 1968. Production continued until 1976.

The Imp in competition

In races and rallies from January 1964 to April 1966 Imp competitors achieved over 60 team prizes, class wins and outright wins. Some of these Imps had an 875cc engine; others were powered by a 998cc motor. Competition Imps could be tuned to deliver from 75 to 110 bhp, depending on carburetion. By late 1965, Imps had beaten all but a handful of the highest-performing Minis, and in 1966 every high-profile club race was won in an Imp. Imps achieved outright wins in the 1965 Tulip and Tanzania rallies.

In the 1965 RAC Rally, Imps took 16 first places and made seven lap records. More Imp outright wins were achieved in the 1966 International Saloon Car Race at Silverstone, and the 1966 Nairobi Rally. The 1966 Swiss Tessin Rally saw another outright win accomplished in an Imp.

Imp Monte Carlo Rally results and controversies

In January 1964, Imp team Ernie Hunt and R Mac (competition number 249) won the best performance by a British private owner and best performance from the Glasgow start at the Monte Carlo Rally. In the 1965 rally, Imp team Rosemary Smith and Margaret McKenzie (number 113) finished 22^nd overall, fourth in the up to 1000cc GT class and second in the Coupes des Dames. David Pollard and Barry Hughes (number 95) driving an Imp achieved second in the up to 1000cc GT class and 15^th overall. Rosemary Smith and Valerie Domleo drove Imp number 107 in the now-notorious 1966 Monte Carlo Rally. Though winning the ladies’ class and placing sixth (in the up to 1000cc unmodified production touring car class), number 107 was disqualified due to a last-minute rule change which declared halogen headlamps illegal. The competition number 35 Imp apparently suffered a similar disqualification in this rally.

Amongst other Imp teams competing in the 1966 rally, Tiny Lewis and Timothy Bosence (number 146) won the up to 1000cc modified production touring cars class, while Philippe Simonetta and Bernard Dirren (number 162) took second in the same category. Patrick Lier and Henri Vuarraz, number 136, took first in the up to 1000cc unmodified production touring cars class. Andrew Cowan and Brian Coyle drove Imp competition number 77 in the 1967 Monte Carlo Rally. In this car, Cowan and Coyle took first place in the production cars up to 1000cc class and 22^nd overall, while Patrick Lier and Silvio Vaglio took first in the up to 1300cc GT cars class in an Imp. Peter Harper and Robin Turvey drove another Imp in this rally which, while running second in its class and 46^th overall, fell out of the race on the rally’s last night with a carburettor failure. Imp team Smith and Domleo were likewise in this race, but crashed and were out, also on the last night. More Imps gave strong showings in the 1968 Monte Carlo Rally. Cowan and Coyle (number 45) took first in the 851-1150cc production touring cars class and 22^nd overall, while Smith and Lowrey (number 169) took second in the Coupe des Dames.

Variants and more

The Imp was the basis of several other designs, such as the Imp Commer Van which appeared in late 1965. There was a boom for small vans in Britain created by a tax loophole, and this Rootes entry was designed to compete in that market. The cargo bed’s interior dimension was high enough to accommodate milk churns, had a 350kg capacity, and was required to be able to climb curbs while fully-laden. Rootes almost landed a Commer Van deal with the Royal Mail, but joy-riding postmen spoiled negotiations – the van was considered too fast! Rootes brought out the Sunbeam Imp Sport in 1966. This model’s 875cc engine, fitted with duel Zenith-Stromberg carburettors, produced 55 bhp and powered the car to a top speed of 145 km/h. The Hillman Imp Californian was a fastback coupé version of the car, which went on the market in early 1967. Also in 1967, Rootes introduced an estate version of the Imp, the Hillman Husky, often referred to as the Imp Estate. The Sunbeam Stiletto, which married the coupé design with the Imp Sport power-plant, began production in October 1967.

There were quite a number of other Imp variants, and many vehicles of other marques which used the Imp motor. These included the Probe 15, the TVR Tina, the Bond 875 Mks I and II, and various striking Costin-Nathan and Nathan creations. There were also the Blimp, the KVW Imposter and the Zagato Zimp. The famed Coventry Climax engine was further used in speedboats, hydroplanes (including in a world record holder), motorcycles, street-sweepers, and even in a go-kart and a hovercraft!

Text by: Eric Bryan

Main photo: A competition Hillman Imp Super at the 2011 Blenheim Palace Classic Car Show. Simon Q, CC by 2.0.

The International Clan Cameron Gathering was held from the 1^st to the 4^th of August at the seat of the Cameron chiefs, Achnacarry, in the west Highlands, near Fort William.   This was the first gathering for 15 years, and the first hosted by the new chief, Donald Andrew Cameron of Lochiel, 28^th  Chief of Clan Cameron. The Covid pandemic delayed the planned 2020 gathering.

Hundreds of attendees came from all over the world, with major contingents from the USA, Canada, Australia, New Zealand, France, and of course, Scotland.   There were tours of the Achnacarry estate, a welcome reception, talks on various topics, a main day with all sorts of highland and agricultural displays, a ceilidh and a farewell BBQ on the final day to finish.  Old clan bonds were re-established and new clan bonds formed, and it was truly a memorable time for attendees.

Main photo: The Australian contingent at the Gathering.

Vikings in the far north of Scotland prospered through handing in their swords and swapping raiding for farming and fishing, a new study has found. Research by a team of University of Aberdeen archaeologists has shown that despite their reputation as brutal plunderers, Viking settlers in Orkney found that ‘the plough was mightier than the sword’.

The study, published in the Journal of the North Atlantic examined archaeological evidence for Viking cemeteries from both Viking homelands in Scandinavia and Viking colonising sites in Britain, Ireland, and Greenland in order to better understand Viking populations, their size and composition.

Norse colonies

Researchers were intrigued to find that the Viking communities that had settled in Scotland, particularly in the Orkney islands, had relatively good rates of fertility and higher rates of natural population increase, particularly when compared to settlements in Greenland. The first known Norse colonies are believed to have been established in the Northern and Western Isles of Scotland in the 9^th century as bases for raiding activities in Great Britain by Vikings from Southern Scandinavia.

Professor Marc Oxenham, from the University of Aberdeen, said: “The Norse met very different conditions when settling in the diaspora. Scandinavians who settled in Scotland and Ireland were immigrants into existing communities and had to negotiate their way into these communities, whilst colonisers of Iceland settled a previously uninhabited land and settlers in Greenland were concentrated in isolated communities with what seems little interaction with the native inhabitants of the island and in ecologically very challenging conditions.”

Orcadian Islands

The study, which is part of a much larger British Academy funded project titled Human Stress, Resilience and Adaptation in Ancient Ireland and Scotland, examined these differences and the impact on population growth. They investigated Viking fertility rates – the average number of births per woman – and rates of population increase or decrease. Researchers found a very different demographic pattern in the Northern and Western Scottish Isles compared to other regions with a much higher proportion of children.

Professor Oxenham added: “Interestingly, we found the demographic health of Viking settlements in Greenland was relatively poor. Greenland was a challenging environment in which to seek out a living, and the Viking settlements were eventually abandoned by the 15^th century AD. On the other hand, the research team was intrigued to find that the Viking communities that had settled in Scotland, particularly in the Orkney islands, had relatively good rates of fertility and higher rates of natural population increase. This suggests that a long history very effective of land management in Orkney – including the use of seaweed and manure, an increased focus on fishing, which along with evidence for good Pictish-Viking relations in the Orcadian Islands, likely contributed to a much healthier and vibrant community. Ultimately, the Vikings in Orkney found that the plough was mightier than the sword.”

Main photo: The Neolithic settlement of Skara Brae, Orkney. Photo: Kenny Lam/VisitScotland.

Experience the vibrant culture of Scotland right in the heart of Arkansas at ScotsFest 2024, Independence County’s largest annual festival. During the weekend of Oct. 18-20, the Lyon College campus will come alive with the rich sounds of bagpipes, the thrill of Highland athletics and the warmth of homecoming celebrations. Whether you’re a fan of Scottish heritage or just looking for a weekend filled with unique entertainment and camaraderie, this festival offers something for everyone.

Rooted in Lyon College’s Presbyterian heritage, ScotsFest is a celebration of the Scottish traditions that have been integral to the college’s identity since its founding in 1872. The college was established by Presbyterian ministers, whose Scottish ancestry inspired a deep connection to Scotland’s culture and values. This heritage is proudly honored each year through the Arkansas Scottish Festival, which has grown into one of the most significant celebrations of Scottish culture in the Southern United States.

The vibrant display of Scottish culture

Dr. David Hutchison, vice president for advancement at Lyon College, said, “Lyon College is honored to be a part of the rich tapestry of Arkansas’ cultural heritage, and the Arkansas Scottish Festival stands as a testament to our commitment to preserving and sharing these traditions. Through music, dance and the vibrant display of Scottish culture, the Arkansas Scottish Festival demonstrates the power of community and the enduring partnership between Lyon College and our surrounding region.” The festival, which began in 1979 as a modest event on the intramural field, has evolved into one of Arkansas’s preeminent cultural celebrations. This year’s festivities are expected to attract over 6,000 attendees and generate significant economic impact for Independence County. Cindy Barber, executive director of alumni relations, highlighted the festival’s appeal. “ScotsFest is the perfect weekend to enjoy reconnecting with fellow alumni, faculty and staff, family and friends. Enjoy fun, delicious food, dancing, and yes, bagpipes! We can’t wait to see you.”

The weekend’s events kick off on Friday with open classes, a Founders’ Day choir reunion, convocation, a rocket-building workshop, and an alumni awards celebration and alumni social. Saturday will feature traditional Scottish activities including Highland heavy athletics, a dog show, Scottish dancing, a British car show, sheepdog demonstrations and pipe band exhibitions, alongside homecoming events such as student organization reunions, tailgating and a pep rally. Entertainment throughout the festival will include the internationally-known Celtic Rock band Barleyjuice. Formed in 1998 by pipers Kyf Brewer and Keith Swanson, the band has released seven albums of original and traditional Celtic songs, many of which have seen usage in movies and popular TV shows.  Fans of Celtic radio and various music formats like Spotify, Apple Music and Pandora will recognize such popular songs as Weekend Irish, Get Your Irish On, Celtic Girl and Nancy Whiskey. Barleyjuice presently consists of Brewer (vocals, guitar, accordion, harmonica and bagpipes), Keith Swanson (vocals, bouzouk and bagpipes), Tucker Hill (bass and vocals), Chris Shepherd (guitar, mandolin and vocals), Johnny Benson (fiddle and vocals) and Jim Seamus Burkhardt (drums).

Scottish culture alive

Celtic songstress Misty Posey, entertainer and bagpipe educator Patrick Regan, and the award-winning Central High School Kilties of Springfield, Missouri, also will perform at ScotsFest. Jimmy Bell, director of the Scottish Heritage program, said, “This year we will have several pipe bands from around the region and great opening ceremonies with all the favorites: Amazing Grace, Scotland the Brave and others. It’s an experience that brings Scottish culture alive right here in Batesville.”

No Scottish festival would be complete without authentic Scottish cuisine, and ScotsFest 2024 is no exception. Attendees can indulge in a delectable array of traditional foods, including savory meat pies, flaky Scottish pastries, and other mouthwatering goodies that pay homage to the rich culinary traditions of Scotland.  The festival culminates on Sunday with a Kirkin’ o’ the Tartan worship service and the annual Club 50 luncheon, ensuring a weekend rich in both cultural immersion and college spirit. Pam Palermo, senior director of conferences and events and festival director, encouraged attendance. “General admission to the festival is free, and we welcome everyone to join in celebrating our Scottish roots and Lyon’s strong community connections,” Palermo said. Some alumni and festival activities, including the Friday evening Alumni Awards Banquet and Saturday evening cèilidh feast and entertainment zone, are ticketed special events.

For more details see: www.arscottishfest.com 

The most expansive and best example of blanket bog in the world, the Flow Country in the far north of Scotland has joined the Serengeti, the Galapagos Islands and the Great Barrier Reef in securing prestigious UNESCO World Heritage Site status for its globally important nature.  This is a global first, as the Flow Country is the only World Heritage Site inscribed specifically for its peatlands. The World Heritage Committee approved the bid at its annual meeting in New Delhi awarding the designation, reserved for places of special natural, cultural, historical or scientific significance, for the Flow Country’s Outstanding Universal Value (OUV) in ecosystem quality.  This makes it the UK mainland’s first World Heritage Site inscribed for the global importance of its natural ecosystems, and the country’s sixth site inscribed for natural criteria overall.

Globally rare

The Flow Country is a vast peat bog that covers much of Caithness and Sutherland in the north of Scotland and stores approximately 400 million tonnes of carbon – more than all the UK’s forests and woodlands combined.  It is called blanket bog because it covers the landscape like a blanket and is a type of habitat that is globally rare, but one that is ideally suited to Scotland’s climate and maritime location. The 4,000 sq. km area is home to a hugely complex and fragile ecosystem with a vast array of plants that act as an important defence against climate change. The carbon stored by a 9,000-year accumulation of dead vegetation in the form of peat acts as a carbon sink. This sequesters (traps) and stores carbon, preventing it being released into the atmosphere, helping to prevent further emissions. It is also an internationally important place for wildlife, including upland breeding birds like red-throated diver, golden plover and greenshank. World Heritage Site status is predicted to help realise a wide range of environmental, social, cultural and economic benefits for the north of Scotland including the creation of skills and job opportunities in landscape restoration and conservation, growth in sustainable tourism and hospitality, and the potential of added value to new green finance models to attract global investment to the area.

Momentous moment for Scotland

Bid lead for the Flow Country World Heritage Site project and NatureScot Head of Operations for the North of Scotland, Graham Neville, said: “World Heritage status for the Flow Country is a momentous moment for Scotland’s people and their beloved landscape. This successful bid is testament to the hard work and determination of the Flow Country World Heritage project team as well as community members, scientific experts, businesses, landowners and public bodies from across the Flow Country who have been so generous with their time, knowledge and expertise to shape the bid for the benefit of the whole area. World Heritage Site status will lead to greater understanding of the Flow Country and raise the profile of Scotland’s peatlands globally for their value as biodiverse habitats and important carbon sinks. It is wonderful recognition of the expert stewardship of farmers and crofters in maintaining this incredible ecosystem as a natural legacy for future generations.”

Main photo: Blanket bog at The Flows National Nature Reserve ©Lorne Gill/NatureScot.

The Fergus Scottish Festival delighted attendees in August with its 79^th annual celebration, showcasing the rich tapestry of Scottish culture in a vibrant display of heritage, athleticism, and community spirit. The Festival grounds buzzed with excitement as thousands of visitors immersed themselves in a weekend filled with heavy events, Highland dance, music, and more.

The Festival also showcased an impressive array of attractions including clan displays, delicious Scottish fare, and fine whiskies from local distillers. The event hosted 50 Clans, 300+ athletes, 150 vendors and saw great attendance, with 23,000 visitors immersing themselves in the weekend’s festivities, which included standout moments such as the Professional Heavy Events Competition, the featured guest events with Outlander actors Maria Doyle Kennedy and Duncan Lacroix, and the Tattoo’d in Tradition ceremony.

80^th anniversary next year

“We’re thrilled with the entire weekend including attendance given the very Scottish weather” says Executive Director, Elizabeth Bender “Although it had a minor impact, it did not deter guests from joining the festivities. We are incredibly grateful to our volunteers, partners, sponsors and everyone who attended for making the 79^th Fergus Scottish Festival another success.”  She adds “Stay tuned for exciting announcements coming for the 80^th anniversary next year”.

Amidst all the busyness of this year’s event, the Fergus Scottish Festival team is already deep into planning for their 80^th anniversary next year. Save the date for August 8-10, 2025 for a magical experience celebrating 80 years of heritage, music, athletics, education, and all things Scottish.

Stay on top of announcements and updates by signing up for the Festival newsletter and following the social media channels. Further details and news are also available on the Fergus Scottish Festival website at: www.fergusscottishfestival.com

To mark the 750^th anniversary of Robert the Bruce’s birth, a new 3D model, produced from a cast of his skull,  displayed to the public for the first time at Dunfermline Abbey. The 3D reconstruction is the most realistic likeness of Robert the Bruce to be produced to date, and was created as part of a collaboration between the University of Glasgow and Liverpool John Moores University Face Lab, which released the digital model a few years ago. Dr Martin McGregor, Senior Lecturer in History at University of Glasgow, first conceived of the model after the discovery of King Richard III of England’s skeleton in Leicester in 2012.

The model was produced using a combination of historical research and scientific analysis with advances in facial reconstruction techniques. The team used a 3D laser scanner to scan the cast of Robert the Bruce’s skull held at the University of Glasgow’s Hunterian Museum, which allowed the team to accurately establish the muscle formation from the positions of the skull bones.

Using CGI technology, realistically textured skin was then layered over the muscle structure. The nose is the least accurate feature of this facial depiction due to the bone deterioration. Historians have long debated whether Robert the Bruce suffered from leprosy. The team created two versions of the digital reconstruction, one without leprosy and one with a mild representation of leprosy. For the 3D physical model, only the version showing no visible signs of leprosy was portrayed.

Scotland’s greatest monarch

Dr Martin MacGregor, Senior Lecturer in History at University of Glasgow, said: “In a lifetime of only 55 years, Robert Bruce achieved the impossible and restored peace and freedom to a war-torn and colonised kingdom. Contemporary sources tell us much about his remarkable life, but virtually nothing about his appearance. This is what persuaded a team of historians, museum curators, geneticists, forensic scientists and medical artists to combine to create a new 3D depiction of the head of the hero-king, based upon the skull-cast taken from a skeleton in a tomb discovered within the ruins of Dunfermline Abbey in 1818. The head is dressed in a helmet surmounted by a crown, as worn by Bruce at his most famous victory, the Battle of Bannockburn in 1314. 750 years after his birth in 1274, it is fitting that Dunfermline Abbey, where Robert Bruce was buried in 1329, should host an exhibition which brings us face-to-face with Scotland’s greatest monarch.”

Alasdair Campbell, Interpretation Officer at Historic Environment Scotland (HES), said: “We are delighted to host the most accurate model of Robert the Bruce’s face to date. Robert the Bruce’s story is an important part of Dunfermline Abbey, and we are excited for visitors to be able to visualise this story in a new way, particularly as we celebrate his 750^th birthday.”

The model will be on show to the public for the first time at Dunfermline Abbey until Saturday 7 December. To learn more and book your tickets, please visit the Historic Environment Scotland website. Other events are also taking place across Historic Environment Scotland to celebrate Robert the Bruce’s 750^th anniversary. A full list can be found at www.historicenvironment.scot/bruce. To find out more about the history of Bruce’s likeness and the leprosy debate, visit www.hes.scot/bruce-faces.

 

Join the City of Armadale to celebrate all things Scottish at the largest Highland Gathering event held in Western Australia that has people saying things like… “It’s different, the vibe is amazing, dogs are super cute, people are amazing and friendly to chat with, it’s a very unique event that really highlights a true highland gathering.” Also: “This event made a great day out for the family. I got to experience home away from home for a day! Such a connected and community vibe felt through the whole event. 10/10 would recommend and I will be back joining in again next year!”

And finally, “Come along for a fantastic day of fun with family and friends. The Armadale Highland Gathering is one of Perth’s best kept secrets for a wonderful immersion in all things Scottish.”

Variety of Scottish delights

The morning of Sunday 6 October begins with the fun and quirky Perth Kilt Run, the biggest and only fun run in Australia that’s done in a kilt! Run, walk or wheel the 2.5km Classic or 5km Warrior course, and for the first time… dogs are officially invited to participate in the Perth Kilt Run for 2024 (2.5km Classic course only.) BYO kilt or purchase one with registration – it’s a charity fun run with a difference and you’re guaranteed to have a good time. As you’d expect… the excitement doesn’t stop there.

Following the Perth Kilt Run, we roll straight into the Highland Gathering where you’ll have the rest of the day to experience Highland dancing, pipe bands and heavy event competitions, meet and greet Scottish dogs, explore Clan histories, watch friendly battles between the medieval groups in the arena, revel in live music, test your taste buds with the variety of Scottish delights, and lots more!  This is a family friendly and smoke/vape free event hosted by the City of Armadale at Champion Lakes Regatta Centre.

Further details are available at: www.perthkiltrun.com.au.

 

It is one of the most staggering discoveries in recent archaeological history; one which could change the whole perception of where real power existed in Britain thousands of years ago. Archaeologists have long known that some of the stones at Stonehenge came from Wales and were transported about 125 miles to the site of the Neolithic monument on Salisbury Plain.

But a “jaw-dropping” study has revealed that one of Stonehenge’s central megaliths, weighing six tonnes, is 100% Scottish and must have been conveyed as far as 500-700 miles to the world heritage site which is as familiar to tourists as it is to Druids and fans of the film This is Spinal Tap.

The Altar Stone

The new analysis found that the largest “bluestone” at Stonehenge was brought to the site from the north-east corner of Scotland – and scientists have admitted that the revelation could signify that Orkney was one of the most important centres in ancient British history. The megalith, which is known as the “altar stone”, was transported by our ancestors from at least as far as Inverness, and potentially from Orkney, but nobody yet knows how this was orchestrated. However, Rob Ixer, an honorary senior research fellow at University College London and one of the experts behind the study, which was published in Nature, said: “This doesn’t just alter what we think about Stonehenge, it alters what we think about the whole of the late Neolithic period. It completely rewrites the relationships between the Neolithic populations of the whole of the British Isles. The science is beautiful and it’s going to be discussed for decades. It is jaw-dropping.”

The Altar Stone, which is classed as a non-local bluestone, was long thought to have been transported to the site from somewhere in Wales. That belief was reinforced because a separate group of Stonehenge’s bluestones are now known to have been quarried in Pembrokeshire. But that theory has been comprehensively demolished. The study, involving experts from Curtin University in Perth, Australia; Adelaide University; Aberystwyth University; and UCL, originally aimed to examine the stone’s chemical composition and the age of the minerals within it. But nobody was prepared for this outcome.

Completely unexpected

Nick Pearce, a professor of geography and earth sciences at Aberystwyth who is another of the report’s co-authors, said: “With that age fingerprint, you can match it to the same sort of rocks around the UK – and the match for the age fingerprint was a dead ringer for the Orcadian Basin in north-east Scotland. It was completely unexpected.” Although identifying the exact site will take further work, the scientists have narrowed the potential source area to encompass Orkney; a triangle of land around John O’Groats in Caithness; or a narrow coastal strip stretching south as far as the Moray Firth around Inverness and east to Elgin.

The finding may be astonishing, but the science is not controversial, according to Mr Pearce. He added: “This is very, very well-established science. It’s not something people can look at and say: ‘That can’t be right. The odds of the stone coming from elsewhere are “fractions of a percent”.

Nobody has yet figured out how the large rock was ferried – either over land or by sea – from the far north of Scotland to Wiltshire. But Skara Brae on Orkney is older than the Pyramids and demonstrates that people there knew how to build fortified, weather-proof shelters. They were also masters of creating standing stones and such features permeate Orkney.

Perhaps, we’ll learn in the future that their workers dragged the material down to Stonehenge – or should that be Stanehenge? – with an efficiency and precision it’s still hard to believe.

Text by Neil Drysdale.

Main photo: Stonehenge. Photo: John Nail.

**Further research has been released since this article was released which will feature in the October 2024 edition of the Scottish Banner.

 

 

Stonehenge’s Altar Stone origins reveal advanced ancient Britain

The new research led by Curtin University has revealed the findings point to the existence of unexpectedly advanced transport methods and societal organisation at the time of the stone’s arrival at its current location in southern England about 5,000 years ago. Curtin researchers studied the age and chemistry of mineral grains within fragments of the Altar Stone, which is a 50cm thick sandstone block measuring 5 x 1 metres, that sits at the centre of Stonehenge’s iconic stone circle in Wiltshire. Lead author PhD student Anthony Clarke from the Timescales of Mineral Systems Group within Curtin’s School of Earth and Planetary Sciences said analysis of the age and chemical composition of minerals within fragments of the Altar Stone matched it with rocks from northeast Scotland, while also clearly differentiating them from Welsh bedrock.

“Our analysis found specific mineral grains in the Altar Stone are mostly between 1000 to 2000 million years old, while other minerals are around 450 million years old,” Mr Clarke said. “This provides a distinct chemical fingerprint suggesting the stone came from rocks in the Orcadian Basin, Scotland, at least 750 kilometres away from Stonehenge. Given its Scottish origins, the findings raise fascinating questions, considering the technological constraints of the Neolithic era, as to how such a massive stone was transported over vast distances around 2600 BC. This discovery also holds personal significance for me. I grew up in the Mynydd Preseli, Wales, where some of Stonehenge’s stones came from. I first visited Stonehenge when I was one year old and now at 25, I returned from Australia to help make this scientific discovery – you could say I’ve come full circle at the stone circle.”

Study co-author Professor Chris Kirkland, also from the Timescales of Mineral Systems Group at Curtin, said the findings had significant implications for understanding ancient communities, their connections, and their transportation methods. “Our discovery of the Altar Stone’s origins highlights a significant level of societal coordination during the Neolithic period and helps paint a fascinating picture of prehistoric Britain,” Professor Kirkland said. “Transporting such massive cargo overland from Scotland to southern England would have been extremely challenging, indicating a likely marine shipping route along the coast of Britain. This implies long-distance trade networks and a higher level of societal organisation than is widely understood to have existed during the Neolithic period in Britain.”

In the halls of Bannockburn House, a Grade A listed historic Scottish landmark, a team of dedicated volunteers have uncovered a rare and fascinating piece of history that could have altered the story of the nation. Amidst the delicate plaster work and ancient wooden panelling, a musket ball hole has been discovered – a grim reminder of a previously undocumented assassination attempt of the legendary Bonnie Prince Charlie during the tumultuous Jacobite Rising of 1745. The announcement comes on the 279^th anniversary of Bonnie Prince Charlie’s arrival on Scottish soil to try to regain the thrones of England, Scotland and Ireland on behalf of his father, James Stuart.

Bannockburn House

But in January 1746, Prince Charles Edward Stuart, much better known as Bonnie Prince Charlie, took ill and convalesced at Bannockburn House. The large bedroom where he stayed, situated on the first floor’s west wing, is adorned with a delicate plaster frieze of mermaids and has multiple layers of ancient wooden panelling, some of which are hand hewn and painted. The Prince stayed at Bannockburn House at the behest of Sir Hugh Paterson, 3^rd Baronet of Bannockburn, when the Jacobite army laid siege of Stirling Castle. During his time there, the Prince also met Sir Hugh’s niece, Clementina Walkinshaw, who nursed him back to health. A romance bloomed between the pair which carried on for many years after the Rising and they had a daughter, Charlotte, Duchess of Albany. It was also during this time, according to the house’s oral traditions, that an assassin fired a shot through the bedroom window, missing Bonnie Prince Charlie as he slept and lodged itself in the wall at the head of the bed. For centuries, the existence of this musket ball hole remained a tantalising legend passed down through the generations, its whereabouts shrouded in mystery, until now.

In April 2024, the hole was found under a secret panel by volunteer researchers on the House’s History Team. The team was aided by leading Jacobite historian Professor Murray Pittock of the University of Glasgow, and Stirling Council Archaeologist, Dr Murray Cook, who both confirmed the authenticity of the find. The Trust volunteers had been searching for the hole but had nothing to go on. Then volunteers arranged a visit with an 89-year-old Edinburgh resident, whose aunt was housekeeper for the last owner in residence, who provided the crucial lead. He told History Team Lead, Anne Monaghan and fellow history volunteer Anna Morrison that his aunt had taken great pride in looking after the bullet hole. As soon as they arrived back in Stirling, they contacted Catherine Bradley, lead volunteer researcher for the charity, who met them the next day to investigate the room.

Forensic evidence of an assassination attempt

“Anne and I noticed what appeared to be the edge of an inset panel in the wall when cleaning out the room furniture recently for conservation. I suspected that is where it may have been. It is across from a window, now hidden by panelling later put in the room sometime in the 1880s. I just didn’t have the evidence to look until now. It was an exciting moment as I opened it. I carefully lifted the panel and saw the splintered wood and I knew we’d found something very special,” Catherine said. She continued: “Anne asked me what I saw, and I remember giggling and saying, wonderful things! I knew we needed to be very careful not to damage it, so we documented it, covered it back up, and called in the cavalry.”

The volunteers quickly contacted Professor Pittock and Dr Cook for help. Dr Cook said: “I have visited the bedroom many times over the years and always tried to imagine the Prince and the resulting confusion from the musket fire and sounds of smashing glass alerting everyone to the assassin. However, to see the damage and to touch the spot sent a thrill down my spine – an incredible tangible experience and worth visiting Bannockburn House for this alone.”

Leading historian Professor Pittock, author of Culloden, The Myth of the Jacobite Clans, Jacobitism and many other works, said: “I am pleased to endorse that Bannockburn House Trust has almost certainly discovered forensic evidence of an assassination attempt on Prince Charles in 1746. This is critically important not only for our understanding of the Rising but also for the role the attack may have played in intensifying the relationship between Charles and Clementina Walkinshaw, which led to the birth of his only child.”

One of the most tumultuous episodes in Scottish and British history

Stirling Council Leader, Cllr Chris Kane said: “In the year of Stirling’s 900^th anniversary celebrations, it’s remarkable that we’re still unearthing new discoveries about the area’s rich past – but this one is particularly exciting. This astonishing find at Bannockburn House sheds new light on the story of Bonnie Prince Charlie and one of the most tumultuous episodes in Scottish and British history. We are proud that Stirling is at the heart of the nation’s history which is showcased at our wide range of world-class attractions and impressive built heritage like Bannockburn House. It’s why people from all across the world are drawn into the area every year and we look forward to welcoming more visitors during our 900^th birthday celebrations.”

But this remarkable find is now under threat from severe water ingress caused by the deterioration of the building. The Bannockburn House Trust, who look after the property, is urgently seeking funding to preserve this invaluable piece of Scotland’s past. The water ingress is from a deteriorating 17^th century roof which features hand-hewn wooden slate pegs and carvings on the roof beams. The spectacular ornate plasterwork ceilings are also at risk. Urgent restoration is needed to prevent further damage to the important piece of Scotland’s history. The Trust is launching a major fundraising campaign to proceed with the work. “Our goal is to restore the building and protect the musket ball hole and other important historical features of Bannockburn House,” said Amanda Monaghan, spokesperson and operations manager for the charity. “This discovery is a tangible link to a significant event in our history, and it’s crucial that we act now to preserve it for future generations.”

The restoration project is estimated to cost millions of pounds, as the building needs to be carefully studied, conserved, and restored to its original condition. The charity also has daily running costs and upkeep. It is launching fundraising bids to raise the necessary aid and is appealing to history enthusiasts, residents, and supporters of heritage preservation to contribute through the donate button on their webpage. “We invite everyone to join us in this important effort,” added Ms Monaghan. “By restoring the house, we can safeguard this fascinating piece of history and ensure Bannockburn House continues to inspire and educate.”

Main photo: L to R: Amanda Monaghan, Professor Murray Pittock, Anne Monaghan and Catherine Bradley with the bullet hole.

 

The Board of the American Scottish Foundation (ASF) are honored to announce that the 2024 Wallace Award will be presented to Sir Jim Walker, CBE, for his outstanding contribution to transatlantic relationships and to Scotland’s world of food and drink. Walker’s, with a global reach and over 1400 employees, celebrate in 2024 their 125^th anniversary.

Sir Jim Walker is the grandson of Walker’s Shortbread founder Joseph. Along with his brother Joe and sister Marjorie, he helped to develop the company from being a village bakery selling only in Speyside, Scotland to an international company represented in around 100 overseas markets. Walker’s Shortbread has now become a flagship of Scottish foods, and the company has become the largest family-owned biscuit manufacturer in the UK.  In 2022, Sir Jim was knighted in Queen Elizabeth II’s last Birthday Honours list and subsequently was invested by King Charles III at the Palace of Holyrood, Edinburgh. The Honour of Knighthood was in recognition of exceptional services to the food industry.

Young Scot Wallace Award

Alongside the Wallace Award, ASF introduced in 2023 the Young Scot Wallace Award to recognize a young person of Scottish descent who is making exceptional strides in their field of endeavor. THE ASF are delighted to announce that the Young Scot Wallace Award will be presented to Siobhan Mackenzie. The award-winning young designer has already made an exceptional contribution to the world of fashion and design – taking it forward in a fresh new and yet classic direction. Siobhan Mackenzie is a self-named authentic Scottish fashion label, founded in 2014, when the designer was twenty-one years old.

The company takes its inspiration from its Highland heritage- set up by Siobhan Mackenzie who is a multi-award winning Fashion Designer from The Black Isle.  Siobhan champions a Made in Scotland ethos where traditional craftsmanship and modern design thinking are fused together to create the brand’s signature aesthetic. An advocate for slow fashion and sustainability, the designer is proud to work in contrast to the fast-fashion industry. Mackenzie’s upbringing influenced the choices within her business, her father, an environment officer for the Scottish Environment Protection Agency installed sustainability into her as a child. The luxury brand has gone on to be featured in the likes of the Scottish Banner, Forbes, GQ, Elle US, Kobe Fashion Museum Japan and The V&A Dundee Museum. Clients include Jared Leto, Justin Bieber, The Royal Family, The Commonwealth Games, Bergdorf Goodman & the LVMH group.

The Annual Wallace Dinner and Awards will take place on Friday, November 1 in New York. The evening will also mark the 50^th anniversary of the first Scotland Week, organized by the American Scottish Foundation co-founder, Lady Natalie Douglas Hamilton during the week of November 10^th, 1974 – a template for the ever-growing New York Tartan Week celebrations of today. There will once again be an extensive online and in person silent auction of exceptional items.   The Wallace Awards evening will benefit the ongoing work of the American-Scottish Foundation directed to the ASF Lord Malcolm Douglas-Hamilton Youth Bursary Program

To learn more about the ASF and the Wallace Awards, visit:  www.americanscottishfoundation.com/events/2024-Wallace-Award.html

This year’s World Pipe Band Champions have been crowned after a spectacular finale of the renowned international contest in Glasgow.  Inveraray & District Pipe Band took the coveted title after seeing off stiff competition from runners-up Field Marshal Montgomery of Lisburn, Northern Ireland, and Simon Fraser University (Canada) who finished third. It is the third time that Inveraray & District has been crowned World Champions, having previously lifted the trophy in 2017 and 2019. This summer has proved a winning season for the Argyll and Bute band as it also took the top prize at the Scottish Pipe Band Championships, held in July in Dumbarton.

The pinnacle of the pipe band competition calendar

The prestigious international championships, which are the pinnacle of the pipe band competition calendar, were held on Friday 16 and Saturday 17 August at Glasgow Green.   With 204 bands from 13 countries taking part in the 2024 ‘Worlds’, more than 7,000 pipers and drummers took to the field to compete in the ultimate battle of the bands. The biggest contingent – 119 bands – was from Scotland, the second largest – with 25 bands – was from Northern Ireland, and the third largest national representation was from the USA, which entered 18 bands.  The line-up of nations competing also included countries as far afield as Australia, Oman and Hong Kong – which took part in the championships for the first time.

A much-loved event that’s hugely popular with spectators from near and far, the contest always attracts thousands of visitors to Glasgow Green to experience the stirring sights and sounds, and memorable atmosphere, of the event. Attendance at this year’s premier pipes and drums showcase was around 35,000. Audiences all over the world were also able to view it thanks to live streaming by the BBC and via the www.theworlds.co.uk website. Glasgow, a UNESCO City of Music, has a long association with the World Pipe Band Championships, having first hosted them back in 1948, and staging every edition of the event since 1986. Every year, the Worlds culminates in an impressive spectacle when all of the competing bands march into the arena and past the Chieftain of the Worlds to assemble on the field and play Scotland The Brave together, before the presentation of well over 100 trophies across the various contest grades, and the final announcement of the new World Champions.

The level of talent that’s thriving in the international pipe band community

The event is delivered by culture and sport charity Glasgow Life on behalf of The Royal Pipe Band Association with support from EventScotland, part of VisitScotland’s Events Directorate.  Glasgow’s Lord Provost Jacqueline McLaren, Chieftain of The World Pipe Band Championships, said: “Glasgow is very proud of its long association with the Worlds, and privileged to host an annual event which not only has such significance to the global pipe band community but is also an important celebration of Scotland’s culture and heritage. The championships are immensely valued; they enhance the city’s international reputation as an outstanding events destination, boost tourism, and contribute greatly to our local economy. We are grateful to The Royal Scottish Pipe Band Association for continuing to trust us to stage its flagship contest, and Event Scotland for its support of the event. Our thanks also go to every one of the incredibly talented musicians who have gathered on Glasgow Green to treat our audiences to an incredible display of their skills, and to everyone who joined us to support this year’s thrilling championships.  And our congratulations go to the 2024 World Champions, Inveraray & District Pipe Band.”

Colin Mulhern, Chief Executive of The Royal Scottish Pipe Band Association, said: “Competition for this year’s Worlds was incredibly close, and our top Grade 1 bands battling for the ultimate title of World Champions had a fiercely-fought contest. They, and all of our competitors this year, did themselves, their bands, and their countries proud. And Inveraray & District are very worthy winners; their achievement in securing the 2024 World Champions title was outstanding and they deserve huge congratulations. It was fantastic to have so many great bands, from so many countries, taking part in this year’s Worlds – and of course, so many supporters and spectators coming together for this year’s championships. That’s a clear indication of the level of talent that’s thriving in the international pipe band community, and the passion of musicians the world over. It also demonstrates the strength of global interest there is in the championships, and in the traditional music and culture of Scotland.”

Next year’s World Pipe Band Championships will be held on Friday 15 and Saturday 16 August 2025.

World Pipe Band Championships 2024 results

Grade 1

Inveraray & District (Scotland)

Field Marshal Montgomery (Northern Ireland)

Simon Fraser University (Canada)

St Laurence O’Toole (Ireland)

Peoples Ford Boghall & Bathgate Caledonia (Scotland)

Police Scotland Fife (Scotland)

Shotts & Dykehead Caledonia (Scotland)

Scottish Power (Scotland)

Police Scotland Federation (Scotland)

78^th Fraser Highlanders (Canada)

St.Thomas Alumni (USA)

Johnstone (Scotland)

Closkelt (Northern Ireland)

City of Dunedin (USA)

 

Grade 2

Ravara (Northern Ireland)

North Stratton (Canada)

Pipe Band Club (Australia)

Glasgow Skye (Scotland)

Uddingston (Scotland)

Ulster Scottish (USA)

Manorcunningham (Ireland)

Buchan Peterson (Scotland)

MacMillan (USA)

Royal Burgh of Annan (Scotland)

Portlethen & District (Scotland)

Los Angeles Scots (USA)

City of Edinburgh (Scotland)

Peel Regional Police (Canada)

Tullylagan (Northern Ireland)

St. Joseph’s (Ireland)

Kilchoman Distillery Isle of Islay (Scotland)

Coalburn IOR (Scotland)

Greater Midwest (USA)

 

Grade 3A

Oban (Scotland)

Dartmouth & District (Canada)

Vale of Atholl (Scotland)

Guelph (Canada)

Denny & Dunipace (Scotland)

Greighland Crossing (Canada)

 

Grade 3B

Uddingston Strathclyde (Scotland)

Burntisland & District (Scotland)

Cross Borders (Spain)

Methel & District (Scotland)

Cloughfin (Northern Ireland)

Arbroath (Scotland)

 

Grade 4A

Irvine Memorial (Scotland)

Ballyboley (Northen Ireland)

William Kerr Memorial (Northern Ireland)

Upper Crossgare (Northern Ireland)

City of Dunedin (USA)

Cullen (Ireland)

 

Grade 4B

Black Raven (Ireland)

2 Scots (Scotland)

Altnaveigh (Northern Ireland)

Moneygore (Northern Ireland)

Govan Community (Scotland)

Letterkenny & District (Ireland)

 

Juvenile

George Watson’s College (Scotland)

St Thomas Episcopal School (USA)

Dollar Academy (Scotland)

Preston Lodge High School (Scotland)

 

Novice A

George Watson’s College (Scotland)

West Lothian Schools (Scotland)

Scots College No.1 (Australia)

Brisbane Boys’ College (Australia)

Dollar Academy (Scotland)

Renfrewshire Schools (Scotland)

 

Novice B

Scots College No.2 (Australia)

Burntisland & District (Scotland)

Peoples Ford Boghall and Bathgate Caledonia (Scotland)

Stirling and District Schools Junior (Scotland)

High School of Dundee (Scotland)

Kintyre Schools (Scotland)

Edinburgh Academy (Scotland)

Capital District Youth (USA)

North Lanarkshire (Scotland)

Lochgelly High School Junior (Scotland)

Dollar Academy (Scotland)

Balerno District Schools (Scotland)

 

Intrepid Scottish TV adventurer Paul Murton is encouraging people across Argyll to put their best foot forward and explore the peninsula during this year’s Cowalfest walking festival. A list of 24 walks and events have now been finalised by the Cowalfest organising committee to be held over a five-day period from the 12^th to 16^th September.

Paul, who grew up in Ardentinny and is well known for his longstanding Grand Tours of Scotland TV series, commented: “The vast panoramic seascapes of Loch Long, Holy Loch and the Firth of Clyde complemented by the wonderful Cowal hills were my inspirations as a child. This is the place that nurtured a desire for adventure that has never left me and that’s what I attempt to reflect in my TV programmes. I always wanted to know what was over the next hill and what amazing views that could be experienced. It’s fantastic to know that events like Cowalfest provide a great opportunity for folks to experience that sense of wander through a wide variety of guided walks aimed at all abilities.  This is where the Highlands start, both geologically and aesthetically, and it should be as widely accessible as possible. There are so many stories, so much history and awe-inspiring nature to be experienced across Cowal. There’s the magnificent Benmore Botanic Garden, a perfect starting and point for a trek along the banks of Loch Eck which offers some inspiring views as well as lots of myths and legends, and the history which you can find in spades at places like Historic Kilmun. Both of those places have been featured in my Grand Tours programmes and played a part in my childhood.”

Highlight the nature and history of the Cowal area

Paul who attended Dunoon Grammar School, Aberdeen University and the National Film and Television School before embarking on a life of adventure that took in a myriad mountains across the globe added, “There’s also a popular five-mile hike from Ardentinny to Carrick Castle near Lochgoilhead that will feature in the Cowalfest programme. It follows the shorelines of Loch Long and Loch Goil. Walking festivals provide participants with the ability to engage in the vistas and learn all about what helped to shape them as well as providing a boost for our physical health and mental wellbeing which has become such an important issue in recent times.”

Andy Armstrong, chair of Cowalfest, commented: “Paul embodies the adventurous spirit that has been a part of Cowalfest since its inception 20 years ago. After last year’s false start due to the weather and a couple of years when the pandemic took its toll, I’m delighted to say that we have put together an ambitious programme of walks and events that seeks to highlight the nature and history of the Cowal area. There will be a geology walk through Innellan, a historic trek around Kilmun and a foraging nature walk as well as various walks and talks around the peninsula aimed at all levels of experience and fitness. There really is something for everyone. We have also been boosted recently with grants from Western Ferries and the National Lottery Community Fund that will go a long way to helping us get Cowalfest back on the map.”

 

What a Tartan Month it’s been!  It began with the annual Kirkin’ ‘O The Tartan service at The Scots’ Church on 30^th June with the Parade of Clans piped into The Scots’ Church by Presbyterian Ladies College pipers.  Clans were announced and welcomed in both Scottish Gaelic and English as they laid their tartans in front of the communion table.  The following Sunday, in the lead up to the Melbourne Tartan Day Parade, morning pop-up performances by Old Scotch Pipes & Drums in The Block Arcade and The City of Melbourne Highland Pipe Band outside Melbourne Town Hall attracted crowds of City shoppers.  There were Highland Dancing displays on the terrace of the Old Treasury Building by Victorian Scottish Highland Dance Inc. and the Glenbrae Celtic Dancers, while The Robert Burns Club of Melbourne held a poetry reading in the Treasury Gardens beside Robert Burns’ statue.  The plaintive sound of the pipes called as pipers played on the balconies of the Old Treasury Building, signalling it was time for the Melbourne Tartan Day Parade.

The Hon.Ted Baillieu, Chieftain of Pipe Bands Victoria (and former Premier of Victoria) led the Official Party of John Jeffreys, Chairman, Victorian Scottish Heritage Cultural Foundation, Carol Davis, CEO, Victorian Scottish Heritage Cultural Foundation & Clan MacLennan Chief’s Commissioner Australasia and Frank McGregor, Clan Gregor Chief’s High Commissioner Australia & Honorary Consul of the United Kingdom, Tasmania.  The official party was followed by representatives of Scottish Clans and Societies, a massed pipe band led by Pipe Major Ben Casey, highland dancers, and members of the Scottish Terrier Club with their wee Scotties.  After parading down Collins Street, a pipe band recital and mass Highland Fling finale was held under the portico in the forecourt of The Westin Hotel Melbourne, to the delight of hotel guests, staff and spectators. The acoustics were spine tingling!

But it didn’t end with the Tartan Day Parade. During Melbourne Tartan Festival month there were two sold out Burns Suppers at Il Duca Restaurant in East Melbourne, featuring acclaimed tenor John Carlo Bellotti, a high energy cèilidh dance, community outreach with visits to two nursing homes by the Glenbrae Celtic Dancers, Poetry in the Pub hosted by the Robert Burns Club of Melbourne, the Victorian Pipe Band Association Recital and Solo Piping Championships, Family Research in person sessions and online lecture with the GSV, Scottish Enlightenment lecture at the Menzies Institute, Melbourne University, an exhibition and exclusive behind the scenes tour of Old Treasury Building, online lectures and a CBD Scottish Connections walk with social historian and curator Kenneth Park, Scottish Gaelic language and culture immersion class hosted by the Scottish Gaelic Society of Victora and two concerts at the Kew Court House Theatre, the first featuring traditional singer of Scots’ song, Fiona Ross and the second, The Scotsman, Graeme McColgan.

The Lord Lyon

Just when we thought it couldn’t get any better, the premier event of the month-long festival the Melbourne Tartan Festival Gala Dinner & Concert on the 20^th  July was made all the more special with the presence of Guest of Honour, Dr Joseph Morrow CVO CBE KStJ KC LLD DL FRSE, the Right Honourable the Lord Lyon King of Arms.  Lord Lyon had accepted an invitation extended by the Victorian Scottish Heritage Cultural Foundation to spend 10 days in Melbourne during the final week of the Festival. After ascending the red carpeted grand staircase of Melbourne Town Hall, guests enjoyed drinks and canapés in the foyer before entering the glittering Main Hall. A grand and ceremonial welcome followed, as the official party, led by Lord Lyon, was piped in.  A sumptuous gourmet dinner accompanied by fine wines and concert style entertainment followed.  Alan Beck, immediate past President of the Robert Burns World Federation delivered a memorable Address to a Haggis.  Later in the evening Alan gave a stellar vocal performance before an enthusiastic audience.

Lord Lyon was treated to some of Australia’s best Scottish/Australia’s talent, with this year’s feature band, Old Scotch Pipes & Drums, Melbourne Scottish Fiddle Club with guest singer Fiona Ross and a superb Highland dancing set from the Royal Scottish Official Board of Highland Dancing.  The City of Melbourne Highland Pipe Band accompanied the Glenbrae Celtic Dancers, before Glenbrae dancers joined Celtic rock band Claymore onstage to close out the night while guests danced the night out.

During the evening Dr Joseph John Morrow CVO CBE QC LLD DL FRSE The Right Honourable the Lord Lyon, King of Arms presented the Victorian Scottish Heritage Cultural Foundation Chairman John Jeffreys and Chief Executive Officer Carol Davis with the Foundation’s recently granted Coat of Arms, hand painted on velum by the Court of the Lord Lyon Heraldic Artist.  It was a fitting conclusion to what had been a wonderful celebration of Scottish culture and heritage by the Scottish/Australian community during an action packed July.

During his visit, Lord Lyon met with Her Excellency Professor the Honourable Margaret Gardner AC, The Governor of Victoria, presented the Sugden Oration, ‘A Right Royal Year’, at Melbourne University, attended a reception in his honour at the Consulate Residence honour hosted by Mr. Stephan Lysaght, Consul-General of the United Kingdom, Victoria, South Australia and Tasmania, A Scottish Celebration Dinner at The Melbourne Club, dropped in on the VPA Solo Piping Championships, addressed the assembly at Scotch College Melbourne, had a guided tour of The Scots’ Church Melbourne and attended several welcome lunches and dinners where he met many local Scots.  There were also less formal visits to an AFL game at the MCG, a Bellarine Peninsula Winery for lunch and Healesville Wildlife Sanctuary where Lord Lyon had his first up close encounter with a kangaroo.  As we farewelled Lord Lyon, who was a most gracious and engaging guest, we urged him to ‘haste ye back’!

Text by: Carol Davis
All images courtesy of Melbourne Tartan Festival/Adam Purcell – Melbourne Ceili Camera.

 

The sweltering heat couldn’t keep the crowds away from Glengarry Highland Games 75^th edition. From the opening of the gates on Friday morning to the last notes in the music venues on Saturday night, Games fans celebrated their favourite summer event and their Scottish heritage. The Games organizing committee and the hundreds of volunteers had big smiles on their tired faces as the massed bands completed their performance and left the field.

And what a Games it was! On Friday, athletes in the Women’s, Amateurs and Masters overcame the oppressive heat to show off their skills in the heavy events. Pipers and drummers found shady spots as they competed in their solo events. Crowds packed the air-conditioned venues to watch a sold-out harp workshop and the Youth Fiddlers showcasing the best of young Glengarry fiddlers. In the covered Patron’s patio, the seats were filled as Scotland’s National Chef Gary MacLean, wowed them with his cooking skills and his humourous commentary while he created mouth-watering Scottish favourites on two Coleman stoves. The samples of his offerings were quickly scoffed up even down to scraping the cooking spoons. The Metcalfe Centre overflowed with people enjoying not only the cooler air but also a superb lineup of Glengarry musicians of all ages.

75^th special event

This year’s Tattoo saw full grandstands with the area from the grandstand to the infield lined with rows of chairs some put in place since Thursday morning by people wanting to secure the prime spots. The fans were not disappointed as massed bands, the MacCulloch Dancers, the RCAF Pipes and Drums with their graceful dancers, Glengarry’s Hadrian’s Wall, Scotland’s lively Gleadhraich, and Cape Breton’s Barra MacNeils kept the crowd clapping and cheering. One much anticipated part of the evening was this year’s 75^th special event, a drone show. And it was amazing as the black night sky became alive with coloured dots that circled around and then moved into popular shapes like a fiddle with a moving bow, a dancer’s shoe, the flag of Scotland and to great cheers, the Canadian flag. As the last drone twinkled off, a fantastic fireworks display erupted to top off a memorable Tattoo and day.

Saturday brought more heat and more people. One event that drew a huge audience and roars of approval was this year’s presentation of the Scottish Heavy Events World Championships. Ten athletes from around the world soon showed the crowds why they were world class athletes. The Games has seen some remarkable heavy events, but the feats of these athletes were amazing. In temperatures close to 40C, they competed throughout the day under the sun. At the end of the day, the competition crowned John Van Beuren of California for the third straight year as World Champion in Scottish Heavy Events. Over in the Wee Bairns area, a record number of 2,000 children visited the shady area set up with a petting zoo, pony rides, face painting and entertainment. The Clan parade at noon hour reminded the filled grandstands about the pride of Scots for their tartan and their traditions as clans circled the infield with the banners flying followed by loyal clansmen waving to the crowds. The Official Ceremonies were most poignant as this year’s President Don Gamble, grandson of Games co-founder, Doc Gamble, welcomed his uncle Reg as Guest of Honour.

Revered Scottish tradition

As part of the 75^th commemoration, twenty people who attended the first Games in 1948 were seated in a special area and recognized by the President for this accomplishment and for their long-term support of the Games. Many of those recognized have attended almost every Games.

A full afternoon of athletic events, Celtic music, shopping and visiting was capped off by the moment most Games fans wait for all year and that was the massed pipe bands performance at the closing of the Games. This year was one of the best with fifty pipe bands filling the infield cheered on by a capacity crowd. The drum fanfare which was inaugurated last year attracted over 80 drummers from the pipe bands who performed without a flaw with the crowds erupting frequently with cheers and applause. Then when the Ottawa Highlanders Pipes and Drums started up the first notes of Amazing Grace, the crowd grew silent and listened as every note lingered. When the other thousand pipers and drummers joined in, the music swelled to a crescendo before the Highlanders took over to complete the piece. The thunderous appreciation from the audience was not only for the musicians on the field but also a salute to another wonderful Games.

The 75^th edition of the Glengarry Highland Games was a perfect celebration of our storied past and a signal that this revered Scottish tradition will continue to be a fan favourite for another ¾ of a century and more. See you next year at the Games and we’ll get to do it all over again.

Mark your calendars now with August 1 & 2, 2025. For full details on competition results, go to: www.glengarryhighlandgames.com.

 

The Bernera Riot trial took place 150 years ago on July 17, 1874 – the same year Scottish law firm Innes & Mackay was founded.

A Highland law firm has uncovered ties to a historic court case that prompted major changes in Scots law. Charles Innes, founding partner of Innes & Mackay, secured a verdict of not guilty in the first documented legal victory for Highland crofters – representing three men for their participation in the Bernera Riot of 1874. The victory is known in legal circles as the beginning of crofters’ ‘fight back’ after the Highland clearances, leading to the Napier Commission and land reform in Scotland. But Innes & Mackay’s involvement in the case, which took place the same year the firm of solicitors and estate agents was founded, has only just come to light, thanks to trainee solicitor Amy Macleod.

Bernera

“My family has lived on Bernera for several generations, and Charles Innes’ name is legendary on the island,” said Amy. “There’s even a housing scheme named after him. But it was only recently, when researching the 150^th anniversary of the riot, that I discovered that the Charles Innes I grew up hearing tales of was the same man that founded the law firm where I now work!” Great Bernera, known simply as Bernera,  is a small island off the coast of the Isle of Lewis, home to fewer than 300 residents. The landmark legal case stemmed from an eviction notice served to 57 crofters on the island by Sir James Matheson, then owner of Lewis, via the Chamberlain of Lewis, Donald Munro. Amy explained: “Donald Munro was already an unpopular character on Bernera. So, when his men served the eviction notices, the community was understandably outraged at losing their livelihoods. Some crofters approached the men serving the notices as they returned to their boat on March 24, 1874, and during the encounter one of the officer’s oilskins was ripped.”

On April 8, crofter Angus Macdonald was arrested while visiting Stornoway for his part in the incident. With Macdonald resisting arrest and subsequently taken to prison, the Riot Act was read as a large crowd gathered. “When word of Angus Macdonald’s arrest reached Bernera,” continued Amy, “a group of croters marched 27 miles to Stornoway to demand an audience with Sir James Matheson to voice their protest. Angus Macdonald, Norman Macaulay and Iain Macleod then received summonses to appear in court to be charged with the assault of Colin Maclennan, the Sheriff Officer who had served the eviction notices. Charles Innes represented the three men on July 17 and 18 – holding his own against the prosecution until 10pm, when the judge delivered a verdict of not guilty.”

Key moment in Scottish history

To mark the 150^th anniversary of the Bernera Riot, Bernera Community Association and Bernera Museum will hold a 27-mile commemorative walk on September 7, 2024 – supported by Innes & Mackay. Following the walk, participants will enjoy a party in the Bernera Community Hall. Laura Cormack, director of property law and conveyancing at Innes & Mackay, said: “When Amy came to us and told us about the incredible connection between our firm and the Bernera Riot, both celebrating their 150^th anniversaries this year, we were amazed. It seemed like such a coincidence that someone so involved in the community on the island would end up working at the same firm that represented her fellow islanders all those years ago. At Innes & Mackay, we have always held the community in the highest regard – so this story about one of our founding partners standing up for those facing injustice leaves us feeling incredibly proud of our heritage as we look to the future.”

Norma Macleod, chairperson of Bernera Community Association, added: “The Bernera Riot is an important event not just in our community, but in Scottish history. It was the first chance crofters really had to stand up to the establishment following the Highland clearances, proving that there is strength in standing together against injustice. We are looking forward to marking this historic event in September with a walk along the route taken by the crofters to Lewis, and are grateful to Innes & Mackay for their support in organising the event and helping to shine a light on this key moment in Scottish history.”

Main photo: Amy Macleod on Bernera.

 

Glenfinnan is a wee community with a big history, made extra famous after featuring in the Harry Potter films, where the ‘Hogwarts Express’ is seen crossing the Glenfinnan Viaduct, and the loch view doubles as a dramatic setting for the famous wizarding school. However, there’s more to Glenfinnan than Harry Potter, so here’s our guide to eight things you mustn’t miss when you visit.

1. Arrive or leave by train

Make the same journey Harry did over the imposing 21-arch railway viaduct – a marvel of Victorian engineering and ambition, framed by high hills and a deep glen. The local Scotrail service between Fort William and Mallaig gives you the chance to enjoy the incredible views for an affordable, car-free day out, all year-round.

2. Watch ‘The Jacobite’ steam train puff across Glenfinnan Viaduct

This is a popular spectacle to see from a variety of viewpoints around the village, several times a day, spring to autumn.

3. Discover the story of the ‘Raising of the Standard’

Glenfinnan’s most celebrated moment came back in 1745, when Charles Edward Stuart (or ‘Bonnie Prince Charlie’) gathered the Jacobite clans here to raise the Royal Standard, beginning his daring attempt to regain the throne for the Stuarts. What started with great optimism in Glenfinnan ended in defeat less than a year later at the Battle of Culloden. This story is shared in a fascinating Jacobite exhibition in the free Visitor Centre, as well as remembered at the Glenfinnan Highland Gathering – a traditional sporting and cultural event that takes place every August around the anniversary of Charles’s visit.

4. Climb the steps to the top of Glenfinnan Monument

Cared for by the National Trust for Scotland since the 1930s, this 60ft tower was built in memory of the clansmen who lost their lives in the ’45 Rising. You’ll emerge high above the shoreline for a 360° panorama of Glenfinnan, one of the most exhilarating experiences the Highlands has to offer and a must-do for any adventurous traveller.

5. Soak up the sights on a wander around the village

Discover the historic Glenfinnan Railway Station, now an award-winning wee museum dedicated to the West Highland Line, and the Gothic masterpiece of the Church of St Mary and St Finnan. This church was designed by Edward Pugin, the son of the architect who built London’s Houses of Parliament.

6. Immerse yourself in nature

Paddle your toes or go swimming in the loch, climb mountains up the glen, or take a boat trip with Loch Shiel Cruises for a chance to spot nesting eagles and other wildlife.

7. Refuel with tasty treats

There is a choice of cafés, restaurants or hotels, including the Viaduct View Café or the historic Glenfinnan Dining Car. Take home a local souvenir, like the evocative scents of Glenfinnan Candles, from the gift shop.

8. Stay longer

Make the most of the opportunity to have Glenfinnan to yourselves after the crowds leave and witness the sunset between the mountains at the far end of Loch Shiel. From loch-side pods and sustainable bothies with wood-fired hot tubs, to a railway sleeping car and luxury historic hotels, there is something for every overnight budget.

Text and images are courtesy of the National Trust for Scotland. For more information on the Trust or to help them protect Scotland’s heritage see: www.nts.org.uk.

Main photo: Glenfinnan Viaduct poster. Photo: Scotrail.

 

In the 1970s I was spoiled for choice in the buses I could use to get home to Kirkintilloch from Glasgow. Their ultimate destinations included Kilsyth, Falkirk, Dunfermline and, mysteriously, Leven in Fife. I can’t imagine how long the full journey to Leven must have taken. I wish I’d tried it before it was axed. Many years on, Leven has become a little more accessible again. The town’s railway line re-opened in June 2024. It is hoped that it will help regenerate the area by giving local people more travel opportunities while also bringing in visitors. Leven was once a popular seaside resort, while its neighbours Buckhaven and Methil were industrial towns; since the 1980s, all three have fallen on hard times.

Leven Station

Leven-Methil-Buckhaven (often, thankfully, shortened to ‘Levenmouth’) was Scotland’s most populous urban area without a passenger railway. Not anymore. Soon after the re-opening I made the trip to Leven to see what doors the new railway opens up. The new station has the River Leven on one side and Leven’s town centre on the other. First, however, I took a diversion to Methil. East Fife FC’s New Bayview Stadium used to be one of Scotland’s furthest football venues from the rail network but is now one of the closest, only a few minutes’ walk from Leven Station.

The Station neighbours the town’s swimming pool and leisure centre and is also just two minutes’ walk from Leven Bus Station. From there you can continue by bus to the fabled seaside towns of the East Neuk of Fife; Largo, Elie, St Monans, Pittenweem, Anstruther and Crail. Until 1960s trains continued from Leven through these towns and villages, and on to St Andrews.

The thing you really notice about Leven is its beach. Long and straight and stretching way beyond the town itself. It had only a few dog-walkers on my visit, but it was a chilly June day (yes, June is the height of summer, but this is Scotland) with a nasty breeze and a hint of rain. It’s still impressive though and there are views south across the Firth of Forth towards Edinburgh and Arthur’s Seat, and to North Berwick Law and the Bass Rock. Largo Law, on the same northern shore as Leven, draws the eye, an impressive low hill that towers over the twin villages of Upper and Lower Largo. Largo is famed as the home town of Alexander Selkirk, the model for Daniel Defoe’s Robinson Crusoe.

Gardens

The beach area has all the usual attractions in terms of cafes and playparks. Right next to the Beachcomber Amusements arcade is Leven Festival Gardens, a small and attractive public park. The gardens themselves are fine, though the more exotic plants seemed to be shivering a bit during my visit. However, the park also features two memorials to the Polish troops that were stationed nearby during the Second World War. In this area they prepared for the unsuccessful assault on Arnhem in 1944. The tall, narrow stone near the entrance has an inscription that reads: To commemorate the Scottish-Polish friendship begun in 1940-1944 when the First Polish Independent Parachute Brigade was formed and trained in Leven and District. This monument was unveiled on the 20^th anniversary of the Battle of Arnhem September 1964.

No doubt many who attended the unveiling ceremony arrived in Leven by train. On the 60^th anniversary of that unveiling, they’ll be able to do so again. The chunkier monument at the far end of the park names General Stanislaw Sosabowski, who commanded the Polish unit. He was a veteran of the First World War and actually carried out his first parachute jumps while commanding the unit – at the age of 49! There’s another curiosity in the gardens; a largely circular design of inscribed stones flush with the lawn in which they’re set. A display board explains that this is an ‘analemmatic sundial’ and gives instructions on how to position yourself so that you take the place of the usual pointer. On a gloomy day like the one on which I visited it was impossible to use it and, anyway, it’s quicker just to glance at your phone or watch.

The Fife Coastal Path

Further outside the town is Silverburn Park, a former estate that came into council ownership in the 1970s and is now being restored for the local community and as a visitor attraction. It’s already a welcoming green space with a café, campsite and woodland walks and it will be worthwhile to keep an eye on developments as the former flax mill on-site is restored and transformed into a community resource.

The Fife Coastal Path runs through Buckhaven, Methil and Leven, and no doubt the stretch eastwards from here will become more popular with the ease of access the railway brings. However, it isn’t walking that Fife brings to mind for many people. Leven is within reach of several golf courses and the worldwide home of golf is just a short drive or bus ride away. If you travel on the new railway in the months to come, you are likely to see several of your fellow-passengers lugging their clubs off on arrival at Leven. It’s not a passion I share or understand but it’s one that will play a big part in regenerating Levenmouth and its surrounding area. The new railway will also have a significant role. Currently, trains run hourly to Leven from Edinburgh Waverley but the frequency is scheduled to double from December. I had quite a while to wait for my return train but there’s a small coffee shop, Colliers Coffee Roasters, not far away, so I had a takeaway flat white to keep me warm (in June, remember!) while I waited. Give Leven’s new railway a try yourself – but choose a warmer day, if you can…

By: David McVey.

Main photo: ScotRail.

 

Scottish Week Sydney, always held closest to the first of July and International Tartan Day, was in 2024, from 28^th June to 2^nd of July. Chief, John MacNeacail of MacNeacail and Scorrybreac, along with his wife Jenni,  were the honoured guest for the Week, joining Scottish Australian Heritage Council (SAHC) Patrons, the Earl of Loudoun and Earl of Dunmore. Proceedings all kicked off with a Burns Supper at the Castlereagh Hotel, with an Address to the Haggis, Highland Dancing by the talented NSW Highland Dancing Team, the Burns song A Red, Red Rose performance, an address by Earl of Dunmore and special SAHC Life Membership Awards. Concluded by the ever-popular Auld Lang Syne. Saturday saw a visit to the National Maritime Museum and a Lunch nearby, a talk in the evening by The Chief, on Clan MacNicol History.

Sunday was the Kirkin’ of the Tartan at Hunter Baillie Church with a delicious morning tea, a zoom presentation in the evening saw a talk on cartoons from the 1800’s of a Scottish nature. Monday was a wonderful tour of the historic St James Church in the city, followed by the elegant NSW Parliamentary Lunch. Monday evening was a book launch of Scottish letters home from new arrivals in early Australia. The week concluded with a parade and the Inspection of the Scottish/Australian Cairn at Mosman, assembled from rocks sent over by schoolchildren from every Parish in Scotland, a gift for the 1988 Bicentenary.  A very busy but enjoyable weekend and beyond of activities.

Text by: Mal Nicolson

 

The Scottish Banner speaks to Andy Scott

Sculptor Andy Scott was born and raised in Glasgow and is a graduate of the Glasgow School of Art. His works can be seen across Scotland, as well and other parts of the UK and internationally including in Australia and the USA. His most iconic work are The Kelpies, the world’s largest equine sculptures, which are celebrating their 10-year anniversary this year. Andy took the time to speak to the Scottish Banner on the challenges of implementing such a project, creating a landmark for Scotland and how his home of Glasgow forever stays with him.

2024 marks the 10^th anniversary of The Kelpies. Can you tell us briefly how the concept two landmark 30 metre steel horses in Falkirk came to be?

I was approached by Scottish Canals who wanted to create a large piece on a new development to compliment the already popular Falkirk Wheel. They had wanted something mythological, but I decided to try something to do with horses and the heritage they have played in central Scotland’s industrial past. It took an incredible amount of effort, as you can imagine, and was an expensive project. This all started about 18 or 19 years ago, so it took a long time to come to fruition.

How many logistical challenges did you face drawing up your plans for The Kelpies from your Glasgow work studio to actually implementing the largest equine sculptures in the world?

The easy part was the design stuff and working out how they would look and be created. We engaged an excellent structural engineering company from Yorkshire, and they took over the reigns on many things. We did have the challenges with logistics, infrastructure and bureaucracy. This also was not just the sculptures themselves, but a major parks redevelopment with the creation of The Helix and the whole project was a very complicated undertaking. The creation of the sculptures themselves was not as difficult as some other challenges we had, but we got there in the end, and it was a major triumph, and it was all worth the effort.

For those who are not aware each statue has a name, can you tell us how the names Duke and Baron came to be?

The names came from when I did the first small scale models of The Kelpies. When I was fine tuning those early models, I was fortunate to have two Clydesdale horses called Baron and Duke come and visit me at my studio in Maryhill in Glasgow. As Baron and Duke were my models for the project their names were inherited, and it is a lovely they have now been immortalised in this way.

The Kelpies have been seen by millions of people and are now one of Scotland’s iconic attractions. How does that make you feel to know your work has had such a positive impact on Scottish tourism and culture?

It really makes me feel really proud. Of course it was not just me that was behind this project, there were hundreds of people, and I am simply the figurehead. I feel like I just scored the winning goal as there was a whole team behind me. There is almost a day that does not go by where we do not get to see pictures of The Kelpies, it is so popular with photographers in Scotland and that makes me so proud to have been part of this unique project. I am immensely proud how The Kelpies have been received by the people of Scotland and beyond.  I am also particularly proud of how the people of Scotland and in particular the Falkirk and Grangemouth area have embraced The Kelpies and really taken them to their hearts.

You are most known and celebrated for The Kelpies, however that project was by far you’re most challenging. Knowing what you know now of what you went through to complete The Kelpies, and also how well they have now been received across the world, would you do it all again?

I think the answer to that would be never say never. It really did have challenges, but then again, any big project does. We had many hurdles to get through, but we also had an amazing team helping to push the project as we went. I think if the right elements were in in place I could, and you never know what the future holds. I look back at how the project went and for my career it was quite the achievement.

Outside of The Kelpies you have created many amazing pieces which include animals, what is it about recreating animals that inspires you so much?

I do like to work with animals, and I think most people can relate to animals at some level. There is a stronger connection for many with an animal, or a human form, than an inanimate object. I try not and over analyse it too much, but I have done many animal works and horses have clearly been a theme of my work. I feel an animal or human encourages more interaction with the audience. Using animals can have more meaning than you may think, in Aberdeen I did a leopard sculpture which some may know that the leopard is a heraldic symbol of Aberdeen, and it has been a part of the city’s history for centuries and some may just think it is a sculpture of a cat. But that is art. My head is bursting with all kinds of ideas, and some will never come to light, but I think many artists can relate to that.

You clearly thrive working with steel. What is about steel that you find so compelling to create with?

I am not sure it may be just the way I am made. Coming from Glasgow with all that industrial shipbuilding heritage it may just be in my DNA. Over the years I have worked with steel and really enjoyed it. I find it nearly a more gentle and easier thing to work with and it really does provide great results.

You are a proud son of Glasgow, what is it about your home city you love and now miss as you live in the USA? Also, as a graduate of the Glasgow School of Art how did it make you feel to make the world’s first public statue of the school’s creator and Glasgow icon Charles Rennie Mackintosh?

I now live in California but get back to Glasgow from time to time and I always know it is where I am from. I still have family there and great friends and I am very proud of the city. The architectural heritage of the city is incredible, the Victorian and Edwardian, and never leaves me.  There is also a great art scene, music and there is great pubs and food there. Glasgow will always be with me, I sometimes think if they cut me open some the River Clyde will simply run out of me, plus I have a Glasgow accent so there is not getting rid of that!

It really was amazing project to do the Charles Rennie Mackintosh statue. Being a graduate of the Glasgow School of Art, this project created an extra layer of excitement for me. I had a hard time getting that one off the ground as Glasgow City Council nor the Glasgow School of Art were interested in it. The artwork was in fact commissioned by the Sanctuary Group, a social housing provider, to mark the regeneration of Anderston in Glasgow. This statue is long overdue, and I was really pushing to do him and his wife. Sadly, my client’s budget could only go so far but I hope we can also do Margaret Macdonald one day as she also did so much for Glasgow and art.

Main photo: The Kelpies at night. Photo: VisitScotland/Kenny Lam.

 

A fund to help strengthen Scotland’s international diaspora has opened for applications. The £50,000 Scottish Connections Fund is open to bids from any individual or organisation with a Scottish connection, whether that link is through heritage, education, business, culture, or a broader affinity.

Grants ranging from £2,000 to £5,000 will be awarded to support at least 10 new innovative projects that will help bring together Scotland’s diaspora and promote Scottish connections worldwide. This year’s funding follows a successful pilot last year, which supported four projects, including work by the New York Genealogical and Biographical Society to help descendants of enslaved Americans document their Scottish connections.

Family and friends of Scotland globally

External Affairs Secretary Angus Robertson said: “This is a fund that I’m extremely passionate about. We’ve long believed that better engaging our diaspora – family and friends of Scotland globally – can benefit Scotland economically and enrich our culture. It can also improve Scotland’s connections and reputation and we want our efforts to benefit our diaspora too. The Scottish Connections Framework, which was launched in 2023, laid out our commitments to support and expand this global community. These connections raise Scotland’s profile and reputation and encourage individuals and companies to visit, study, live, work and do business here.”

Projects must be completed by the end of March 2025 and the closing date for applications is 5pm on 4 September 2024.

For more information, and to apply, see: www.gov.scot/publications/scottish-connections-fund-how-to-apply

 

On January 8, 1924, just over one century ago, an advertisement in the Newcastle Morning Herald and Miners Advocate read,

“PIPERS AND DRUMMERS wanted for Newcastle Pipe Band.

Youths wishing to learn the Bagpipe are guaranteed expert tuition.

Band Practice every Wednesday night in Broadmeadow Mechanics’ Institute.”

Officially formed in 1924 (under the name Newcastle Pipe Band Association), a couple of articles in local newspapers revealed that the formation was actually unfolding from July 1923 where a very small mention in The Newcastle Sun wrote of the band requesting to borrow a base drum from The Northern Caledonian Society. By November 1923 it was reported that the band now had 19 pipers and 4 drummers and had only been in existence for four months.

Home away from home

It was probably inconceivable at that time that this band would flourish and grow, surpassing so many other community bands along the way. It has remained continuous and is still creating music and memories to this very day. Built on the enthusiasm, determination and perseverance of numerous Scotsmen and descendants of Scots, a second family or ‘home away from home’ bore creation however not everyone who plays in the band is of Scottish descent, some just love the music

Throughout the years there has seen so many stories, street parades, fundraising fairs, sporting festivals, surf life saving march past events, weddings, funerals, church fetes and even a protest against the increased price of bread in December 1938.  From playing for the Duke of York (pre taking the throne) in 1930, greeting famous radio characters “Dad and Dave from Snake Gulley” at Newcastle train station, to performing on stage with Andre Rieu. The band has proudly represented the Newcastle region for the past one hundred years, from parading down Hunter Street to events across the state, with trips from Perth to New Zealand and Tasmania to Japan.

When quizzed on the relevance of a Scottish pipe band today in 21^st century Australia, ANZAC Day would be the first topic that comes to mind. How void it would be without the pageantry of the pipe band leading the parade down King Street? How desolate would the wreath laying be without the piper playing the Lament? Anzac Day is the most important day of every bands’ calendar and this band has been partaking in services throughout Newcastle for the past one hundred years.

Centennial celebrations

This year, a successful fundraising ceilidh was held in March, the first function celebrating the centennial year, with an almost full house in attendance. Funds raised are being put towards the Centennial celebrations.

The major event however, is the Centennial Ball, being held at Newcastle City Hall on October 19 with ticket sales available at: www.trybooking.com/CSWHE.

A limited-edition of 2025 wall calendar has also been produced to help fundraise toward the celebrations priced at $25, these will be on sale throughout 2024. Contact through the bands email address [email protected] for a postal purchase.

So, in 2024, we, the City of Newcastle RSL Pipe Band, hope that all members of the Australian and Scottish community will help us celebrate and acknowledge what a colourful, meaningful and memorable thread we have woven through the country’s history books. We hope that many friends, family and former members will come along and be part of the celebrations.  We are the ‘City of Newcastle RSL Pipe Band’ and 2024 is our Centennial Year.

For more information on the City of Newcastle RSL Pipe Band, and their centenary year, see: www.newcastlerslpipeband.com.au

Text by: Ailsa Barnett. Images courtesy of the City of Newcastle RSL Pipe Band.

Runrig’s Malcolm Jones recently joined Celtic music icons Skipinnish on stage last month to debut a performance of his new tune written to mark the band’s 25^th anniversary. The Silver Voyage was performed live by the guitarist along with Skipinnish at the band’s two headline concerts in Inverness and Edinburgh in July that started a year of celebrations for Skipinnish. Malcolm Jones’s involvement is also symbolic as he has been by Skipinnish’s side through their quarter century career. The new tune captures the significance of the band’s anniversary and the journey Skipinnish has been on since 1999. It is also symbolic of the thread that runs through the band’s music reflecting the impact the sea, island life, fishing and the Gaelic language has had on their songwriting and their sound.

With hits such as Walking on the Waves, The Island, Alive and more recently Fuadaichean (Clearances), Skipinnish have put their Highlands and Islands and Gaelic roots front and centre in their repertoire. The Silver Voyage is a celebration of their work and that 25-year voyage to the very top of the Celtic music scene.  Skipinnish was formed in 1999 from a friendship between accordionist and songwriter Angus MacPhail of the Isle of Tiree and piper Andrew Stevenson from Lochaber, during their years studying at the Royal Conservatoire of Scotland. The early days saw them perform in village halls across their familiar turf of the west Highlands and Islands.

The top tier of Scottish bands

Now a seven-piece, multi-instrument band they have taken their music international, performing at festivals and venues across Europe, whilst remaining true to their Highlands and Gaelic roots in all that they create.  Malcolm said: “I’ve had the pleasure of knowing Angus and Andrew since their inception as Skipinnish twenty-five years ago, watching their steady progress as musicians, songwriters and band leaders, to their current position in the top tier of Scottish bands. To celebrate this milestone, I thought it would be appropriate to compose a new tune for the occasion – The Silver Voyage. I’m looking forward to celebrating the anniversary and playing this tune with Skipinnish.”

Angus MacPhail said: “This is a highlight of our 25 years and is a great honour. To have one of Scotland’s foremost musicians, and someone we personally hold in such high regard, compose a tune to mark our silver anniversary is something very special. Malcolm is a big part of our 25-year story. He’s been a mentor, advisor and friend from our early days and still influences our music. Without his guidance and advice over the years, we would not have had the very fortunate voyage we’ve had. This new tune captures the Skipinnish story perfectly – the ups and downs of the long journey from the pubs and village halls of the west Highlands and Islands to the unbelievable feeling of  headlining in Inverness and Edinburgh Castle, playing to over 13,000 people within six days. That is something that was beyond our wildest dreams in 1999.”

 

Hear the pipes, see the strength and watch the dance.

The Hunter Valley Highland Games 2024 takes place on the third weekend of August on the 24^th August 2024 from 9:30AM to 4PM at Saltire Estate. Saltire Estate is a Scottish family-owned cellar door only 45 minutes from Newcastle, just minutes from the Lovedale exit on the Hunter Expressway.

The Highland Games are a traditional Scottish event that has been held for centuries in Scotland. It is a blend of athletic competition, pipe bands, traditional Highland and country dance and a lot of different activities happening throughout the day. At the heart of the event are the traditional athletic events which include the following: the iconic Caber Toss, Stone Put, Husafell Stone Carry, Keg Toss,  Saltire Natural Stones of Strength and new for this year: Tug-a-War where guests will be able to take part (subject to availability).

Pipe bands and more

Several Pipe Bands will play all day long including a Quintet Competition where five members of each pipe band will compete. The Mass Band Marching & Official Opening where all the pipe bands are playing together and is not to be missed.  The event also hosts traditional Scottish dancers. Some Highland Dancing and country dancing. They will both do two shows on the day and the country dancers will do a demo to involve the guests as well so they can participate. A wide range of market stalls will be on site going from Scottish craft to local crafts. The Games will also have some food trucks including some Scottish Food Trucks selling the famous haggis, a Scottish specialty.

There will be a dedicated children’s area with free face painting and jumping castle. Kids will also have the possibility to see a real Highland Cow and to create their own Scottish shield. A special attraction will be a historical reenactment group. The ‘The Highland Rose: Jacobite Living History Group’ will provide an immersive experience, showcasing a setup and presenting a show at the end of the day.

The Hunter Valley Highland games take place on Saturday August 24^th and Saltire Estate in Lovedale, NSW. For more information see: www.hvhg.com.au. Also follow them on social media handles: Facebook: Hunter Valley Highland Games and  Instagram: hvhighlandgames.

 

Scotland is known throughout the world for its stunning landscapes and rich scenery as well as its produce, from whisky to Scottish beef and lamb, from this natural environment. With increasing global awareness in food provenance and sustainability, agritourism – tourism or leisure on a working farm or croft producing food or fibre – provides unique and memorable countryside experiences.

Vicki Miller, Director of Marketing and Digital at VisitScotland, Scotland’s national tourism board says : “In recent years, particularly during the pandemic, agritourism has become a growing travel trend, with visitors seeking out authentic rural experiences that connect them to the countryside and Scotland’s natural larder.” Here’s just a flavour of agritourism experiences that can be enjoyed in Scotland.

Long Island Retreats, South Uist, Outer Hebrides

Visiting a beautiful Scottish island is always a special experience, but at Long Island Retreats on the island of South Uist, owners Donald and Lindsay offer activities to make your stay particularly memorable. On a walking tour of the croft, you’ll meet wild red deer and farm livestock, hear how the island’s crofting heritage and culture has shaped the place and its people, and even learn some Gaelic, all against the backdrop of stunning Hebridean scenery. Take a tour of the unique eco-system of the largest Machair area in Europe, explore the croft in the company of a herd of delightful Shetland ponies, enjoy a sheep-shearing demonstration, or explore the island more widely on a 4×4 vehicle tour. www.longislandretreats.co.uk

Kitchen Coos & Ewes, Dumfries and Galloway

Kitchen Coos & Ewes is run by Neale and Janet McQuistin at Airyolland Farm in the rolling countryside of Dumfries and Galloway. The farm is located within the Galloway and Southern Ayrshire UNESCO Biosphere, recognised internationally as a world class environment for people and nature.

Board the farm tour trailer to tour the surround hills; home to herds of iconic Highland cattle and Beltex sheep, enjoy the skill of a sheepdog demonstration, and even enjoy the unique hands-on experience of grooming a young Highland calf! Join a knowledgeable guide on a walking tour meeting farm animals, visiting the remains of a Bronze Age hut circle, and learning about the creation of drystone dykes. Tours include home baking, and you can even book a delicious cream tea. www.kitchencoosandewes.com

Old Leckie Farm, Stirling

Old Leckie Farm lies close to the historic city of Stirling, and indeed the farm has a unique history of its own. This land once belonged to Robert the Bruce, and you’ll be walking in the footsteps of Bonnie Prince Charlie who visited the 16th Century Grade A listed farmhouse. The farm has been home to the Younger family for over 100 years and today owners Fergus and Alison Younger and their three young daughters enjoy welcoming visitors from all over the world. The family lead bespoke farm tours to meet their herds of Highland castle, sheep, pigs and free range hens. Visitors can learn about sustainable farming in Scotland, and book a farm tasting to sample Old Leckie’s award-winning seasonal range of farm produce: free range eggs, Highland beef, outdoor reared pork and lamb. www.oldleckie.co.uk

Wilson’s Farm and Kitchen, Scottish Borders

Cowbog Farm has been home to the Wilson family since 1938, with three generations managing and protecting the land that is set in the historic and beautiful Scottish Borders. The family provides walking tours of the farm which vary with the season. Hear the history of the farm and the local area, and an overview of what the farm produces. Learn how they have developed biodiversity, meet their award-winning herd of Hereford cows, and spot local wildlife. After the tour, enjoy a delicious, seasonal, home cooked meal featuring produce from the farm and other local providers. www.wilsonsfarmandkitchen.com

Newton Farm Tours, Angus

Newton Farm Holidays enjoys an idyllic setting in rural Angus. Graeme and Louise Nicoll, together with their two and four legged family members, provide authentic, guided farm experiences, enabling visitors to explore daily life on a Scottish farm, and produce throughout the seasons. Experiences include walking with alpacas and Highland cow grooming. During lambing season, educational sessions for adults and fun family activities such as lamb bottle feeding and lamb cuddling are also on offer! Guests can also stay on the farm, either in the ensuite family room in the main farmhouse with a delicious Taste of Angus breakfast, or on a self-catering basis in the well equipped three-bedroom farm cottage. www.newtonfarmholidays.co.uk

Aberdeen Highland Beef, Banchory, Aberdeenshire

In the heart of lovely Royal Deeside, Grace Noble farms Highland cattle at Lochton of Leys Farm, Banchory, providing visitors with a unique and authentic farm to fork experience. Tour the farm with Grace as she shares her passion for this iconic breed. Visitors can get up close and personal with the herd, and even enjoy the change to groom Duchess, one of the herd’s award-winning mums. There is also the opportunity to sample some succulent prime Highland beef.  At certain times of year, visitors can enjoy the experience of sheering sheep under one-to-one supervision from experienced farm hands, or of cuddling delightful Scottish lambs. www.aberdeenshirehighlandbeef.com

Go Rural Scotland is a thriving community of Scotland’s farmers and crofters, passionate about producing the highest quality food and drink, and committed to caring for the environment and protecting Scotland’s landscapes for everyone to enjoy responsibly. It’s a close-knit network of quality agritourism businesses, located throughout the Scottish countryside, offering locals and visitors alike high quality and memorable experiences.

For more information on agritourism experiences across Scotland visit the Go Rural Scotland website: www.goruralscotland.com. Be sure to book in advance!

Main photo: Meeting the locals. Photo: Long Island Retreats.

 

Get ready to experience Celtic culture over the course of two full days instead of one as Canmore’s Highland Games celebrates its 33^rd year on Aug. 31 and Sept. 1, 2024 at Canmore’s Centennial Park. What better way to spend Labour Day weekend than in one of Canada’s most beautiful mountain towns?  The Canmore Highland Games originated in 1991 armed with a mandate to foster and encourage its Celtic culture and tradition in all its forms – dance, music and sports – and to establish the Canmore Highland Games as an entertainment/cultural destination event. It is fitting that the Highland Games would be hosted in Canmore, as one of the first Highland Games known was organized by King Malcolm III Canmore (1058-1093).

Scottish and Celtic traditions

Canmore is Gaelic for “big head” or “chief”. The bagpipes, the kilts, the heavy sports and the piping, drumming and music have become emblematic of Scotland and the Highland Games blends those core Scottish and Celtic traditions with the picturesque landscape of Canmore.  With an expanded slate of events from Saturday morning to Sunday night, participants and spectators alike will be provided with non-stop entertainment. All events are steeped in rich Gaelic traditions, and will provide a unique experience to visitors. With the additional day added, Canmore Highland Games president Sandy Bunch says, “This year’s Games features more events, extra activities and no shortage of family-friendly experiences for people to enjoy all weekend”. Tickets sell quickly for the main events, which include the Taste of the Highlands and the Canmore Highland Games on Saturday, the Scotch Tastings, the Canmore Highland Games Day 2, and the popular Canmore Ceilidh, all on Sunday.

What’s On

 

The Canmore Highland Games – Aug. 31, 9 a.m. to 4 p.m. and Sept. 1, 8 a.m. to 6 p.m.

The weekend is packed full of exciting new events and favourite activities from the past such as the Heavy Highland Sports contest, Highland Dance competitions, Piping and Drumming competitions, Tug-of-War contests and the British Car & Motorcycle Show. Additional attractions include the Clan Village, Celtic Market and food vendors, beer garden, sheep dog demonstrations, Highland Cattle, and tug of war contests.

Taste of the Highlands – Aug. 31, 5 p.m. to 11 p.m.

Held at the Spring Creek Festival Tent, the Taste of the Highlands features a Celtic lounge atmosphere where event goers can experience tastes of whisky, micro-brews and unique wines. Tastings run from 5 p.m. to 9 p.m. and Scooter’s Bar will be available 7 p.m. – 11 p.m. Admission includes 10 taste tickets to start your night. (Adults Only)

Scotch Tastings at Scooter’s Bar – Sept. 1, 1:30 p.m. to 3 p.m.

Next to the Spring Creek Festival Tent, Scooter’s Bar provides a unique tasting experience featuring a choice of premium and ultra-premium single malts (Adults Only). In addition to purchasing a ticket for a tasting, you must also have a Games entry ticket.

The Canmore Ceilidh – Sept. 1 from 6 p.m. to 11 p.m.

This evening event at the Spring Creek Festival Tent brings a full night of Celtic entertainment celebrating music, dance and song. On tap as the headline act, The Rollin Drones close out the night with a dynamic performance. This 6-piece bagpipe pop band from Glasgow, specializes in taking modern songs and infusing them with traditional flavour. Additional acts include Seanachie, Irish Step Dancers, Highland Dancers and a special guest appearance by the Slainte Social Club Pipe Band.

Scots and wannabe Scots at the Highland Games

Come to learn about new sports, listen to music and taste new foods with the stunning backdrop of the Rockies. Advance Tickets and Bundles are available live on the website’s Tickets page. Admission starts at $12 ($6.25 for children) and includes all daytime events taking place in Centennial Park, except for the afternoon Scotch Tasting on Sunday, which requires an additional ticket. Evening ticketed events include the Taste of the Highlands ($33.75) and the Canmore Ceilidh ($55.50).

The organizers have arranged free, secure off-site parking just off the #1 TransCanada Highway at Exit 89. Free shuttle buses will operate on both days to and from Centennial Park from 7:30 a.m. to 6:30 p.m. Volunteers for all areas are still required. Volunteers receive free admittance to the Canmore Highland Games, gift bag, T-Shirt and a free meal. Duties include event set-up and take down. Sign up online at: canmorehighlandgames.ca/volunteering “It’s thrilling to see Scots and wannabe Scots at the Highland Games celebrating the music, food and sports of the culture. I love when people hear the bagpipes for the first time and fall in love with Celtic music, and when they enjoy the traditional sports, and Highland dancing,” Bunch says.

For the full schedule and online tickets, visit the website at: www.canmorehighlandgames.ca.

Main photo: Massed Pipe Bands in the Rocky Mountains at the Canmore Highland Games. Photo: © CanmoreAlberta.com.

 

The idea that water can heal is older than any written record or folk memory. Across the world and in all eras, drinking, bathing in, or ritually using water as a way to banish a malady or restore vitality is a universal practice. In Scotland, this practice transcended cultural and religious paradigms and endures well into today, as seen every Hogmanay when thousands take a cold plunge into the sea to symbolise an annual reawakening. No iteration of this water-worship, however, carries quite the symbolic potency as the practice of drawing water from healing wells.

The reality of such places is quite different from what you may imagine. Overwhelmingly, healing wells were not built-up receptacles – the word ‘well’ is perhaps misleading, as most were really springs or, in many cases, natural vessels where water accumulated with no source of it within them. In the Gaelic-speaking world, such places can be identified on maps by the word tobairt or tobar. A great deal of them survive only in place names, having long since dried up or been destroyed by plough and sprawl. Often, what appears on a map to be a distinct and easily identifiable location proves to be badly overgrown or obscured, prompting a search through bracken and nettles.

Healing wells have their origins in pre-Christian antiquity. Animism was the prevailing belief of Scotland’s ancient peoples, and this remains a vital way through which Gaels relate to the landscapes and storyscapes of their homelands. Almost any burn, river, waterfall, cave pool, or pond had beings who guarded it and dispensed its benefits and dangers to those who sought them. When early Christian saints such as Columba, Cuthbert, and Blane learned of local traditions around water bodies, they began a process of syncretism in which old deities were paralleled with new ones. So, a spring with restorative properties which once may have been the domain of a water-spirit was imbued with the power of a saint and became identified with them. It was only, so far as we know, after this process of Christianisation that such water sources became exclusively known for their healing properties.

Miraculous properties

What kind of afflictions did people go to healing wells to cure? A series of sites around the eastern reaches of Loch Tay in Highland Perthshire are perfectly illustrative. A stone-lined spring across the River Tay from Taymouth Castle called An Tobar was especially renowned for curing toothache. Its stones have veins of white quartz, a sacred material thought to hold miraculous properties. Another nearby called Tobar Nan Dileag (Well of Drips) remedied whooping cough, a common affliction for children throughout the Middle Ages. Rainwater which pooled in a natural cavity atop a boulder at Fearnan, known as Clach-na-Cruich (Stone of the Vessel), was especially for curing measles. Waters collected in clefts in prominent stones were believed to be particularly effective for treating that condition.

The list of illnesses which a healing well could remedy is as long as the number of tragedies and nuisances any pre-modern community might deal with – rheumatism, consumption, warts, smallpox, headaches, tumours, dementia, and so on. The key to getting the maximum benefit from the waters was not as simple as imbibing them, however. How and when a person used a healing well, and the way the location was treated by the community, could make all the difference.

Certain times of year were seen as being especially effective. The 1^st of May was particularly fortuitous, coinciding with a key turning point of the year. Sunrise and sunset were the optimal times of day to seek them, especially if it coincided with a celestial event such as a full moon or solstice. Small offerings of coins, cloth, or personal affects were often left at the wells, and on approach to them people would enact rituals such as walking silently around the well several times before drawing from its waters.

Ancient boundary

The location of the well mattered, too. Healing wells located at the ancient boundary between two territories were among the most sought-out, as were wells in locations primed to optimise the spectacle of the rising sun or where traditional held there to be a fairy mound or sacred site nearby. Some places held inherent specialness by virtue of their liminal nature existing as middle-grounds between worlds. Water dripping from certain caves, for instance, was thought to be extremely potent, as were wells located at the foot of venerated hills such as St Mary’s Well at the base of the Eildons in the Scottish Borders. The fact that ancient artefacts such as Bronze Age axeheads are frequently found near such healing wells is testament to the enduring belief in their locations’ significance.

Conversely, it was possible for healing wells to lose their powers. Allowing an animal such as a cow to drink directly from one would instantly nullify its properties. Washing one’s dirty hands in a healing well caused this, too. Loss of healing powers could also occur if the stream which a healing well sat alongside was diverted, or if a structure was built too close in proximity to it. The Reformation sought to quash the practice of healing wells, as it held them to be idolatrous. An Act of Parliament in 1581 decried the “pervers[e] inclination … of pilgrimage to sum chappellis wells”. This did little to curb everyday belief in their powers, however, in much the same way that the spread of Christianity did not erase peoples’ belief in decidedly undogmatic phenomenon such as faeries, water-horses, or household familiars known as brownies. In fact, some brownies were famously associated with sacred waters and healing wells, and their tempers determined how effective treatment would be.

Spiritual significance

By the late 17^th century, the source of healing wells’ power was held by some to be a matter of the chemical properties of the water. Certain flavours were sought out as being indicative of healing properties, notably heavily mineralised waters and peculiar flavours such as a smoky or even, perhaps counterintuitively to us, sulphurous notes. The latter was the case with St Bernard’s Well, perhaps Scotland’s best-known healing well thanks to its location along the high-traffic Water of Leith between Stockbridge and Dean Village in Edinburgh. A natural spring was found there by schoolboys in the 1760s and quickly gained fame for its waters, which tasted “like washings from a foul gun barrel”. The site had spiritual significance long before this, as the 12^th century monk St Bernard of Clairvaux is reputed to have lived in a nearby cave. The spring was capped by a Neoclassical temple adorned by a statue of the Greco-Roman goddess of hygiene, Hygieia, and was even visited by Dr Frankenstein in Mary Shelley’s eponymous classic.

In the 19^th century the Victorian craze for mineral baths and spas took off, with mountain waters in places like Pitlochry piped into hydropathic hotels explicitly marketed for their healing and aesthetic qualities. The focus shifted firmly to the purity and mineralisation of the bath waters, with the older emphases on landscape context, visiting time, and imbibing rituals entirely removed. Meanwhile, many of the settlements around ancient healing wells were cleared of their people, the wells themselves falling into disuse and out of community memory. Yet, there are still hundreds of very old healing wells to be found across Scotland, from seemingly inauspicious bowls worn into boulders to moss-strewn pools quietly bubbling away on Highland and Lowland hillsides alike. Humble though many may be, they are one of the oldest connections we have to the relationship past peoples had with their landscapes, and to the universal human desire to alleviate the suffering of ourselves and those we love.

Words and images by: David C. Weinczok.

On 17-18 August 2024, Clans will gather once again at Kryal Castle, Ballarat to the haunting sound of a lone piper calling all to gather within its mighty walls as the Highland Spectacular returns for a second year. Last year saw 4,500 people attend over the weekend, an outstanding success for an inaugural event.

Range of activities

This year’s event promises to be even more spectacular. Kryal Castle will celebrate the 750^th anniversary of the birth of Robert the Bruce, King of Scots (from 1306 to 1329), with a mighty battle between the knights of England and Scotland on the tournament field. Lances will be smashed in the joust to prove once and for all that Scots are indeed the superior warriors. Witness ‘The Bruce’ demonstrate his prowess in the skill-at-arms riding his mighty steed against de Bohun and discover who the real William Wallace was with entertaining performances by the Castle players.

For those that have never been to Edinburgh for the Tattoo, this is as close as you can get outside of Scotland. See massed pipes and drums celebrating the music of Scotland on the main arena, enjoy spirited Highland dancing and be amazed by the burly lads and lasses from Highland Muscle displaying incredible feats of strength including caber tossing, hammer throw and other expositions of superhuman highland strength.  Simon Abney-Hastings, the 15^th Earl of Loudoun, returns as the Chief of the Day. The Earl attended the coronation of Charles III, officially presenting golden spurs to His Majesty the King during the ceremony. The featured Clan for the event will of course be Clan Bruce.

This year there are even more Clan tents with information about ancestry and the origins of families in Scotland. There will be vendors selling kilts and Scottish regalia, haggis, potato scones, whisky and other delicious Scottish fare. For the animal lovers, there will be Highland ponies, a Highland cow and the noble deerhound display.  Saturday evening features a Highland Feast with haggis and other fine Scottish culinary delights. Accompanying the delicious food will be selected whiskys and a talk about the distilling and tasting notes. After dinner a ceilidh with the stirring Hebridean tunes of Auld Alliance who will also teach you traditional dances.

Family friendly

The kids will have plenty on offer to keep them entertained with the knight’s school, archery, demonstrations, face painting, spell casting and potions in the wizard’s tower, displays and hands-on learning. Entry also includes access to the dragon’s labyrinth, the knight’s tower and throne room. Creative director for the event, Andrew McKinnon, is immensely proud of the inaugural event and excited about seeing the event grow in 2024.  Andrew said: “We saw thousands of people attend the event from the huge Scots diaspora around Ballarat in 2023. My hope is that we can attract more proud Scots from wider afield. Kryal Castle is only an hour from Melbourne. To see all the amazing attractions in a Castle setting re ally makes this the closest thing to being in Scotland. Let’s not forget Ballarat has its own tartan!”

A proud history

The Scots have a proud history in the Ballarat area. Many were attracted by the goldrush and were motivated to emigrate by poverty, famine and social upheaval. The city of Ballarat was first surveyed by William Swan Urquhart, born in Ross Shire, Scotland in 1818. Scottish emigrants took to the opportunities provided by early 19^th century Ballarat, becoming merchants, foundry men, bankers, investors, pastoralists, and mine or business managers.  Their success can be seen in the number of Scots who became notable in public life and for their benevolence in public institutions such as schools, hospitals and public buildings. Notably, statues of both William Wallace and Robert Burns adorn the streets of Ballarat. A sizeable proportion of those attending the inaugural event were from the large Scots diaspora residing near Ballarat and in the Central Highlands region of Victoria.

Kryal Castle Highland Spectacular tickets are all-inclusive and on sale now. Ticket numbers are limited and are prepurchase only, no tickets will be available at the gate. Tickets are available from the Kryal Castle website, www.kryalcastle.com.au. The Highland Spectacular is proudly presented by Kryal Castle.

Edinburgh’s Lord Provost has officially opened this year’s incarnation of the Floral Clock. Work has finished to complete this year’s design on the world’s oldest Floral Clock in Edinburgh’s West Princes Street Gardens. For 2024, the hugely popular landmark celebrates 200 years of the Royal National Lifeboat Institution (RNLI). A team of three gardeners took just six weeks to plant over 35,000 flowers and plants used to create the clock, which will be in bloom until October. There are 20 different plants included in this year’s design such as antennaria, crassula, echevaria, sedum, saxifrage and annuals such as pyrethrum, begonias and geraniums. Former Botanical Services Manager, David Dorward, has been planting the clock for 42 years, and despite being retired he continues to return to supervise the effort and to train new staff members in the tradition.

The Floral Clock was first created in 1903 by then Edinburgh Parks Superintendent, John McHattie, and is the oldest of its kind in the world. It initially operated with just an hour hand, with a minute hand added in 1904, followed by a cuckoo clock in 1952. Until 1972 the clock was operated mechanically and had to be wound daily. Since 1946 it has been designed in honour of various organisations and individuals, including the Girl Guides Association, Robert Louis Stevenson and the Queen, for her Golden Jubilee. In the clock’s centenary year in 2003 it won a Gold Medal at the RHS Chelsea Flower Show.

Saving lives at sea

The Lord Provost of the City of Edinburgh Robert Aldridge said: “It’s important that we honour organisations and individuals that have a positive impact on our communities. The RNLI volunteers and staff work tirelessly to save lives at sea daily, and after 200 years they have saved over 146,000 lives. I’d like to thank our fantastic colleagues who have been working on this year’s Floral Clock that we see before us. It is a very special occasion to be here today to recognise the impact they have made on thousands of lives, through the 2024 floral clock.”

Associate Director of the RNLI, Angela Rook said: “It is a great honour for the RNLI to feature in this year’s Princes Street Gardens Floral Clock, in what is a defining year in our history. For 200 years, selfless volunteers around the UK and Ireland have been saving lives at sea. Our crew and volunteers are the lifeblood of our charity; from our fundraisers who work so hard in funding our lifesaving mission, to our water safety volunteers who deliver vital messaging to help keep people safe – they will all be thrilled to be recognised in this way. It is our hope that those passing by this incredible floral display will take a moment to commemorating those who have gone before us, celebrate the contribution of our dedicated volunteers, and help us inspire the next generation of lifesavers as we look forward to saving lives at sea for the next 200 years.”

The RNLI have 46 lifeboats stations in Scotland, and two of the busiest are operated entirely by volunteers, at Queensferry and Kinghorn. These Lifeboat Stations responded to a combined 172 calls in 2023, rescuing 158 people. On Monday 4 March 2024, the RNLI marked its 200^th anniversary, two centuries of lifesaving that has seen over 146,000 lives being saved. The charity saves lives at sea through lifeboat search and rescue, lifeguards, water safety education and flood rescue.

Returning for the 37^th celebration, the Celtic Classic is the largest free Celtic festival in North America. Presenting the U.S. National Highland Games Championship means the top ten professional highland athletes will be competing for the title.  Also featured is Grade 3 and Grade 4 pipe band competitions, more than forty Celtic retail merchants, and Celtic Heritage Hollow with Clan Village, lectures, demonstrations and children’s activities.

Opening ceremonies will include the Showing of the Tartan Parade through Historic Downtown Bethlehem, concluding on Highland Field.  Visitors will enjoy five stages of world-renowned Celtic music featuring Ally the Piper, The Byrne Brothers, The Prodigals, Conor Mallon, On the Lash and many more.  Thirty food vendors will tempt you with a variety of treats from fish-n-chips, pasties, bangers & mash to bratwurst, corn on the cob, poutine and much more.

The Celtic Classic Highland Games & Festival will take place in Bethlehem, PA, September 27^th – 29^th  2024, for more information see: www.celticfest.org.

It will be 80 years this month since Aberdeen’s John Alexander Cruickshank won the Victoria Cross for incredible heroism during a raid on a German U-boat. Remarkably, John is still alive at 104, the last surviving VC recipient from the Second World War and one of Aberdeen’s war hero’s. John Alexander Cruickshank is no ordinary Scotsman. On the contrary, the Victoria Cross he was awarded 80 years ago this summer marks him out as somebody special, not that you would ever guess it from meeting such a modest individual. In plain terms, he is the Aberdonian who sank a German U-boat, defied being injured more than 70 times, and flew himself and his comrades back to Sullom Voe during the Second World War. It sounds like a Boy’s Own storyline and the ordeal faced by Mr Cruickshank during a mission over Norway in 1944 was highlighted in a Commando-style cartoon strip in the 1980s.

One of the most audacious acts of the conflict

The former Aberdeen Grammar school pupil was involved in one of the most audacious acts of the conflict when he steered his Catalina aircraft through a torrential hail of flak. And, although his first pass was unsuccessful, he brought it around for a second sortie, this time straddling a U-boat and sinking the vessel. However, the German anti-aircraft fire proved fatally accurate in response, killing the navigator and injuring four others, including both Flight Lieutenant Cruickshank and Flight Sergeant Jack Garnett. The Granite City pilot, who was just 24, suffered scores of different injuries while he and his comrades were engaged in sinking the German submarine, and, although they had succeeded in their first objective, there was another huge task in trying to return home safely to Shetland. From a distance of 80 years, it still seems miraculous that Mr Cruickshank survived in the hours which followed.

He was hit in 72 places and suffered serious lung injuries and 10 penetrating wounds to his lower limbs. Yet, despite this panoply of pain, he refused medical attention until he was sure that the appropriate radio signals had been sent and the aircraft was on course for its home base. Even at that stage, he eschewed morphine, aware that it would cloud his judgement and potentially jeopardise the rest of the men on board. Flying through the night, it took the damaged craft five-and-a-half hours to get back to Sullom Voe, with Flt Sgt Garnett at the controls and his colleague lapsing in and out of consciousness.

Incredible bravery

Eventually, though, as another major hurdle came into the equation, he returned to the cockpit and took command of the aircraft. And after deciding that the light and the sea conditions for a water landing were too risky for his inexperienced colleague, Mr Cruickshank kept the craft in the air for as long he could, circling for an extra hour, as the prelude to bringing it down successfully on the water and ferrying the plane to an area where it could be safely beached. It was an astonishing act of bravery, and yet Mr Cruickshank has always shunned the limelight or refused to take any credit for his actions. As one of his RAF colleagues later recalled, he felt he was one of the lucky ones to survive the conflict, unlike so many of his friends who perished.

The Press and Journal reported in 1944 how Mr Cruickshank had become the recipient of the VC and carried the details of the citation which outlined why he had been given the honour. It said: “Flying Officer Cruickshank was struck in seventy-two places, receiving two serious wounds in the lungs and 10 penetrating wounds in the lower limbs. His aircraft was badly damaged and filled with the fumes of exploding shells. “But he did not falter. He pressed home his attack, and released the depth charges himself, straddling the submarine perfectly. The U-boat was sunk.”

Those of us who attended the First World War production Far, Far from Ypres at His Majesty’s Theatre in Aberdeen in 2018 could scarcely have imagined we had a real-life hero in our midst. However, sitting there, in the audience, was Mr Cruickshank, who appeared rather abashed when the MC announced he was present.

One of his friends said later: “I had the privilege of meeting him at a dinner and it was an unforgettable experience for everybody who was there. There was a stunned silence for 45 minutes while he spoke, because everyone present recognised the incredible bravery which he had demonstrated. And yet, one of the things which struck us was that he didn’t want a big fuss made about it. After everything he had endured, when he regained consciousness in the Catalina, the first thing he said was: ‘How are my crew?’”

There aren’t many of these brave men left from the Second World War. But they deserve our utmost respect.

By: Neil Drysdale.

 

Warwick, Queensland, has reason to celebrate as four talented young men from the Warwick Thistle Pipe Band have secured coveted spots to perform at this year’s Royal Edinburgh Military Tattoo (REMT), the world’s largest event of its kind. The region is punching above its weight with four of the 75 musicians selected globally for the Tattoo’s international REMT Pipes and Drums’ band coming from Warwick. They will be part of the 700 strong cast performing 26 shows to around 9,000 people a night at Edinburgh Castle, with the show being broadcast to millions around the world later in the year.

The young men went through a two-stage video audition process, with Nic McGahan and Rory Macfarlane showcasing their skills as pipers, while Josh Hullock and Kweller Manfield demonstrating their drumming talents as tenor and snare drummers, respectively.  Kweller said, “As the audition was open to all pipers and drummers from around the world, a high standard was expected, which included not only playing, but also showing I could march – there’s lots of choreography which we learn during the week of rehearsals when we arrive in Edinburgh’. He said he has ‘been blown away by the well wishes and support from people in our community who have seen media posts and come up to me, and that’s a great feeling.”

Being in a pipe band opens doors

Nic has successfully auditioned for a second year in a row for the international band as he ‘loved it so much he couldn’t wait to return.’ He said, “You can’t put a price on this experience” where he has made life-long friendships with performers from all over the world.  Three of the group joined ranks with Brisbane Boys’ College Pipe (BBC) Pipe Band performing at the 2022 Tattoo. Rory has great memories from that experience and said he is honoured to be selected this time. He said; “A highlight was when you first perform each night entering through the smoke over the castle draw bridge all playing and the crowd erupts as they see and hear the roar of the massed pipes and drums – it is hard to beat.”

Josh shared that this experience will be one of the best of his life and is continually amazed, he added  “That being in a pipe band opens doors you didn’t even know could be opened.” He performed with BBC in 2022 and said, “It is nerve racking initially, and in the end, you are sleeping to the sounds of piping.”

All four musicians were also members of Scots PGC College Pipes and Drums during their school years, highlighting a longstanding commitment to their musical journey from an early age. Thomas Crawford, current student from Scots PGC College, has also been selected to join the ranks of BBC Pipe Band at this years’ Tattoo. Their success underscores the supportive environment and high standard of tuition provided by both the Warwick Thistle Pipe Band and Scots PGC College. Generous sponsorship from John Dee Warwick, Club Warwick RSL and the Warwick Country Women’s Association has been instrumental in making this opportunity easier for these talented musicians. Alexander Manfield, Thistle Pipe Sergeant, said that it is heartening to see such support from the community and businesses for our local pipe band as it allows our members to open a world of performance and competition possibilities.

Main photo: Rory Macfarlane, Josh Hullock and Nic McGahan.